BUSHIDOSHIN RYU TAIJITSU MARTIAL ARTS/SELF DEFENSE PROGRAM RED BELT REQUIREMENTS (NIKYU DENSHO) SECRET HOUSE # 5 : WEAPONS TRAINING - STAFF ART (CHUDAN ROKUSHAKU BOJITSU) SECRET HOUSE # 6 : SUBMISSION GRAPPLING/CHOKING METHODS (SHODEN & CHUDAN OSAEKOMI JITSU) I. PRELIMINARY KNOWLEDGE (NI-KYU DENSHO) A. HOURS: 60 HOURS ARE MINIMUM (72 OR MORE IS PREFERABLE). B. STUDENTS MUST KNOW ALL SCHOOL RULES, CUSTOMS, & ETIQUETTE C. CLEAN UNIFORM, ASSOCIATION CREST AND PROPERLY TIED BELT ARE EXPECTED. D. NOTEBOOK IS TO BE TURNED IN FOR GRADING AT THE TIME OF TESTING. E. IMPROVEMENT ON ALL PREVIOUS REQUIREMENTS, PLUS THE FOLLOWING; II. WEAPON DIVISION : SIX FOOT STAFF ART (LOWER AND MIDDLE TRANSMISSIONS) … ROKUSHAKU BOJITSU (GEDEN/CHUDEN DENSHO) STANCES (BOJITSU NO KAMAE) STRIKING METHODS (BOJITSU KIRI) SELF DEFENSE TECHNIUQES (BOJITSO NO KATA) 1. Upward posture (Jodan) 1. Upwards (Age) 1. Thrust defense (Ryote atemi) 2. Middle posture (Chudan) 2. Temple (Kasumi) 2. Outside slash defense (Shomenuchi) 3. Lower posture (Gedan) 3. Head (Tento) 3. Inside slash defense (Shomenuchi) 4. Straight line middle (Ichimonji) 4. Body (Do) 4. Upward bo keeping (Jodan atemi) 5. Natural posture (Hira) 5. Leg (Ashi barai) 5. Side keeping (Yoko atemi) 6. Straight line lower (Ihen) 6. Wrist (Kote) 6. End keeping (Tenkan hajitsu) 7. Eye focused posture (Seigan) 7. Foot (Toki) 7. Overhead defense (Ushiro atemi) 8. Heaven & earth posture (Tenchijin) 8. Thrust (Tsuki) 8. Double side strike defense (Ryouke waza) 9. Rear posture (Heito) 9. Flipping strikes (Furi) 9. Low sweeping defense (Harai uke) LONG STAFF EXERCISES (BOJITSU NO KATA) 1. Fighting form (Bushidoshin bojitsu shodan no kata) 2. Figure eight form (Happo no kata) III. FUNDAMENTAL GROUND POSITIONS (TAIHENJITSU) 1. Guards (Juji ashi jime) (a) Body guard (b) Knee press guard (c) Open guard (d) Rear guard 2. Body pins (Tai Hagai) (a) Body pin (b) Knee up body pin (c) Side body pin (d) Scarf hold 3. Standing methods (Tachi waza) (a) Standing (b) Turning method (c) Rolling method (d) Kicking method IV. CHOKING TECHNIQUES (BASIC AND MIDDLE TRANSMISSIONS) … SHODAN SHIME JITSU NO KATA (SHODEN & CHUDEN DENSHO) 1. Cross choke ... ABC (Juji jime) (a) Body pin ... t (b) Guard ... b (c) Lapel grab ... s 2. Rear lapel choke (Kataeri jime) (a) Body pin ... t (b) Guard ... b (c) Front bearhug ... s 3. Guillotine choke (Kubi nuki jime) (a) Guard ... b (b) Side body pin ... t (c) Front tackle ... s 4. Normal choke (Hadaka jime) (a) Rear guard ... t (b) Attack ... s (c) Punch ... s 5. Four sided choke (Shiho jime) (a) Rear guard ... t (b) Attack ... s (c) Punch ... s V. SELF DEFENSE DIVISION : SUBMISSION GRAPPLING (BASIC TRANSMISSION) ….OSAEKOMI JITSU (SHODEN DENSHO) 1. Entering the body pin {Kiba nori} …. t 2. Maintaining the body pin … ABCDE {mune oshi makikomi/hiza oshi/tai oshi shotai uke/tenkan otoshi/kaiten waza} … t 3. Body pin to elbow lock/guard reversal {Kiba nori hazushi} ........ b 4. Body pin to shoulder lock {Shiho kata tori} ....... t 5. Body pin to a straight elbow lock ... AB {Hiji otoshi tori} ....... t 6. Body pin to a figure four elbow lock ... AB (Shiho hiji tori) ........... t 7. Body pin and punch to guard reversal {Kiba nori genkotsu hazushi} ....... b 8. Guard escape ... AB {Juji ashi hazushi} ........ t 9. Guard and punch to neck lock {Juji ashi hazushi} ....... b 10. Guard to arm lock {Juji ashi ude gatame} ........ b 11. Side headlock to figure four leg choke & elbow lock … AB {Kiba nori hiji tori/Hisami tori} ...... b 12. Scarf hold to figure four arm lock ... AB (Kesagatame ude tori) ... t 13. Side body pin escape ... AB (Juji ashi hazushi/Yoko karada) ... b 14. Side body pin to figure four shoulder lock ... AB (Shiho kata tori/Gyaku shiho kata tori) ... t 15. Side body pin to figure four elbow lock ... AB (Shiho hiji tori ... ura & omote) ... t VI. ORAL TRANSMISSION (KUDEN) 1. Explain two PURPOSES of learning ground techniques and explain the circle of combat from AIKI to OSAEKOMI JITSU. 2. Know and demonstrate the difference between and KATA and WAZA. 3. Know the LIMITATIONS of ground fighting. .