Observations on Eye-Colour Development In

Observations on Eye-Colour Development In

OBSEI~VATIONS ON EYE-COLOUP~ DEVELOPMENT IN DROSOPHILA PSE UDO-OBSCURA :BY FLORA COCHI~ANE (I~stit,ttte of Animal Genetics, U~dversity qf Edinbu,~yh) (With One Text-figure) IN the course of three papers Crew and Lamy (1932, 193~t, 1935) have described[ five mutant eye colours of Drosophila pseudo-obscura, namely three allelomorphs of purple, eosin and sepia, and five combinations of these with vermilion and one with orange. They have suggested an hypothesis (1935) for explaining the combined action of eye-colour genes with reference to the time of deposition of pigments during pupal life. They believe that each gene influences eye-eolour development at a time characteristic for itself, and that each gene produces its effect inde- pendently of the others, and hence that the effect of the presence of several genes is cumulative. There is, properly speaking, no real inter- action between genes, and no modification of effects. As the observations on which this hypothesis was based were admittedly superficial, these authors have suggested that a detailed study of developing pupal eyes should be made. In a recent paper Jack Schultz (1935) tabulates the colour changes in the pupal development of the different eye-colour types of Drosophila. In most respects the present findings on Drosophilc~ l)seudo-obscu~'a, are in agreement with Schultz; in some they differ. Although he does not mention a species, i~ is assumed that Schultz made his observations on Drosophila 'mela,nogaster, and that the differences pointed out in this paper are specific ones. Flies for this study were obtained from the stocks used by Crew and Lamy. These were inbred for several generations. Stocks of orange- purple 2 and orange-purple 3 were prepared, and added to the list for study. Orange-purple ~ and orange-purple a are indistinguishable from vermilion- purple ~ and vermilion-purple8 respectively. Pupae for study were isolated not more than 1 hour after ]pupation and incubated ag 25 ° C. for definite periods, after which dissections were made under a Zeiss binocular dissecting microscope. At first series of pupae each. about 2~1: hours older than the other were dissected at the 18~ Eye-Colou'r Develol)ment in Drosophila pseudo-obscura same thne. Very early it became obvious that colom" first appears in pupal eyes at about 96 hem's after pupation, and. that practically no change takes place between the 14¢th hour and emergence. For this reason all the observations recorded in this paper were made on pupae between 90 and 1~8 hours after pupation. As many mut~ant types as possible of similar ages were examined, at one time in order to make accurate comparisons. In D~'osoph,ila, pscudo-obscu~'(~ there are two distinct phases in eye- colour development. In wildtype the early phase is similar to that described by Schultz, in that the first colour to appear is yellow which becomes tan almost immediately. The tan changes to red between 108 and 112 hours after pupation. Schultz atso observed this change which, in the species studied by him, coincides with the darkening of the bristles and the beginning of the late phase of pigment formation. In D'rosop/dle~ pseudo-obscu,ra, this darkening of bristles does not take place until 120 hours after pupation, and at the same time a second phase of pigment deposition begins. During this late plnase the eyes become increasingly opaque and orange in colour, suggesting that both red and yellow pig- ments are laid down simultaneously. Toward the end of the pupal period (from about the 142nd hour) and during post-pupal life, the colour of the wildtype eye becomes darker and duller, suggesting a second chemical change in the pigment already present. The observations made in the course of this study support the idea of Crew and Lamy (1935) Chat the sequence of pigment development in each mutant type of eye corresponds to the development of pigment in the wildtype eye, and that the action of each mutant gene is to suppress some portion of the typical process without altering the time relations of events involved. Purple 2 is very similar to wildtype both in pupal development and in adult colour, the only difference being that after the 120th hour slightly less pigment appears to be added. The development of sepia is identical with that of wildtype until the 120th hour. After this hour the eyes of sepia become opaque and orange in colour. This orange is more yellow than the orange which appears in wildtype during this phase, suggesting that sepia dithers from wildtype in that after the 120th hour no more red but considerable yellow pigment is laid down. Eosin, purple I and purple a are indistinguishable from each other and from wildtype, purple" and sepia until the 108th hour. Purple* remains tan and does not seem to acquire .additional pigment during the pupal ~LO~A ~O0~RANE 185 period. In purple a the tan colour is partially changed to red before the 120th hour, after which a very little pigment (mostly if not all yellow) is added. Eosin is very similar to purple a. It takes on a slight flush of red before the 120th hour, and afterwards becomes a rich golden brown, indicating the addition of yellow but of little if any red pigment. Orange and vermilion remain colourless until the 120th hour, after which both yellow and red pigment appear to be deposited gradually. After the first transitory yellow stage the eolour of both these mtttant~s is always orange, increasing in intensity as the pupa becomes older. Thus it seems that the vermilion and orange genes act by suppressing the early phase of pigment development, but allowing the late phase to proceed up to the point where' the wildtype eye darkens and becomes more brown. Sehuttz states that in scarlet-like eyes the first pigment appears just before the time when the wildtype eye changes from tan to red. In D'rosopl~ila~)se~do-obsc~'a no colour appears in either vermilion or orange eyes before the time of the onset of the late phase of pigment development in the wildtype eye. The effect of the presence of combinations of two mutant eye-eolour genes on development is shown graphically in Fig. 1. Each gene as a sup- pressor is independently effective during a specific period, and typical development of pigment as in wildtype takes place whenever neither inhibiting influence is being exerted. Whenever orange or vermilion genes are present no pigment develops before the 120th hem" after pupation. When the gene for purple * is present no development of colour takes place after the 108th hour of pupal life. Since this accounts for the entire period of pigment deposition, vermilion-purple t and orange-purple ~ are colourless. In vermilion-purple 2 and orange-purple ~ only that pigment normally laid down in the purple ~ eye after the 120th hour is allowed to develop, a dilute orange eye resulting. Similarly, in orange-purple a, vemnilion-purple a, vermilion-eosin and vermili0n-sepia, no eolour appears before the 120th hour, and thereafter only the amounts of yellow and red normally laid Clown by purple a, eosin and sepia respectively during that period develop. In all except vermilion and orange, and in most combinations in- eluding vemuilion and[ orange, the eyes darken and become more or less brown toward the end of the pupal period and during postpupal life. Schultz has pointed out that the three eolours observed[ in Drosol)ldl~ eyes are closely related chemically, and it seems possible that this late development of brown is due to a chemical change in the pigment already present. 186 Jgge-Uolo~ur Develo2)me~vl, i'~ Drosophila pseudo-obscura From t~he observagions made during ~his slmdy il~ seems possible ~hat~ ghe amounb of brown is somehow relaged go gl:~e prOl?Or~ion of yellow go red in bhe pupal eye. sepia, in which ghe proportion of yellow appears ~o be grea~est~, becomes darkesl~, whereas wild~ype and purple ~ contain considerably more red which seems to mask ghe brown. Purple 1 becomes ! Early Pulmt l)evelopment [ Late l'upal Development ] Postlmpal Development 1011 12~1,1 0 + t.~ yol .,,, " ....... J i ~ :-2"-".-1-.--" ". V, -~ ~ vl H i .......................... epr ~ ....... orpr" ................... W r3' m Ii l°ig. 1. ])iagr~m t~o show "bhe ~in'm rela.gionsllips of eye-pigmenlb production in :mug~nt~ eye-colour "hypes of Droso2)hila 2)se.~do.obsm~rc~. Solid lines indica~ae formation of pig- menlo. Do~b~ed lines indiea~ae suppression of pigmeng developmen~b. Broken lines indie~ge pargial suppression of developmeng, Lhe amounlb of blt~ek, indioa, ging ~he relalbive quant,iLy of pigmenl~ formed. + = wildgype; v = vermilion; or = orange; pr* = purple ~; 2)r ~ = purple 2; 1)ra = purplea 'w° =eosin; se =sepia. very dark i~ spige of bhe small amoung of pigment~ presenlb, all of which is yellow. Purple a and eosin increase in redness as well as becoming more brown after emergence. Vermilion, eosin and orange-purplea, as well as vermilion-pro:pie a, whirls contain only a small amoun~ of yellow pigmen~ at, ghe gime of emergence, also become somewhag red dm'ing early post~pupal liI'e. Ig mighg be argued ghag ghe pigmeng laid down ~LO~A COC~II~ANE 187 during the early phase of pigment formation has the property of turning browa, while that laid down after the 120th hour changes parl~ia,Ily to red. This cannot be accepted because vermilion-sepia, in which no eotour appears be~bre the 120th hour and which contains a la,rge quant~it~y of yellow but no red pigment at the time of emergence, develops ne~'u'ly as intense a brown as sepia.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    5 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us