O'GRADY - 20 RESUME GERALD O'GRADY EDUCATION Boston College A.B . English 1949-1953 Boston College Graduate School M.A. English 1953-1954 Thesis: "The Aristotelian Concepts of Imitation in the Drama of Ben Jonson" University of Wisconsin Ph.D. English 1954-1958 Dissertation: "Piers Plowman and the Tradition of Penance" St. Antony's College, Oxford University Marshall Scholar 1958-1961 Post-doctoral work in medieval literature EMPLOYMENT University of Illinois at Champaign/Urbana Instructor, English 1961-1962 Rice University Assistant Professor, English 1962-1967 University of St. Thomas, Houston, Texas Director, Media Center 1967-1969 State University of New York at Buffalo 1967-1995 Assistant Professor, English 1967-1970 Associate Professor, English 1970-1972 Director,Center for Media Study 1972-1988 Director, Educational Communications Center 1973-1990 Harvard University, Cambridge, Massachusetts Fellow, W.E .B . Institute for Afro-American Research 1994-1995 Visiting Scholar, Department of Afro-American Studies 1994-1997 University of Texas at Austin Visiting Associate Professor English and Radio/Film/Television 1969-1970 Columbia University, School of the Arts, Visiting Faculty Associate, Graduate Film School 1970-1972 New School for Social Research Lecturer, Media 1970-1971 Hampshire College Visiting Faculty of Film, Summer 1972 New York University Visiting Faculty, Graduate Department of Cinema Studies 1972 O'GRADY - 21 HONORS AND AWARDS Rice University Outstanding Teacher on Campus, voted by members of the Senior Class 1966 Nicolas Salgo Distinguished Teaching Award 1967 Person Making the Greatest Contribution to the College System 1967 State University of New York at Buffalo Chancellor's Award for Excellent Administration 1980 New York State Department of Education Silver Medal for 20 Years of Meritorious Service in Media Education to New York State 1989 National Endowment of the Humanities Research Teacher's Fellowship 1993-1995 Harvard University, W .E.B. Du Bois Institute for Afro-American Research Fellow 1994-1995 DIRECTOR OF TELEVISION PROJECTS America Lost and Found - $150,000 National Endowment for Humanities Grant to produce a feature-length documentary film for public television on the 1930s -- First Prize for Best Film in History, American Film Festival, 1980. Film-Makers , Director and Host of 14 televised interviews with filmmakers produced at Channel 17, WNED, for public television, 1976, supported by The New York State Council on the Arts. The World of Tomorrow - a $200,000 feature-length film for public television on the 1939 New York World's Fair, supported by The National Endowment for the Humanities . The Independents, Executive Producer and Creator - selected the films and wrote the on-air material for two 12-hour series - Dispatches ' (arts programming) and Agenda (social documentaries) for satellite cable distribution by The Learning Channel, Washington, D .C . and by Public Television System - $1,000,000 grant from John and Catherine McArthur Foundation, 1984-1985 . Executive Producer, "Endesha Holland's From the Mississippi Delta, WNED/Channel 17, 1990. DIRECTOR OF INSTITUTES Summer Institute for the Making, Knowing and Judging of Film/Media, 1972-1979, 14 courses, 200 participants each summer, funded by The National Endowment for the Arts. New York State Summer School for the Media Arts, 1976-1990 - a six-week residential program for 60 of the most talented high school students in New York State, supported by The New York Department of Education. American Seminar in Film - nine three-day seminars of faculty and graduate students of NYU, Harvard and SUNY/Buffalo, 1975-1978, supported by The National Endowment for the Humanities . O'GRADY - 22 SELECTED PUBLICATIONS GERALD O'GRADY "Piers Plowman," article in New Catholic Encyclopedia (New York: McGraw-Hill, 1967) XI, 351-353. "The Great American Good Dream," Rice Alumni Bulletin 4, 1 (September, 1965), 1-11 . "The Preparation of Teachers of Media," Journal of Aesthetic Education 3, 3 (July, 1969), 113-134--reprinted in three books. "Alice's Restaurant--(M)ess, Mess, Mein Kind!--Eyeconucopia for U .S .," See 4, 4 (January, 1971), 24-29. "The Dance of the Misfits : A Movie Mobile," Journal of Aesthetic Education 5, 2 (April, 1971), 75-89 . "Teaching the Film," Filmmakers Newsletter 4, 12 (October, 1971), 23-30. "Review of Summer Institute," University Film Study Center Newsletter 2, 1 (October, 1971), 1-2 . "Our Space in Our Time: The New American Cinema," R or r 3, 26 (March 30, 1972 .), 5-9; expanded version in Donald Staples, ed ., The American Film (Washington, D .C ., 1974), 171-184. "To Amend the National Foundation of the Arts and Humanities Act of 1965," Hearings Before the Subcommittee on Education and Labor on H.R. 17021 , 93rd Congress. 2nd Session, U.S . House of Representatives. "The Teaching of Film and Television," National Committee on Film and Television Resources and Services (December, 1975). "Toward a Definition of Media Studies," The Antiochan , Vol. 46, No. 1 (January, 1975), 6 . "The Spectrum of Cinema," Film Library Quarterly , Vol . 8, No. 1 (1975), 7-16. "Integrating a Cinema Program into a Humanities Curriculum," Ethos, Vol. 8, No . 21 (February 27, 1975), 6-11 . "Consciousness--Codes--Cultures," Art Transition (M .I .T., October 18,1975), 48 . O'GRADY - 23 "Sound Track of a Tele-Vision," in Douglas Davis and Allison Simmons, ed., The New Television: A Public/Private Art (M.I.T . Press: Cambridge, Mass, 1977), 222-229 . "Bergman : Old Traditions/New Directions," Video 17 Vol. 4, No . 2 (November, 1975), 10-11 . "Resources for the Oral History of the Independent American Film at Media Study/Buffalo, New York," in Edward S. Perry, ed ., Performing Arts Resources , Vol. 3 (New York, 1977). "Film Study" in Peter Feinstein, ed., The Independent Film Community : A Report on the Status of Independent Film in the United States (New York: 1977). "Rossellini, " editor, 24-page catalog for The Public Theatre, New York City, May 1-20,1979 . "From the Crash to the Fair," editor, 16-page catalog for The Public Theatre, New York City, October 30 - November 20, 1979. "Beau Fleuve," editor, 32-page catalog for the Center for Media Arts, Paris, France, traveling film and video exhibitions, December 3-21, 1971 . "MacDougall : A Retrospective of the Ethnographic Films of David and Judith MacDougall," editor, 24-page tabloid on Conference on Ethnographic Film at Media Study/Buffalo, March 29-30, 1980 . "The Frontier: Fact and Symbol," The Frontier (Catalogue), Media Study/Buffalo (December, 1979) . "Ee-ee-ow! A-yip-i-o-ee-ay! A Farewell to James Blue," Media Study/Buffalo (September - December, 1980), 30-35 . "Throwing a Snowball with a Rock in It--A Momentum Mori for Marshall McLuhan," Media Study/Buffalo (January-March, 1981) ; reprinted in The Buffalo News (Sunday, January 11, 1981) . "Arthur Miller Considered and Reconsidered," The Buffalo News (Sunday, March 8, 1981) . "Tribute to James Blue, 1930-1980," editor, 12-page catalog for The Ontario Film Theatre, Ontario Science Center, June 3, 1981 . "Bodies of Knowledge" (The Echoes Resound from the Lecture Arnold Gave in Buffalo), The Buffalo News (Sunday, January 23, 1983) . O'GRADY - 24 "I have a Dream"--"Go Tell It On the Mountain," The Reporter 16 (January 31, 1985), 12-13 ; also appeared in The Second Stou 16 (January 16, 1985), 3, 10 . "Claymation : A Magical New Technique," The Reporter 17 (April 10, 1986), 7 . "James Baldwin," The Reporter 17 (May 8, 1986), 7, 10. "Seeing Shoah on Sunday Morning," The Rg op rter 18 (September 25, 1986), 11, 14 . Statement on Marshall McLuhan in George Sanderson and Frank MacDonald, ed., Marshall McLuhan: The Man and His Message (Golden, Colorado : Fulcrum, 1989), 20. Editor, The Films of the Civil Rights - June 16-24 1989, a 48-page catalogue for The Public Theater, New York, 1989 . "James Baldwin and James Blue: Civil Rights in the Age of Film and Television: Black and White Becomes Color," in The Films of the Civil Rights , 27-29 . Editor, Theo Angelopoulos - February 16 - March 9 1990, a 28-page catalogue for The Museum of Modern Art, New York, 1990 . "Tesselations and Honeycombs: The Beekeeper," in Theo Angelopoulos , 23-24; reprinted in Andrew Horton, ed ., Theo Angelopoulos (London : 1996) . Editor, The Banned and the Beautiful A Survey of Czech Filmmaking 1963-1990, a 64-page catalogue for The Public Theatre, New York, 1990. "Hallelujah For Prague: An American Orbis Picta," in The Banned and the Beautiful: A Survey of Czech Filmmaking 1963-1990, 50-69 . "Interview with Theo Angelopoulos, " in The Buffalo News , G1, G4, September 16, 1990. "The Films of Hollis Frampton," Circulating Film and Video Library Catalogue, Volume 2 (New York: Museum of Modern Art, 1991), 34-38 . "The Films of the Civil Rights Movement," program notes for The Museum of Fine Arts, (Houston, May 5 - June 16, 1991) . "Jan Amos Comenius" in Celebrating the 400th Anniversary of the Birth of Comenius, March 28 . 1992 (28-page booklet with illustrations to accompany film screenings) . Editor, Remembering Malcolm X , a 12-page catalogue for The Public Theater, New York, 1990. O'GRADY - 25 "The New Media Technologies and Human, National and Global Development" in 41st Annual Assembly of The International Council on Education in Teaching Istanbul Turkey (Washington, D.C., 1994), 20-25 . Editor, Nelson Pereira dos Santos, Cinema Novo's "Spirit of Light," a 48-page catalogue for The Film Society of Lincoln Center, New York, 1995 . "Interview with Nelson Pereira dos Santos," in Nelson Pereira dos Santos, 17-22 . Editor, Makavejev Fictionarv : The Films of Dusan Makavejev, a 48-page catalogue for The Harvard Film Archive, Cambridge, Massachusetts, 1995. "Image, Sound and the Real Person, Richard Leacock," VISION (Boston Film and Video Foundation, 1995), 8-9 . Editor, Animated Light: The Emergence of Abstract Film in America, a 16-page catalogue for The Harvard Film Archive, Cambridge, Massachusetts, 1995 . "Articulated Light: An Appendix," in Articulated Light, 3 .