Online International Interdisciplinary Research Journal, {Bi-Monthly}, ISSN2249-9598, Volume-III, Issue-IV, July-Aug 2013 Sylvia Plath: An overview Neetu Dabas Email id- [email protected] Abstract The paper shows the inner dynamism through the analysis of few poems. Sylvia Plath traces the role of masculine in the society in many of her works. This paper explores the literary life and thoughts of an exceptional American woman, writer, novelist and poetess etc. Sylvia Plath (1932 –1963) became a rich and attractive target for critics and analysis of her own life and literary works. The paper also explores the image of men as dominating characters at that age. They are having godly images, satanic evil portrait, solemn and mean. The paper describes her state of mind with the help of her work “Daddy” and “The Bell Jar”. KEYWORDS: psychic reality, Sylvia Plath, feminism, poetry analysis. Introduction In this paper, few poems are analyzed as a feminine reality of a poet. Sylvia Plath was born on October 27, 1932 in Boston, Massachusetts. She lived with her parents Otto Emil Plath and Aurelia Schober Plath and later her brother Warren in the suburbs of Boston (Steinberg). She was very delighted to be a ‘Smith Girl’ and tried her best to shine in all of her classes. Plath published her first poem at eight years old and was very intelligent. She was married to the English poet Ted Hughes, and together they had two children, Frieda and Nicholas. Plath committed suicide in London in 1963, and was buried in the churchyard at Heptonstall, West Yorkshire. The poetry and writings of Sylvia Plath occupy a special position in American poetry due to its nature, topics, treatment and imagery. Her life and bitter experiences have affected her poetry and the presentation of her material. She is widely recognised as one of the most important American poets of the twentieth century. On the morning of 11 February 1963, Sylvia Plath committed suicide in London. In this paper I will take the different approach from previous studies. I will connect the poems with Plath’s psychic reality. At the time of her death, she was known as the author of a first, moderately well received book of poems “The Colossus (1960)”. In addition, she had recently published a novel, “The Bell Jar (1963)”, under the pseudonym Victoria Lucas. She had published a number of prose stories and sketches in various magazines and journals. I practice all my moves I memorize their stupid rules I make myself their friend I’ll show them just how far I can bend www.oiirj.org Impact Factor - 2.089[ISRA JIF] Page 264 Online International Interdisciplinary Research Journal, {Bi-Monthly}, ISSN2249-9598, Volume-III, Issue-IV, July-Aug 2013 She boarded on a master’s degree course at Newnham College, Cambridge. At a party in Cambridge in February 1956, she met the young English poet Ted Hughes. The couple married within four months of their first meeting, in a ceremony that took place in London on 16 June 1956. Sylvia Plath’s poetry is mainly about 20th century feminism and women’s social injustices. The poem “Daddy” criticises the male aggression and depicts men being responsible for all the social injustices. The most frank announcement comes in "Daddy" when she out cried: Daddy, daddy, you bastard, I'm through The more vital turn in her relationship with her father and males in common, which reflects the acute and extreme unstable emotional state of Sylvia Plath is when she wrote in "Daddy": Daddy, I have had to kill you The Bell Jar was Sylvia Plath’s most commendable and only novel. The book references too many real people, and dolorous events in Plath’s life. “The Bell Jar ” is the story, in other words, from behind the electroconvulsive shock treatment. It dramatizes the decisive event of her adult life, which was her attempted suicide and accidental survival, and reveals how this attempt to annihilate herself had grown from the decisive event in her childhood, which was the death of her father when she was eight. Further, the symbolic use of shadow in "Daddy" and "the Colossus" represented the fears of being or living in the shadow of the empowered by society males, who are the father and the husband in Sylvia's case. Plath does not enjoy the limitations of being a woman. Being a woman to Plath character meant being a slave. In the years Plath lived, women were inferior to men. The male’s job was to bring home the money, and the female’s role was to take care of their families, complete house duties, and cook. They weren't allowed to work, and if they were allowed, their husbands would receive their paychecks. Poetry is just the evidence of life. Leonard Cohen once said “if your life is burning well, poetry is just the ash.”As Sylvia Plath’s life burned into a heap of dust, her poetry grew and bloomed. In the years before, her death, her most troubles period, Plath penned three of her most well-known poems, “Daddy”, “Lady, Lazarus” and “Tulips” all three illustrating the misery of depression. Her Posthumously-released novel, The Bell Jar, also deals with extended bleakness and its poverty of the soul. She was bipolar, her depression, and self image were the main ingredients of her poetry and suicide. Her first suicide attempt was as a junior in college, after being rejected by Harvard college. She was found after three days, it was a miracle she was still alive, and spent six months in psychiatric care. Unfortunately, her second suicide was a success on February 11, 1963. Plath’s poetry and prose reflect on her prolonged battle against despair, bringing to life her personal struggles as an artist and as a woman. Although Plath’s life ended with tragedy, her writings continue to be seen a culturally significant commentary on gender roles. Plath strove in life to have the ability to be more than just a wife and mother and to succeed through her creative endeavors. Although in the end, Sylvia Plath could not endure the www.oiirj.org Impact Factor - 2.089[ISRA JIF] Page 265 Online International Interdisciplinary Research Journal, {Bi-Monthly}, ISSN2249-9598, Volume-III, Issue-IV, July-Aug 2013 pain of her distress, choosing to end her own life, she live on a everlasting on her many dedicated readers and followers. After all this she is able to come alive in her writing and truly make a significant difference in the world through her self-expression and aspiring goals to be significant distinctiveness civilization. Conclusion This paper describes the mental conflict of a fabulous writer, poet and novelist, Sylvia Plath. She makes a significant difference throughout the world with her writings and works. But she cannot afford the ways and custom of life regarding feminism. Her works represented the fears of being or living in the shadow of the empowered by society males, who are the father and the husband in Sylvia's case. Being a woman to Plath character meant being a slave . She also can’t tolerate the death of her father and her relation with her husband. Though she takes her life in the state of confusion and stress over her mind, she is able to come alive in her writing and truly make a significant difference in the world through her self-expression and aspiring goals REFERENCES Becker, Jillian. Giving Up: The Last Days of Sylvia Plath. New York: St. Martin's, 2002. Brain, Tracy. The Other Sylvia Plath. New York: Longman, 2001. British Literary Biographers 155. Detroit: Gale Group, 1995. 128-133. Hayman, Ronald. The Death and Life of Sylvia Plath. Stroud, Eng.: Sutton, 2003. Hunt, Olivia "Sylvia Plath Poem: Daddy." Research Paper Writing Service. 12. May 2008. Web. 28. February. 2012.<http://www.streetdirectory.com/travel_guide/103421/poetry/sylvia_plat h_poem_daddy.html International Information Programs department, U.S.A. Iowa Review, 8 (1): 104-15 Kendall, T. (2001) Sylvia Plath A Critical Study. New York: Farber and Farber. Maple, Jeni (2009). The Intersection of Feminism and Disability Theory in Plath Profiles: An Interdisciplinary, Journal For Sylvia Plath Studies, 2 (1): 78-102. Plath Sylvia. The Bell Jar . London: Faber & Faber, 1963. Print Plath, S. (1992) The Collected Poems, New York: Harper Perennial. Plath, Sylvia "Daddy." N.P. 14. Dec. 2007. Web. 28. Feb. 2012. <http://www.internal.org/Sylvia_Plath/Daddy > Plath, Sylvia. The Bell Jar. New York: Harper & Row, Publishers, Inc., 1971. Print. Serafin, Steven, ed. "Ian Hamilton." Dictionary of Literary Biography: Twentieth- Century. ---. Selected Poems. Ted Hughes, ed. New York: Harper & Row, 1981. Stevenson, Anne. Bitter fame: A Life of Sylvia Plath. Boston: Houghton Mifflin, 1989. Sylvia Plath’s The Bell Jar, paper presented to UCLA Center for the Study of Women, UC Los Angeles. Uroff M. D. (1977). Sylvia Plath and Confessional Poetry: A Reconsideration, Vanspanckeren K. (2002). USA literature in Brief, paper presented to Wagner-Martin L. (2008). Sylvia Plath, a Literary Life , 10th ed., London: Wagner-Martin, Linda. Sylvia Plath: A Biography. London, 1988. Wagner-Martin, Linda. Sylvia Plath: A Biography. New York: Simon and Schuster, 1987. www.oiirj.org Impact Factor - 2.089[ISRA JIF] Page 266 .
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