U N IVE R S I T Y O F MA SSA CHUS E T T S A MHE R S T Interdepartmental Program in Film Studies 26th annual massachusetts multicultural film festival Track wednesday 20 march PATERNAL RITES (2018, Jules Rosskam, USA, 82 min, in English) A highly personal, rst-person essay lm about trauma and memory and the secret underbelly of a contemporary family grappling with the aereects of abuse. Retracing the route of a road trip taken by Rosskam’s parents in 1974, the lm wednesday 20 february wednesday 10 april WITHIN OUR GATES THE MEMORY OF WATER (1920, Oscar Micheaux, USA, 79 min, silent with recorded musical accompaniment by DJ Spooky, (La memoria del agua) intertitles in English) (2015, Matías Bize, Chile, 88 min, in Spanish w/English subtitles) Production began 100 years ago on what is now the oldest known surviving feature lm made by In Santiago, Amanda and Javier nd it impossible an African-American lmmaker. A powerful and to cope with the drowning death of their ambitious account of race in America, told transports its audience into this family history four-year-old son. As time passes, their grief only through the experiences of Sylvia Landry, a young through audio recordings, family photos, Super 8 worsens until Amanda can barely look at her black woman visiting the North, it stands as an footage, and colorful animation to explore queer, husband anymore, and they begin to dri apart. important tribute to the power of appropriating transgender, and Jewish subjectivities and engage is delicately lmed exploration of the wayward (what was then) new media to contest popular the power of lm and lmmaking in the process paths to recovery and survival aer shattering loss culture representations of African American life of healing. asks if some shared memories are too harrowing and oer instead complexity, nuance, and stinging Co-sponsored by Mount Holyoke College Film to overcome. social critique. Studies Program and Amherst College Film and In conjunction with the Latin American Film Media Studies Program. Festival. Introduction by Pilar Osorio-Lora Introduction by Bernadine Mellis (Mount (UMass). e director will be present for discussion. Holyoke). 7:30pm UMass Amherst e director, Jules Rosskam, will be present for 137 Isenberg School of Management discussion. 7:30pm UMass Amherst 137 Isenberg School of Management Presented with recorded musical accompaniment composed and performed by DJ Spooky. In collaboration with the UMass Fine Arts Center. Introduction by Ousmane Power-Greene (Clark University). Musician Paul D. Miller (aka DJ Spooky) will be present for discussion. wednesday 27 march 7:30pm UMass Amherst An Evening with Film 137 Isenberg School of Management wednesday 17 april Producer Christine Vachon Vanessa Renwick: Selection and a Rare Screening of Short Films e festival is proud to host lm (Vanessa Renwick, USA, approx. 90 min, in producer Christine Vachon, a long-time English) collaborator with Todd Haynes, the e ethos of DIY (do-it-yourself) punk rock independent lmmaker known for Poison inspires this lmmaking. Vanessa Renwick visits (1991), Safe (1995), Velvet Goldmine from Portland, Oregon, where she is founder of (1998), Far from Heaven (2002), the HBO (2011), Carol the Oregon Department of Kick Ass and has been miniseries Mildred Pierce making movies for nearly 35 years. With glimpses (2015) and most recently, Wonderstruck of outsiders from the Pacic Northwest, or the (2017), for a discussion about landscapes that surround them, her creatively wednesday 27 february independent, underground, and eclectic lmmaking covers a range of style, subject JOSEPH PULITZER: VOICE subversive lmmaking. is event will be matter, and tone through experimental approach- es to the moving image. Once you’ve seen them, accompanied by a rare screening, TBA. OF THE PEOPLE you won’t soon forget. is evening’s screenings (2018, Oren Rudavsky, USA, 85 min, in English) Introduction by Alexandra Keller (Smith). oer a range of extraordinary work from her extensive and oen surprising lmography. Joseph Pulitzer began as a penniless Jewish Christine Vachon will be present for immigrant from Hungary and grew into one of discussion. Introduction by Josh Guilford (Amherst). e America’s most admired and feared media director will be present for discussion. gures. His popular New York newspaper e 7:30pm UMass Amherst 7:30pm UMass Amherst World maintained powerful journalistic and 137 Isenberg School of Management 137 Isenberg School of Management artistic ideals through its ascent. Joseph Pulitzer: Voice of the People tells the story of the founder of the Pulitzer Prize who spoke of “fake news” and the importance of freedom of the press over a century ago. Narrated by Adam Driver, with the voice of Pulitzer performed by Liev Schreiber. Valley Premiere, co-sponsored by Mount Holyoke History Dept; Comparative Literature (UMass); and Journalism (UMass). Introduction by Catherine Portuges (UMass). e director, Oren Rudavsky, and on-camera expert Daniel Czitrom (Mount Holyoke) will be wednesday 24 april present for discussion. 7:30pm UMass Amherst “We Haunt You While You 137 Isenberg School of Management Watch”: An Evening with Kristen Gallerneaux Reading from: High Static, Dead Lines: Sonic Spectres & the Object Hereaer (2018, Strange Attractor Press) wednesday 3 april Screening: AN ACT OF DEFIANCE THE HUM (2017, Jean van de Velde, Netherlands/South (2018, Kristen Gallerneaux, USA, B&W, 25 min, wednesday 6 march Africa, 123 min, in English & Afrikaans in English) “Top Picks” 25th annual Five w/English subtitles) We begin with a multimedia reading featuring A courtroom political thriller and historical glitchy video visuals and a score of original College Student Film Festival drama that follows the case of ten political ambient compositions. ese recall an upbringing In collaboration with Five College Student Film activists, including Nelson Mandela, who face a surrounded by supernatural superstition and and Video Festival, we present a collection of local possible death sentence for conspiracy to sonic experience, then dive into the ghostly commit sabotage aer arrest in Rivonia in student lms selected by a jury of students and crosstalk of television piracy, late night sign-os, apartheid South Africa of 1963. Bram Fischer faculty members from each campus. Founded in and test patterns. Next, a screening of e Hum. risks his career as a lawyer and his very freedom 1994, the student festival features original lms Not everyone can “hear” the Hum, but the to defend these men in court—all while and videos by Five College students. e festival is vibroacoustic eects of infrasound causes victims attempting to hide that he is one of them. Based to describe it as something felt more than heard. an important venue for lm students to meet, on actual events. collaborate and share their work with peers and e Hum reconstructs a visual and sonic In conjunction with the Pioneer Valley Jewish with the Five College lm community. We are impression of the spatial, psychic-industrial, and Film Festival physiological eects of this mysterious event. e honored to screen the top picks of this year’s Introduction by and discussion with Stephen soundtrack samples interviews with the Hum-af- anniversary season. Clingman (UMass), author of the award-winning icted, eld recordings of the phenomena, and Bram Fischer: Afrikaner Revolutionary. Introduction by Kevin Anderson (UMass). e “sonied” dirt with use of an analog synthesiz- er—in sonic solidarity with the environment. directors of the lms selected at the Five College 7:30pm UMass Amherst Student Film Festival (March 1) will be present for 137 Isenberg School of Management Introduction by Shawn Shimpach (UMass). discussion. Discussion with the director will follow. 7:30pm UMass Amherst 7:30pm UMass Amherst 137 Isenberg School of Management 137 Isenberg School of Management O Track 26th annual e 26th annual Massachusetts Multicultural Film Festival is pleased to go “O Track.” Contemplating the expressive potential of images, artist/scholar Nick Sousanis observed, “forgotten is the wonder of what might be, in its place, a single chorus…this is how it is.” He may as well have been describing what is—too oen—our relationship with the cinema, following an expected path, with story, character, visuals, edits, and information just where they ought to be. But movies can do and be so much more! ey can be unexpected, incomplete, and discomforting—they can move o the expected path, they can take us somewhere new, they can go o track. is spring’s Festival presents a season of the unexpected, with orphaned, amateur, experimental, and underground lms as massachusetts multicultural well as narrative and documentary in which characters go o track and encounter what they never anticipated. Together these lms show us how lmmaking can be democratic and accessible and film festival esoteric and extraordinary. Now, more than ever, it is crucial to forge past how it is and recall the wonder of what might be. Join us for our 9 weeks of extraordinary cinema! All events are free and open to the public! Presented by the Interdepartmental Program in Film Studies at the e festival is made possible by the generous support of many University of Massachusetts Amherst. Shawn Shimpach, Festival departments, programs, colleges, and individuals at UMass Director. Barbara Zecchi, Director of the Interdepartmental Amherst, the Five Colleges, and beyond. Program in Film Studies. Assistant Curators: Daniel Pope and Barry Spence. S448 Integrative Learning Center, University of We wish to thank: Massachusetts Amherst, MA 01003, tel. (413) 545-3659. Major Sponsors: For updated program information, please visit: UMass Amherst: College of Humanities & Fine Arts; College of www.umass.edu/lm Social & Behavioral Sciences; and the UMass Arts Council Arts in a Series Grant; Five College Film Council. Festival screenings at UMass Amherst are free and open to the public.