linda is a weekly online magazine which Besides this compilation, we also present proposes to debate electroacoustic culture. in this edition two previously unpublished If at first the word electroacoustic was articles. Julia Teles asks where are the connected to musical traditions of France female composers, in a text addressing and Germany in the late 1940s, what is sexism within the world of music being brought up here now is absolutely composition. And Sérgio Abdalla brings us contemporary and Brazilian. Such a talk with Eva Sidén and Jens Hedman, in reservation is necessary for this edition. which the universes of musical creation, Not only is it essentially composed of a both in Brazil and Sweden, are discussed. compilation of the best articles written by May linda be a gateway for you to know a little its regular authors in the past quarter, it is more about what NME has made. Since you also our first bilingual edition. won’t be able to drop by one of our concerts, A compilation, in order to create new don’t miss the chance to listen to the albums intertextual narrative paths. available free of charge through our label – http://nmelindo.bandcamp.com –, iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii Bilingual, in order to put said production into or to watch our video-clips channel– iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii perspective, in the face of what has been http://youtube.com/nmeclipes. iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii produced around the world. iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii For now, we invite you to dive into this iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii It is important to emphasize how confident iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii linda – i (the first!) for a most pleasurable iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii we are in our work, and that we understand iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii reading – as usual. iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii the relevancy of the themes and opinions iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii presented here for art and contemporary iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii studies. iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii LINDA iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii Tiago de Mello iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii iiiiiiiiiiii INDEX (8-15) TRANSWEST (36-38) GLITCH AS SPAM Tiago de Mello Rodrigo Faustini She stops and says: like to stress: electroacoustic culture. (18-21) WHERE ARE THE (40-41) HURRY Sound art, experimental music, sound FEMALE COMPOSERS? Natália Keri — linda! (beautiful!) experimentalism… And then, rest assured Julia Teles and breathes. there will be a graceful sforzato of many themes — and their reverse. (42-45) STRUGGLING TO In such a suffering and divided country as (22-23) “TRADITIONAL” (?) LISTEN / MO(U)RNING GLORY Amidst the silence of many and the today’s Brazil, there couldn’t be better COMPOSITION Bruno Fabbrini unperceptiveness of others, reading linda news than an independent magazine about Francisco de Oliveira each week has been just like breathing. electroacoustic culture! Not because it is about this particular niche in musical (46-49) THAT PLEASANT LITTLE Forget the accumulated dust of the fight culture, but because it is a breeze of fresh for shelves at universities, where the fight (24-25) PRAXIS SOUND AT THE JAPANESE air, sounding that once again it is possible becomes so important, that shelves are Ricardo Lira RESTAURANT to breathe. forgotten. Forget the exclusivity of some Luis Felipe Labaki groups, exclusive to the point they don’t One can insist in something different, (28-31) MORTON FELDMAN even need to say what they want, since those detaching one’s listening from that which there to listen already know what it’s about. insists in monopolizing it. FOOLED ME (52-57) BARRIER WITHOUT Sérgio Abdalla GATE Unpretentious and secure, pretty and simple, linda has delicious curves in Ivan Chiarelli ideas that spacialize thought, in the So, breathe and: (32-34) ZAP, ZAP, ZAP: TV, AN diverse spectromorphology of authors — linda! UNKNOWN CARTOON AND (59-68) TALK WITH EVA SIDÉN and proposals, in the precise and poetic diffusion of nothing but what interests … or vice versa. ITS “STOP THE EXPERIMENTAL AND JENS HEDMAN those who want electroacoustic music.