♠ ♥ A S T E L E U R B A S T E L E U R ♣ 1 ♦ ♠ ♥ B A S T E L E U R A B C D E F G H I J K L M N O P Q R S T U V W X Y Z ♣ U P P E R C A S E I ♦ ♠ ♥ B A S T E L E U R a b c d e f g h i j k l m n o p q r s t u v w x y z ♣ L O W E R C A S E II ♦ ♠ ♥ B A S T E L E U R A Á Ă Ǎ Â Ä À Ā Ą Å Ã Æ B C Ć Č Ç Ċ D Ð Ď Đ E É Ě Ê Ë Ė È Ē Ę F G Ğ Ģ Ġ H Ħ I Í Ǐ Î Ï İ Ì Ī Į J K Ķ L Ĺ Ľ Ļ Ł M N Ń Ň Ņ Ŋ Ñ O Ó Ǒ Ô Ö Ò Ő Ō Ø Õ Œ P Þ Q R Ŕ Ř Ŗ S Ś Š Ş Ș T Ŧ Ť Ţ Ț U Ú Ǔ Û Ü Ǘ Ǚ Ǜ Ǖ Ù Ű Ū Ų Ů V W Ẃ Ŵ Ẅ Ẁ X Y Ý Ŷ Ÿ Ỳ Z Ź Ž Ż a á ă ǎ â ä à ā ą å ã æ b c ć č ç ċ d ð ď đ e é ě ê ë ė è ē ę f g ğ ģ ġ h ħ i ı í ǐ î ï ì ī į j k ķ l ĺ ľ ļ ł m n ń ň ņ ŋ ñ o ó ǒ ô ö ò ő ō ø õ œ p þ q r ŕ ř ŗ s ś š ş ș ß t ŧ ť ţ ț u ú ǔ û ü ǘ ǚ ǜ ǖ ù ű ū ų ů v w ẃ ŵ ẅ ẁ x y ý ŷ ÿ ỳ z ź ž ż fi fl ª º 0 1 2 3 4 5 6 7 8 9 ¹ ² ³ ⁄ . , : ; … ! ¡ ? ¿ · • * # / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › » ’ ¢ $ € ƒ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ^ ∞ % ‰ ☀ ★ ☆ ☽ ☾ ♠ ♡ ♢ ♣ ♤ ♥ ♦ ♧ ✦ ✧ ✫ ✬ ✶ ✷ ✹ @ & ¶ § © ° | ¦ † ‡ ♣ G L Y P H S E T III ♦ ♠ ♥ B A S T E L E U R DEFAULT STYLISTIC SET 1 MICHAEL DUMMETT’S MICHAEL DUMMETT’S RESEARCH LED HIM TO RESEARCH LED HIM TO CONCLUDE THAT (BASED ON CONCLUDE THAT (BASED ON THE LACK OF EARLIER THE LACK OF EARLIER DOCUMENTARY EVIDENCE) THE DOCUMENTARY EVIDENCE) THE TAROT DECK WAS PROBABLY TAROT DECK WAS PROBABLY INVENTED IN NORTHERN ITALY INVENTED IN NORTHERN ITALY IN THE 15TH CENTURY AND IN THE 15TH CENTURY AND INTRODUCED INTO SOUTHERN INTRODUCED INTO SOUTHERN FRANCE WHEN THE FRENCH FRANCE WHEN THE FRENCH CONQUERED MILAN AND THE CONQUERED MILAN AND THE PIEDMONT IN 1499. THE PIEDMONT IN 1499. THE ANTECEDENTS OF THE TAROT ANTECEDENTS OF THE TAROT DE MARSEILLE WOULD THEN DE MARSEILLE WOULD THEN HAVE BEEN INTRODUCED INTO HAVE BEEN INTRODUCED INTO SOUTHERN FRANCE AT SOUTHERN FRANCE AT AROUND THAT TIME. THE 78- AROUND THAT TIME. THE 78- CARD VERSION OF THE GAME CARD VERSION OF THE GAME OF TAROT DIED OUT IN ITALY OF TAROT DIED OUT IN ITALY BUT SURVIVED IN FRANCE AND BUT SURVIVED IN FRANCE AND SWITZERLAND. WHEN THE SWITZERLAND. WHEN THE GAME WAS REINTRODUCED GAME WAS REINTRODUCED INTO NORTHERN ITALY, THE INTO NORTHERN ITALY, THE MARSEILLES DESIGNS OF THE MARSEILLES DESIGNS OF THE CARDS WERE REINTRODUCED CARDS WERE REINTRODUCED WITH IT. ALL ITALIAN-SUITED WITH IT. ALL ITALIAN-SUITED TAROT DECKS OUTSIDE OF TAROT DECKS OUTSIDE OF ITALY ARE DESCENDED FROM ITALY ARE DESCENDED FROM THE MILAN-MARSEILLES TYPE THE MILAN-MARSEILLES TYPE WITH THE EXCEPTION OF SOME WITH THE EXCEPTION OF SOME EARLY FRENCH AND BELGIAN EARLY FRENCH AND BELGIAN PACKS WHICH SHOW MIXED PACKS WHICH SHOW MIXED INFLUENCE FROM BOLOGNESE INFLUENCE FROM BOLOGNESE TAROT (SEE BELOW). THE TAROT (SEE BELOW). THE EARLIEST SURVIVING CARDS EARLIEST SURVIVING CARDS ♣ A L T E R N A T E E IV ♦ ♠ ♥ B A S T E L E U R Authoritarian Blamelessness Corroboratory Disillusioning Encapsulation Foreshortened Goosestepping Hypnotherapy Inconspicuous ♣ S A M P L E T E X T V ♦ ♠ ♥ B A S T E L E U R Michael Dummett’s research led him also made in other cities in France. to conclude that (based on the lack of The Tarot de Marseille is one of the earlier documentary evidence) the Tarot standards from which many tarot decks deck was probably invented in northern of the 19th century and later are derived. Italy in the 15th century and introduced The term Tarot de Marseille has, in the into southern France when the French past, most often been translated into conquered Milan and the Piedmont English as Tarot of Marseilles because in 1499. The antecedents of the Tarot of the English exonym Marseilles for de Marseille would then have been the city whose name in French is spelled introduced into southern France «Marseille». The spelling Marseille is at around that time. The 78-card version gradually enjoying greater, concurrent of the game of Tarot died out in Italy usage in the English language to describe but survived in France and Switzerland. the city generally; likewise, the When the game was reintroduced into alternative English translation Tarot northern Italy, the Marseilles designs of Marseille for the French term of the cards were reintroduced with it. Tarot de Marseille is gradually increasing All Italian-suited tarot decks outside in usage. Others have also tended to use of Italy are descended from the Milan- the initials TdM, allowing for ambiguity Marseilles type with the exception of as to whether the M stands for Marseille some early French and Belgian packs or Milan, a region claimed for the origins which show mixed influence from of the image design. In deference to Bolognese tarot (see below). The earliest the common appellation Marseille for surviving cards of the Marseilles pattern the style and in recognition that the were produced by Jean Noblet of Paris deck appears in other places, the term around 1650. The documentary «Marseille-style» is at times also used. «Les mystères du Tarot de Marseille» Traditional North Italian playing cards, (Arte, 18 February 2015) claims that the like the Tarot of Marseilles, distinguish work of Marsilio Ficino can be credited batons from swords by the use of straight as having inspired imagery specific to the versus curved lines. Like other Tarot Marseilles. Etymology and English decks, the Tarot de Marseille contains translation The name Tarot de Marseille fifty-six cards in the four standard suits. is not of particularly ancient vintage; In French-language versions of the Tarot it was coined as late as 1856 by the French de Marseille, those suits are identified card historian Romain Merlin, and was by their French names of Bâtons (Batons), popularized by French cartomancers Épées (Swords), Coupes (Cups), and Deniers Eliphas Levi, Gérard Encausse, and Paul (Coins). These count from Ace to 10. Marteau who used this collective name There was also an archaic practice of to refer to a variety of closely related ranking the cards 10 to Ace for the suit designs that were being made in the of cups and coins in line with all other city of Marseilles in the south of France, tarot games outside of Sicily. As well, a city that was a centre of playing card there are four face cards in each suit: manufacture, and were (in earlier, a Valet (Knave or Page), Chevalier or contemporaneous, and later times) Cavalier (Horse-rider or Knight), [...] ♣ S A M P L E T E X T VI ♦ ♠ ♥ A S T E L E U R BASTELEUR IS AN OPEN-SOURCE FONT CREATED BY KEUSSEL ✷ ✹ ✷ ✶ ✷ ✹ ✷ ✶ ✷ ✹ ✷ WWW.KEUSSEL.STUDIO ✷ ✹ ✷ ✶ ✷ ✹ ✷ ✶ ✷ ✹ ✷ DISTRIBUTED BY VELVETYNE TYPE FOUNDRY ✷ ✹ ✷ ✶ ✷ ✹ ✷ ✶ ✷ ✹ ✷ WWW.VELVETYNE.FR/ ✷ ✹ ✷ ✶ ✷ ✹ ✷ ✶ ✷ ✹ ✷ THIS SPECIMEN WEBSITE IS DEVELOPPED BY ROMAIN DUCROCQ ✷ ✹ ✷ ✶ ✷ ✹ ✷ ✶ ✷ ✹ ✷ WWW.COUCOU.NINJA ✷ ✹ ✷ ✶ ✷ ✹ ✷ ✶ ✷ ✹ ✷ SHOUTOUT TO MASS-DRIVER.COM FOR THE WATERFALL TOOL <3 ♣ VII ♦.