Student Nonviolent Coordinating Committee, Statement of Purpose

Student Nonviolent Coordinating Committee, Statement of Purpose

National Humanities Center Resource Toolbox The Making of African American Identity: Vol. III, 1917-1968 California African American Museum Student Nonviolent Coordinating Committee STATEMENT OF PURPOSE 1960 Constitution of the Student Nonviolent Coordinating Committee Originally adopted spring 1960, Raleigh, North Carolina As revised 29 April 1962 * e affirm the philosophical or religious ideal of nonviolence as the foundation of our Wpurpose, the presupposition of our faith, and the manner of our action. Nonviolence as it grows from the Judaeo-Christian tradition seeks a social order of justice permeated by love. Integration of human endeavor represents the crucial first step towards such a society. Through nonviolence, courage displaces fear; love transforms hate. Acceptance dissipates prejudice; hopes ends despair. Peace dominates war; faith reconciles doubt. Mutual regard cancels enmity. Justice for all overcomes injustice. The redemptive community supersedes systems of gross social immorality. Love is the central motif of nonviolence. Love is the force by which God binds man to himself and man to man. Such love goes to the extreme; it remains loving and forgiving even in the midst of hostility. It matches the Danny Lyon / Library of Congress capacity of evil to inflict suffering with an even more enduring capacity to absorb evil, all the while persisting in love. By appealing to conscience and standing on the moral nature of human existence, nonviolence nurtures the atmosphere in which reconciliation and justice become actual possi- John Lewis, SNCC field secretary and later chairman (second from left) bilities._________________________ and others pray during a demonstration in Cairo, Illinois, 1962 * National Humanities Center, 2007: nationalhumanitiescenter.org/pds/. In the public domain. Published in Nonviolence in America: A Documentary History, ed., Staughton Lynd (New York: Bobbs-Merrill Co.), pp. 398-399. Photograph at bottom reproduced by permission of Danny Lyon. Complete image credits at nationalhumanitiescenter.org/pds/maai3/imagecredits.htm. .

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