Newspaper Jan Mot Afgiftekantoor 1000 Brussel 1 Verschijnt vijfmaal per jaar in V. U . Jan Mot januari – maart – mei – Regentschapsstraat 67 augustus – oktober 1000 Brussel No. 96, maart 2015 Erkenningsnummer P309573 163 – 165 Jaargang 19 No. 96 rtunity to discuss not only the ogy by Erwin Panofsky but an artunity to discuss not content of the lip-synched also the different strategies of only the content of the conference on iconol using the lecture as lip-synched Did such type of works deserve a different structure than a regular exhibition format? It was the interest in creating a space to dis- cuss ideas more actively than they normally are that brought us to a number of works that will be presented in this program. But, how is this different from say, a public con- ference program, we asked ourselves. After some discussions it became clear, that even if it might look like a seminar, this should still be conceived as an exhibition. In it the time and function of often so-called educa- tional programs would be blurred, and will conceive the gallery not solely as a space to (advertisement) BRUSSELS, FEB 19 - Jan Mot is pleased to announce the seventh solo exhibition with Rineke Dijkstra which will include a new video work, entitled The Gymschool, St Petersburg, 2014. This work was filmed in Russia and commissioned by Manifesta, the European Biennial of Contemporary art, for its last edition in 2014. The show marks the gallery’s 20 year long collaboration with Dijkstra which began with a first presentation at the art fair in Brussels in Spring 1995. (image: Rineke Dijkstra, The Gymschool, St Petersburg, 2014 – detail) 163 Did such type of works deserve a different Did such type of works deserve a different Exhibition structure than a regular exhibition format? structure than a regular exhibition format? 06/03-18/04 It was the interest in creating a space to dis- It was the interest in creating a space to dis- cuss ideas more actively than they normally cuss ideas more actively than they normally Opening are that brought us to a number of works are that brought us to a number of works 05/03 that will be presented in this program. But, that will be presented in this program. But, 6–9 pm how is this different from say, a public con- how is this different from say, a public con- ference program, we asked ourselves. After ference program, we asked ourselves. After RINEKE some discussions it became clear, that even some discussions it became clear, that even if it might look like a seminar, this should if it might look like a seminar, this should DIJKSTRA still be conceived as an exhibition. In it the still be conceived as an exhibition. In it the time and function of often so-called educa- time and function of often so-called educa- tional programs would be blurred, and will tional programs would be blurred, and will conceive the gallery not solely as a space to conceive the gallery not solely as a space to THE exhibit works that might or might not spark exhibit works that might or might not spark a discussion. It is certainly not the first time a discussion. It is certainly not the first time GYMSCHOOL, that the gallery engages in such activity. that the gallery engages in such activity. The program called Oral Culture which The program called Oral Culture which ST PETERSBUrg, was organized in 2008-09 explored live oral was organized in 2008-09 explored live oral works to be presented in the presence of an works to be presented in the presence of an 2014 audience. It is in this spirit that we hope audience. It is in this spirit that we hope that A situation in which an. Hugo Hop- that A situation in which an. Hugo Hop- ping, what we called “a debate interval ping, what we called “a debate interval Jan Mot between academia, art institutions and indi- between academia, art institutions and indi- Rue de la Régence / viduals”. ESL (Esthetics as a Second Lan- viduals”. ESL (Esthetics as a Second Lan- Regentschapsstraat 67 guage) was, in practical terms, a migratory guage) was, in practical terms, a migratory 1000 Brussels, Belgium series of one-day solo exhibitions that pre- series of one-day solo exhibitions that pre- 2 Newspaper Jan Mot Library 163 – 165 A selection of books from the library of Douglas Crimp Dance Press Books, 2004. 34. Flatley, Jonathan. Affective Mapping. 1. Cunningham, Merce. Merce Cunningham: 17. Lyon, Danny. The Destruction of Lower 1 edition. Cambridge, Mass.: Harvard Fifty Years. Edited by David Vaughan Manhattan. 1st edition. Macmillan, 1969. University Press, 2008. and Melissa Harris. 1st edition. New York: 18. Martin, Agnes. Writings. Edited by 35. Fore, Devin. Realism after Modernism. Aperture, 2005. Dieter Schwarz. Ostfildern; New York: Cambridge, Mass.: The MIT Press, 2012. 2. Cunningham, Merce, and Jacqueline Hatje Cantz Publishers, 1998. 36. Gropius, Walter, Kenzo Tange, Lesschaeve. The Dancer and the Dance: 19. Owens, Craig, and Simon Watney. Ishimoto Yasuhiro. Katsura: Tradition Merce Cunningham in Conversation with Beyond Recognition: Representation, Power, and Creation in Japanese Architecture. Jacqueline Lesschaeve. Revised edition. New and Culture. Edited by Scott Bryson, Barbara 1st edition. New Haven: Yale University York: Marion Boyars Publishers Ltd, 2000. Kruger, Lynne Tillman, and Jane Weinstock. Press, 1960. 3. Denby, Edwin. Dance Writings. Edited by Berkeley: University of California Press, 1994. 37. McCoy, Esther, and Susan Morgan. Robert Cornfield. 2nd edition. Gainesville: 20. O’Hara, Frank. Art Chronicles, 1954- Piecing Together Los Angeles: An Esther University Press of Florida, 2007. 1966. Revised edition. New York: George McCoy Reader. Los Angeles: East of Borneo 4. Johnston, Jill. Marmalade Me. E. P. Braziller, 1990. Books, 2012. Dutton, 1971. 38. McWilliams, Carey. Southern California: 5. Keersmaeker, Anne Teresa De, and Queer culture An Island on the Land. 9th edition. Santa Bojana Cvejic. A Choreographer’s Score: 21. Angell, Callie. Andy Warhol Screen Barbara: Peregrine Smith, 1980. Fase, Rosas Danst Rosas, Elena’s Aria, Tests. New York: Harry N. Abrams, 2006. 39. Rebentisch, Juliane. Aesthetics of Bartók. Pck Slp Pa edition. Brussels; New 22. Bersani, Leo, and Ulysse Dutoit. Installation Art. Berlin: Sternberg Press, 2012. Haven; London: Mercatorfonds, 2012. Caravaggio’s Secrets. Copyright 1998 edition. 40. Rose, Jacqueline. The Last Resistance. 6. Rainer, Yvonne. Yvonne Rainer: Work Cambridge: The MIT Press, 1998. 1st edition. London; New York: Verso, 2007. 1961 - 73. Halifax: Press of the Nova 23. Brecht, Stefan. Queer Theatre. New 41. Rose, Jacqueline. Why War: Psy- Scotia College of Art and Design, 1974. York: Methuen Drama, 1982. choanalysis, Politics and the Return to 7. Rainer, Yvonne. Feelings Are Facts. 24. Delany, Samuel. The Motion of Light Melanie Klein. 1st edition. Oxford; Cam- Reprint edition. Cambridge, Mass.: The in Water. Plume, 1989. bridge, Mass.: Wiley-Blackwell, 1993. MIT Press, 2013. 25. Delany, Samuel. Times Square Red, 8. Reynolds, Nancy. Repertory in Review: Times Square Blue. New York: NYU Artist books 40 Years of the New York City Ballet. 1st Press, 1999. 42. Cooke, Lynne, Briony Fer, Zoe Leonard, edition. Dial Press, 1977. 26. Leffingwell, Edward, Carole Kismaric and and James Castle. James Castle: Show 9. Teicher, Hendel, Trisha Brown: Dance and Marvin Heiferman. Jack Smith: Flaming and Store. Madrid; New York: D.A.P./ Art in Dialogue, 1961-2001. Andover, Mass.: Creature. His Amazing Life and Times. Museo Nacional Centro de Arte Reina Cambridge, Mass.: The MIT Press, ed. 2002. Institute For Contemporary Art, 1997. Sofía, 2011. 10. Volkov, Solomon. Balanchine’s 27. Ludlam, Charles. The Complete 43. Davey, Moyra. Copperheads. Bywater Tchaikovsky: Interviews with George Plays. New York: Harpercollins, 1989. Bros. Editions, 2010. Balanchine. New York: Simon & Schuster 28. McDonald, Boyd. Cruising the 44. Garimorth, Julia, Michael Newman, Inc., 1985. Movies. 1st edition. New York: Gay Pr of Tacita Dean, Laurence Bossé, Jean- New York, 1985. Luc Nancy, Laurence Bossé, and Rita Related to memoir 29. Sedgwick, Eve Kosofsky. Epistemol- Kersting. Tacita Dean: Seven Books. Slp 11. Buren, Daniel. Five Texts. John Weber ogy of the Closet. Updated with a New edition. Paris: Steidl/ARC/Musée d’Art Gallery, 1973. Preface edition. Berkeley; London: Uni- Moderne de la Ville de Paris, 2003. 12. Coleman, Elizabeth Ann. The Genius versity of California Press, 2008. 45. Helfenstein, Josef, and Robert Gober. of Charles James. 1st edition. Brooklyn, 30. Sedgwick, Eve Kosofsky, Michèle The Meat Wagon. Edited by Matthew Drutt. N.Y.: New York: Henry Holt & Co, 1984. Aina Barale, and Jonathan Goldberg. 1st edition. Houston: The Menil Foundation, 13. Crane, Peter. Ginkgo: The Tree That Touching Feeling. Durham: Duke Univer- Inc., 2006. Time Forgot. New Haven: Yale University sity Press Books, 2003. 46. Jonas, Joan, and Douglas Crimp (Ed.). Press, 2013. 31. Warhol, Andy, and Pat Hackett. Joan Jonas: Scripts and Descriptions. 14. Hocquenghem, Guy, Michael Moon, POPism: The Warhol Sixties. 1st edition. 1st edition. University Art Museum, University and Jeffrey Weeks. Homosexual Desire. Orlando: Mariner Books, 2006. of California, 1983. Translated by Daniella Dangoor. Durham: 47. Lawler, Louise, and Johannes Meinhardt. Duke University Press Books, 1993. Used in teaching An Arrangement of Pictures. Berlin; New 15. Hujar, Peter, and Bob Nickas. Night. 32. Banham, Reyner. A Concrete Atlantis. York: Assouline, 2000. New York; San Francisco: Matthew Marks Reprint edition. Cambridge: The MIT 48. Leonard, Zoe, Lytle Shaw, Lynne Cooke, Gallery/Fraenkel Gallery, 2005. Press, 1989. Ann Reynolds, and Angela L. Miller. You See 16. Lawrence, Tim. Love Saves the Day: 33. Deutsche, Rosalyn. Evictions: Art I Am Here after All. New York: New Haven: A History of American Dance Music Culture, and Public Space. 1st edition. Chicago: Dia Art Foundation, 2011.