BIBLIOGRAPHY PARALLEL WORLDS (Thesis) Alvarez, Rafael. The Wire: Truth be Told, Prologue: David Simon, Edinburgh: Canongate Books, 2009. Aristotle, Poetics, Translated, with an Introduction and Notes by James Hutton. New York: Norton & Company, 1982. Arnheim, Rudolph. Film as Art. London: Faber and Faber, 1958. Ayckbourn, Alan. The Norman Conquests (trilogy). London: Samuel French, 1975. Bentley, Eric, ed. The Theory of the Modern Stage. London: Penguin Books, 1992 Berman, Robert A. Fade In: The Screenwriting Process: A Concise Method for Developing A Story Concept Into A Finished Screenplay. Los Angeles: Michael Wiese Productions, 1988. Bicat, Tony. Creative TV Writing, preface: Nigel Stafford-Clark. London: Crowood Press, 2007. Bignell, Jonathan, Lacey, Stephen, and Macmurraugh-Kavanagh, Madeleine, eds. British Television Drama: Past, Present and Future. Basingstoke: Palgrave, 2000. Blacker, Irwin R. The Elements of Screenwriting: A Guide for Film and Television Writers. New York: Macmillan Publishing Company, 1986. Bluestone, G. Novels into Film. Los Angeles: University of California Press, 1961. Branagh, Kenneth. Hamlet, The Making of The Film. London: Methuen Drama, 2000. Brenton, Howard and Hare, David. Pravda. London: Methuen Drama, 1985. Brook, Peter, The Empty Space. London: Methuen, 2008. Buford, Bill. Among the Thugs London: Secker Warburg, 1991. Buonanno, Milly. The Age of Television: Experiences and Theories. Chicago: The University of Chicago Press, 2007; Bristol: Intellect Books, 2008. Busfield, Steve and Owen, Paul. The Wire Re-Up: The Guardian Guide to the Greatest TV Show Ever Made. London: Random House, 2009. 1 Call, Keith. Oregon, Illinois. South Carolina: Arcadia Publishing, 2005. Campbell, Joseph. The Hero’s Journey. Ed. Phil Cousineau. California: New World Library, 2003. Cartmell, Deborah. Literature on Screen. Ed. Whelehan, Imelda. Cambridge: Cambridge University Press, 2007. Cohan, Steven. CSI: Crime Scene Investigation. London: BFI TV Classics, 2008. Coleridge, Samuel Taylor. “Biographia Literaria (1817), < http://www.english.upenn.edu/~mgamer/Etexts/biographia.html > (accessed 19 April 2017). Cook, John R. A Life on Screen. Manchester: Manchester University Press, 1995. Creeber, Glen, ed. Tele-Visions. An Introduction to Studying Television. London: British Film Institute, 2006. Creeber, Glen, ed. The Television Genre Book. London: British Film Institute, 2001. Davies, Nick. Flat Earth News. London: Vintage Books, 2009. Douglas, Pamela. Writing TV Drama Series: How to Succeed as a Professional Writer in TV. Los Angeles: Michael Wiese Productions, 2003. Durgnat, Raymond. Nouvelle Vague: The First Decade : a Motion Monograph. Essex: Motion Publications, 1963. Edgar, David. How Plays Work. London: Nick Hern Books, 2009. Esslin, Martin. The Theatre of the Absurd. London: Methuen Drama, 2001. Fetherling, Douglas. The Five Lives of Ben Hecht. New York: New York Zoetrope, 1977. Field, Syd. The Definitive Guide to Screenwriting. London: Ebury Press, 2003. Fountain, Tim. So You Want to be a Playwright? London: Nick Hern Books, 2007. Gale, Cengage Learning, A Study Guide for Ben Hecht's "The Front Page". Michigan: Gale, Cengage Learning, 2016. Gassner, John. American Theatre. New York: Crown Publishing, 1949. 2 Geiger, Jeffrey and Rutsky, R.L., eds. Film Analysis: A Norton Reader. London, New York: W. Norton and Company, 2005. Goldberg, Lee and Rabkin, William. Successful Television Writing. New Jersey: John Wiley & Sons, 2008. Greenslade, Roy. Press Gang. London: Macmillan, 2003. Hammond, Will, and Steward, Dan, Verbatim Verbatim: Contemporary Documentary Theatre, London: Oberon Books, 2008. Hare, David. Stuff Happens. London: Faber and Faber, 2004, 2006. Hartley, John. Television Truths. Oxford: Blackwell Publishing, 2008. Hecht, Ben. A Thousand and One Afternoons in Chicago. Chicago: University of Chicago Press, 2009. Hecht, Ben, and MacArthur, Charles, The Front Page: A Play in Three Acts London: Samuel French, 1955. Henderson, Leslie. Social Issues in Television Fiction. Edinburgh: Edinburgh University Press, 2007. Hill, John and McLoone, Martin, eds. Big Picture Small Screen: The Relations Between Film and Television. Luton, UK: University of Luton, Faculty of Humanities, 1996. Holman, Robert. Making Noise Quietly (trilogy). London: Nick Hern Books, 1987. Holmberg, Arthur. David Mamet and American Macho, Cambridge: Cambridge University Press, 2012. Homden, Carol. The Plays of David Hare. Cambridge: Cambridge University Press, 1995. Hutton, James, ed. Aristotle’s Poetics. New York: W.W. Norton & Company Inc., 1982. Iball, Helen. Sarah Kane’s Blasted. London, New York: Continuum International Publishing Group, 2008. Ibsen, Henrik. A Dolls House. London: Nick Hern Books, 1994. Innes, Christopher. A Sourcebook on Naturalist Theatre. Abingdon: Routledge, 2000. Kane, Sarah, Complete Plays: Blasted / Phaedra's Love / Cleansed / Crave / 4.48 Psychosis / Skin). London: Methuen Drama, 2001. 3 L’Estrange, Fawcett. Writing for the Films. London: Sir Isaac Pitman and Sons, 1932. Leveson, Lord An Inquiry into the culture, practices and ethics of the press: report. London: The Stationary Office, 2012. < http://webarchive.nationalarchives.gov.uk/20140122145147/http://www.official -documents.gov.uk/document/hc1213/hc07/0780/0780.asp > (accessed June 05, 2016). MacArthur, Charles. The Stage Works of Charles MacArthur. Florida: Florida State University Foundation, 1974. McKay, Peter. Inside Private Eye. London: Fourth Estate, 1986. McKee, Robert. Story: Substance, Structure, Style and the Principles of Screenwriting. London: Harper Collins 1997. Mamet, David. Three Uses of the Knife: On the Nature and Purpose of Drama. New York: Columbia University Press, 1998. Margolis, Michael. Interview with Robert McKee- the Storytelling Movie Master < https://www.getstoried.com/interview-with-robert-mckee-the- storytelling-movie-master/ > (accessed 19 April 2017). Mars, Steven. Screenwriting History, Theory and Practice. London: Wallflower Press, 2009. Marshall, Sharon. Tabloid Girl. London: Sphere, an imprint of Little, Brown Book Group, 2010. Miller, Arthur. Theatre Essays of Arthur Miller. London: Methuen Drama, 1994. Paget, Derek. "‘Verbatim Theatre’: Oral History and Documentary Techniques." New Theatre Quarterly 3, no. 12 (1987): 317-36. Peck, Abe. Uncovering the Sixties: The Life and Times of the Underground Press. New York: Pantheon, 1985. Pinter, Harold. Five Screenplays. London: Methuen & Co Ltd. 1971. Potter, Tiffany, C.W. Marshall, The Wire: Urban Decay and American Television. New York: Bloomsbury Publishing USA, 2010. Ravenhill, Mark. A Tear in the Fabric: The James Bulger Murder and New Theatre Writing in the Nineties. Cambridge: New Theatre Quarterly. Cambridge University Press, November 2004. Ravenhill, Mark. Shopping and Fucking. London: Methuen Drama, 1996. 4 Reza, Yasmina. Art, tr. Hampton, Christopher. London: Faber and Faber Ltd, 1996. Ross, Sharon Marie. Beyond The Box, Television and the Internet. Oxford: Blackwell Publishing, 2008. Sandler, Ellen. The TV Writers Workbook: A Creative Approach to Television Scripts. New York: Bantam Dell, 2007. Seger, Linda. The Art of Adaptation: Turning Fact and Fiction into Film, How To Transform Novels, Plays and True-Life Stories into Screenplays. (New York: Henry Holt and Company, 1992. Sierz, Aleks, In-yer-face Theatre: British Drama Today. London: Faber & Faber, 2001. Simmons, Ernest J. Chekhov: A Biography. Chicago: University of Chicago Press, 1962. Simon, David. ‘The Wire Bible’ 6 September 2000. http://kottke.org.53.amazonaws.com/the-wire/The_Wire_Bible.pdf, (accessed 05 June 2016). Smethurst, William. How to Write for Television: A Guide to Writing and Selling Successful TV Scripts. Oxford: How to Books, Ltd., 2009. Spiers, Adam, et al., "Flatland: an immersive theatre experience centered on shape changing haptic navigation technology." (2015). Thomas, Dylan. The Filmscripts. London: Orion Publishing, 1995. Thornham, Sue, and Purvis, Tony. Television Drama: Theories and Identities. Basingstoke: Palgrave Macmillan, 2005. Tulloch, John. Television Drama: Agency, Audience and Myth. London, New York: Routledge, 1990. Tynan, Kenneth. Tynan Right and Left. London: Longmans, 1967. Vogler, Christopher. The Writer’s Journey. California: Michael Wiese Productions, Studio City, 2007. Waters, Steve. The Secret Life of Plays. London: Nick Hern Books, 2010. Williams, Tennessee. The Glass Menagerie. London: Penguin Books, 1959. Yorke, John. Into the Woods: How Stories Work and Why We Tell Them. London Penguin Books, 2014. 5 Zeitlin, Froma, I. Playing the Other: Gender and Society in Classical Greek Literature. Chicago: University of Chicago Press, 1996. BIBLIOGRAPHY BRIEF LIES (Television and Stage Play) Ackroyd, Peter. Shakespeare The Biography. London: Vintage Books, Chatto and Windus, 2005. Beauclerk, Charles. Shakespeare’s Lost Kingdom. New York: Grove Press, 2010. Bentley, Eric. ed: The Theory of the Modern Stage. London: Penguin Books, 1992. Brook, Peter. The Empty Space London: Penguin Books, 1968. Campbell, Joseph. The Hero’s Journey. Ed. Phil Cousineau. California: New World Library, 2003. Cole, Toby. Editor: Playwrights on Playwriting: From Ibsen to Ionesco. Cooper Square Press. New York, N.Y., 1960. Fountain, Tim. So You Want to be a Playwright? London: Nick Hern Books, 2007. Hare, David. Murmuring Judges. London: Methuen Drama, 1993. Heathfield, Adrian, ed: Live: Art and Performance. London: Tate Publishing, 2004. Hutton, James, ed. Aristotle’s Poetics. New York: