REGULARMAIN The Latest in Contemporary Texas Art - June Mattingly FRONTPAGE BROWS E SUBSCR IBE IIs earch the archives... return home by topic rss feed II --- FEBRUARY 15, 2011• 4:51 PM • 0 Pages A Call for a Competition and Shane Mecklenburger in "Glitch" a group Exhibition show of Video Art at CentralTrak curated by o About June Mattingly John Pomara and Dean Terry o Objectsof Desire: a competition and eXhibltlon Artists and Topics Armory Show A link to my articles in The Art Guys ModAustin .net David Aylsworth WIiiiam Betts o Link to my articles In ModAustln.net Colby Bird Ed Blackbum A link to my articles in Modem Amy Blakemore Dallas.net Erika Blumenfeld Paul Booker o Please check out my articles In Troy Brauntuch ModemDallas.net and Russell Buchanan ModemHouston.net every weekl Richie Budd Angel Cabrales A link to my articles in Modern Jerry Cabrera Houston .net WIiiiam Cannlngs Douglas Leon Cartmel o Link to my article on Modemhouston.net The Chlnati Foundation Michael Craig-Martin DADA Austin Dallas Museum of Art "Glltchensteln's Monster" 2011 Alejandro Diaz o Arthouse at the Jones Center Kent Dorn o Austin Museum of Art Jeff Elrod Shane and I met through a mutual artist/friend In not exactly a "serene• setting o d.berman at the show's opening and again two weeks later at Centraltrak to hear two of Vincent Falsetta o Okay Mountain the conl/lbuting artists discuss their art to an engrossed audience surrounded Joey Fauerso Tony Feher by theoreticallymesmerizi ng art on the walls. The versatility of the artistic Vernon Fisher technologlcal feats possible on a computer and the reference to •a computer Corpus Christi Sean Fitzgerald glitch" In the show's title an of a sudden poppedwi de open. TommyFltzpa tlick o Museum of South Texas Shane received a BA from the University of California at Santa Cruz. an MS Flatbed Press from the University of Southern California and an MFA from the School of Art Virginia Fleck Dallas Institute of Chicago. Since the fall of 2009 he"s served as Assistant Professor Paul Fleming Francesca Fuchs of New Media Art at the University of North Texas and as Adjunct Faculty in o Afterimage Faith Gay the Art & TechnologyStudies Department of the Art Institute. He was chosen Goss Michael Foundation o Barry Whistler to be In the first juried Border Art Biennial at the El Paso Museum In Trenton Doyle Hancock collaboration with a museum In Juarez to examine underrepresented artists o Centraltrac BIiiy Hassell along the US/Mexicanbo rder. o Conduit Joseph Havel uav,o nusc ru "' v,o,~1,ca1 •..-\:,IICC II Benito Huerta o Dallas Contemporary Terrell James o Dallas Museum of Art Elliott Johnson Donald Judd o Dunn and Brown Contemporary Diana Kersey o Gallen Urbane Ted Kincaid o Goss-Michael Foundation Chartes Mary Kubricht Chris Lattanzio o Holly Johnson Tom Lauerman o Marty Walker Annette Lawrence o Mary Tomas Studio Gallery Lance Letscher James Magee o McKinneyAvenue Contemporary "De-Weaponlzed Time Signature." 2004-2009 Mary McCleary o Mighty Fine Arts Jeremy McKane o Nasher Sculpture Center Shane Mecklenburger The unending sources and crossoversof art mediums begins with Marcel Michael MIiier o PhotographsDo Not Bend Duchamp's dubbed readymade, a sculptural urinal he called "Fountain" dated Jesus Moroles o Rising Gallery 1917, moves to Jeff Koon's encasing washing machines In plastic cases in Max Neuhaus the mld-80s to 2011 and Shane u eating (see below) a diamond out of o The Public Trust Robyn O'Neil gunpoWder. All in their own way these artislS challenge many assumptions Brad Oldham o Valley House and pretentlons about authenticity, originality and other value-loaded criteria. TomOrr and Frances Bagley Mike Osborne Shane's "De-WeaponizedTim e Signature• began with a mass of layers of Ft. Worth Ricardo Paniagua auy llc paint, ii took four years unlll it weighed 50 pounds and measured 13 Aaron Parazette InchesI n diameter. Later with an antique sword It required the artist's full body o Gallery 414 James Pepper weight to divide Into two halves. The 30-mlnute documentationon video is o Modem Art Museum John Pomara now exhibited as Performance Art. Robert Rauschenberg o WIiiiam Campbell Contemporary Art With funds from the UNT Researcht nillallon Grant and working with an asst. Sam Reveles chemistryprofessor . Shane is exploring "what people value by producing a Susie Rosmarin Houston series of synthetic diamonds from carbon sources that have no market Luke Savlsky Margo Sawyer value. ..see lng a diamond made from something we don't associate a high o Anya Tish Ludwig Schwarz marketva lue polnlS out the way we value things. The projecl Is asking: 'What o Art Palace Rusty Suu by Is this worth?'" Ansen Seale o Barbara Davis HowardSherman o Bering & James Jay Shinn o Blaffer Gallery Jeff Shore and Jon Fisher Shawn Smith o Contemporary Arts Museum Julie Speed o CTRL Erick Swenson o Devon Borden/Hiram Butler James Surls Lorraine Tady o Glassell School of Art GeorgeTobolowsky o Inman Trinity River Audubon Center o McClain Kelli Vance Jade Walker o McMurtrey Liz Ward o Menll Collection LesUe Wilkes Shane makes and writes about art and teaches In the new New Media Art, a o Moody SarahWIi iiams multidlscipllnary department to ·examinevalua tion. conflict and IdentityI n Jeff Zllm o Museum of Flne Arts popular culture and art: Participatory Art Is a mum-faceted art form In which BIiiy Zinser o Texas Gallery the audience Is an Integral part and even becomes the creator: Video Art Is o wade WIison Art one of those forms. New Media is viewed as In ongoing dialogue with traditional art practicess uch as Performance, Installation and Sculpture. Advanced Video Art requires In-depth sophisticated knowledge of the San Antonio technical aspeclS- the tools, techniques and concepts behind the o Blue Star ContemporaryArt Center complicated field of digital Imaging Including but not limited to sound production. animation and web art. o David Shelton o San Antonio Museum of Art A "glitch" ls a new website video game (in a video game a glitch Is a programming error) as well as a term for a failure of a computer system to performproperly: the less serious side of an all-age game appears Tyler appropriatetoo as the artists InvestigateI ndividually digital error In "Glitch" with the concentrateduse of video, stills. sound and found objects. o Tyler Art Museum Former Assistant Curator at the Meadows Museum Kate Sherrin with a master's degree in art history from New York University's Institute of Fine Arts Meta since January 2010 Is the energetic and enthusiastic director of CentralTrak. o Register o Log In o Entries RSS o CommenlS RSS o WordPress.com o RSS- Posts "Time Signature (In Progress)"2007 Flied under: Dallas/FtWorth , Shane Mecklenburger .