PALLADIANISM IN THE 17TH + 18TH CENTURIES ANDREA PALLADIO THE FOUR BOOKS OF ARCHITECTURE 1570 “I shall deal rst with private houses, and then with public buildings.” ANDREA PALLADIO THE FOUR BOOKS OF ARCHITECTURE 1570 PALLADIO makes an analogy between COMMODITY (function) and the HUMAN ORGANISM. FUNCTIONAL and AESTHETIC con- siderations complement each other. “But it is oen necessary for the architect to comply with the wishes of those responsible for the expense, rather than with that which ought to be observed.” ANDREA PALLADIO THE FOUR BOOKS OF ARCHITECTURE 1570 PALLADIO was interested in both RULES and STATES OF EXCEPTION. If ALBERTI was interested in CONCEPTUAL BEAUTY, PALLADIO was interested in PERCEPTUAL BEAUTY. PALLADIO values COMMODITY and SITE in his villas. Venetian Art GIOVANNI BELLINI PIETA 1500 SANDRO BOTTICELLI PIETA 1500 GIOVANNI BELLINI ST. FRANCIS IN THE WILDERNESS 1480 GIORGIONE THE TEMPEST 1510 GIORGIONE THREE PHILOSOPHERS 1509 NATURE vs. CULTURE NATURE vs. CULTURE LANDSCAPE as both CONTENT and TOPIC NATURE vs. CULTURE LANDSCAPE as both CONTENT and TOPIC NATURE as direct source PALLADIO’S VILLAS RUDOLF WITTKOWER ARCHITECTURAL PRICIPLES IN THE AGE OF HUMANISM 1962 ANDREA PALLADIO VILLA TRISSINO | VICENZA, ITALY 1538 ANDREA PALLADIO VILLA TRISSINO | VICENZA, ITALY 1538 ANDREA PALLADIO VILLA TRISSINO | VICENZA, ITALY 1538 ANDREA PALLADIO VILLA EMO | VENETO, ITALY 1559 ANDREA PALLADIO VILLA EMO | VENETO, ITALY 1559 ANDREA PALLADIO VILLA EMO | VENETO, ITALY 1559 ANDREA PALLADIO VILLA EMO | VENETO, ITALY 1559 ANDREA PALLADIO VILLA ROTONDA | VICENZA, ITALY 1566 ANDREA PALLADIO VILLA ROTONDA | VICENZA, ITALY 1566 ANDREA PALLADIO VILLA ROTONDA | VICENZA, ITALY 1566 ANDREA PALLADIO VILLA ROTONDA | VICENZA, ITALY 1566 ANDREA PALLADIO VILLA ROTONDA | VICENZA, ITALY 1566 ANDREA PALLADIO VILLA ROTONDA | VICENZA, ITALY 1566 ANDREA PALLADIO VILLA ROTONDA | VICENZA, ITALY 1566 ANDREA PALLADIO VILLA ROTONDA | VICENZA, ITALY 1566 ANDREA PALLADIO VILLA MALCONTENTA | VENICE, ITALY 1560 ANDREA PALLADIO VILLA MALCONTENTA | VENICE, ITALY 1560 ANDREA PALLADIO VILLA MALCONTENTA | VENICE, ITALY 1560 ANDREA PALLADIO VILLA MALCONTENTA | VENICE, ITALY 1560 British Renaissance INIGO JONES QUEENS HOUSE | LONDON, ENGLAND 1635 INIGO JONES QUEENS HOUSE | LONDON, ENGLAND 1635 INIGO JONES QUEENS HOUSE | LONDON, ENGLAND 1635 INIGO JONES QUEENS HOUSE | LONDON, ENGLAND 1635 QUEENS HOUSE, 1635 (JONES) PALAZZO CHIERICATTI, 1550 (PALLADIO) INIGO JONES ST. PAUL’S CHURCH AT COVENT GARDEN | LONDON, ENGLAND 1630 INIGO JONES ST. PAUL’S CHURCH AT COVENT GARDEN | LONDON, ENGLAND 1630 INIGO JONES ST. PAUL’S CHURCH AT COVENT GARDEN | LONDON, ENGLAND 1630 INIGO JONES ST. PAUL’S CHURCH AT COVENT GARDEN | LONDON, ENGLAND 1630 GREAT FIRE OF LONDON 1666 GREAT FIRE OF LONDON 1666 SIR CHRISTOPHER WREN NEW PLAN FOR LONDON 1666 WREN’S PLAN FOR LONDON, 1666 VERSAILLES ROBERT HOOKE PLAN FOR REBUILDING LONDON 1667 SIR CHRISTOPHER WREN ST. PAUL’S CATHEDRAL | LONDON, ENGLAND 1708 SIR CHRISTOPHER WREN ST. PAUL’S CATHEDRAL | LONDON, ENGLAND 1708 SIR CHRISTOPHER WREN ST. PAUL’S CATHEDRAL | LONDON, ENGLAND 1708 SIR CHRISTOPHER WREN ST. PAUL’S CATHEDRAL | LONDON, ENGLAND 1708 SIR CHRISTOPHER WREN ST. PAUL’S CATHEDRAL | LONDON, ENGLAND 1708 SIR CHRISTOPHER WREN ST. PAUL’S CATHEDRAL | LONDON, ENGLAND 1708 SIR CHRISTOPHER WREN ST. PAUL’S CATHEDRAL | LONDON, ENGLAND 1708 ST. PAUL’S CATHEDRAL, 1708 (WREN) TEMPIETO, 1502 (BRAMANTE) ST. PAUL’S CATHEDRAL, 1708 (WREN) THE LOUVRE, 1680 (PERRAULT) SIR CHRISTOPHER WREN TRINITY COLLEGE LIBRARY | CAMBRIDGE, ENGLAND 1676 SIR CHRISTOPHER WREN TRINITY COLLEGE LIBRARY | CAMBRIDGE, ENGLAND 1676 SIR CHRISTOPHER WREN TRINITY COLLEGE LIBRARY | CAMBRIDGE, ENGLAND 1676 LORD BURLINGTON CHISWICK HOUSE | LONDON, ENGLAND 1729 LORD BURLINGTON CHISWICK HOUSE | LONDON, ENGLAND 1729 WILLIAM KENT HOLKHAM HALL | NORFOLK, ENGLAND 1734 WILLIAM KENT HOLKHAM HALL | NORFOLK, ENGLAND 1734 WILLIAM KENT HOLKHAM HALL | NORFOLK, ENGLAND 1734 JAMES GIBBS RADCLIFFE CAMERA | OXFORD, ENGLAND 1749 JAMES GIBBS RADCLIFFE CAMERA | OXFORD, ENGLAND 1749 ROBERT MORRIS PLATE FROM SELECT ARCHITECTURE 1755.