PROFESSIONAL WIRELESS SYSTEMS OFFERS CHAMPION‐CALIBER FREQUENCY COORDINATION FOR 2013 NBA FINALS On‐Site Technical Expertise Ensures Solid RF Coverage for 9th Consecutive Championship Series MIAMI, JUNE 21, 2013—When game one of the 2013 NBA Finals between the Miami Heat and San Antonio Spurs tipped off at the American Airlines Arena in Miami, Professional Wireless Systems (PWS), a Masque Sound Company, and experts in supplying and supporting wireless systems for live and broadcast events, was courtside, coordinating RF for the more than 250 frequencies in use at the championship series. This marks the ninth straight time PWS has managed the frequencies for the Finals. This year, PWS’ team on the ground included Jim Van Winkle John Garrido and Larry Myhre, who worked closely with the team venues—the American Airlines Arena in Miami (Miami Heat) and the AT&T Center in San Antonio (San Antonio Spurs)—to ensure zero frequency interference throughout the course of each game. “Familiarity is a key factor in making frequency coordination work,” says Van Winkle, general manager, PWS. “Since this is the third consecutive year the Miami Heat have made it to the Finals, we had the advantage of already being familiar with their arena. And although it’s been eight years since the Spurs were in the championship, we have been in their building as well, so that also made it easier for us.” For the seven game series, PWS also collaborated with the networks broadcasting the games, along with the local Society of Broadcast Engineers (SBE) coordinators, to get the local contacts and information they needed at each venue. This way, they could ensure they had all the necessary RF information for Miami and San Antonio. “People working the same event every year begin to recognize faces so they understand that we are there to help protect them from rogue frequencies,” says John Garrido. “Now they come to us if they feel they need a new, cleaner channel. While it doesn’t necessarily take the burden off of anyone, it is nice to be considered a familiar face after working the same event for a while. A lot of them will also come find us when they see someone who is not compliant so we can go find them and issue them frequencies.” One of the biggest challenges the PWS team faces in providing frequency coordination is the sheer volume of ENG crews and news reporters that cover the Finals. “With more than 250 frequencies spread out all over the arena, it is essential that we stay on top of things, and find and correct any issues as quickly as possible,” says Van Winkle. “In the past, you could have a break in between segments. These days, there are a lot of non‐stop entertainment performances that are part of the game experience, which makes it more physically demanding. There are more people with wireless mics than ever before and because it is live, so we run around a lot more to resolve any issues.” In order to keep the high volume of RF signal usage in check and to ensure frequencies maintain solid signals, PWS brings along its high‐end portable equipment, including its spectrum and portable PROFESSIONAL WIRELESS SYSTEMS OFFERS CHAMPION‐CALIBER FREQUENCY COORDINATION FOR 2013 NBA FINALS/TWO analyzers. “Having these tools is essential, as their portability allows us to chase down and resolve a problem as quickly as possible,” concludes Van Winkle. For more information about Professional Wireless Systems, visit http://www.professionalwireless.com. About Masque Sound Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida‐based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies” and “Once” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939‐8666 or visit www.MasqueSound.com. # # # For further information contact: Kayla O’Brien / Matthew Rimi D. Pagan Communications, Inc. 631‐659‐2309 [email protected] / [email protected] www.dpagan.com Stephanie Hansen Vice President and General Manager Masque Sound & Recording 201‐939‐8666 [email protected] www.masquesound.com Jim Van Winkle General Manager Professional Wireless Systems 407‐240‐2880 [email protected] www.professionalwireless.com .