Copy Mode for Static Screen Content Coding with Hevc

Copy Mode for Static Screen Content Coding with Hevc

COPY MODE FOR STATIC SCREEN CONTENT CODING WITH HEVC Thorsten Laude and Jorn¨ Ostermann Institut fur¨ Informationsverarbeitung (TNT), Leibniz Universitat¨ Hannover, Germany ABSTRACT ing the last decades and are well known to provide the desired compatibility. In January 2013, the Joint Collaborative Team Screen content largely consists of static parts, e.g. static on Video Coding (JCT-VC) of ITU-T VCEG and ISO/IEC background. However, none of the available screen content MPEG has finished the technical work for the latest video coding tools fully employs this characteristic. In this paper coding standard, High Efficiency Video Coding (HEVC) [3]. we present the copy mode, a new coding mode specifically It achieves the same visual quality with half the bit rate com- aiming at increased coding efficiency for static screen con- pared to the predecessor standard AVC [4]. tent. The basic principle of the copy mode is the direct copy Even though this state-of-the-art video coding standard of the collocated block from the reference frame. Mean provides superior coding efficiency for camera captured weighted BD-Rate gains of 2.4% are achieved for JCT-VC videos, it is not the optimal coding method for screen con- test sequences compared to SCM-2.0. For sequences contain- tent (SC). The reason therefor is that HEVC (as well as the ing lots of static background, coding gains as high as 7.6% predecessor standards) has not been developed with careful are observed. The new coding mode is further enhanced consideration of screen content signals. Thus, after finalizing by several encoder optimizations, among them an early skip HEVC, the JCT-VC started the development of a screen con- mechanism. Thereby, the encoder runtime complexity is tent coding extension to HEVC, often referred to as HEVC reduced by up to 39%. SCC, in 2014 [5]. This extension, which is planned to be Index Terms— video coding, HEVC, screen content cod- finalized in 2015 or 2016, brings new coding tools addressing ing several key characteristics of screen content (small number of different colors, recurrent patterns, RGB source material, no 1. INTRODUCTION noise, etc.). However, none of these additional SCC tools aims at static The recent years have seen an enormous change in the use of screen content. Therefore, taking into account that static parts computer technologies. With the progressive replacement of (e.g. background) are very common in screen content sig- traditional (laptop or desktop) computers by mobile devices nals, a new coding tool for static screen content coding is (tablets and smartphones) new application scenarios such as proposed in this work. Our contributions are this new cod- remote computing or wireless displays have appeared. The ing mode which we refer to as copy mode along with several commonality of these scenarios is the separation of computer encoder optimization mechanisms (which are crucial for real program execution and program output display to different time screen content applications) assisting the copy mode. devices. In the case of remote computing, the computer pro- The remainder of the paper is organized as follows: In gram may be executed in the cloud while end user devices Section 2 we analyze the related work, introduce the new cod- only provide the program output display. For wireless dis- ing mode and describe the encoder optimizations. The ex- plays, the screen of one device, e.g. of a tablet, is mirrored to perimental results are evaluated in Section 3. Section 4 gives another device, e.g. a television set. Apple AirPlay and Mira- a conclusion of the paper. cast are examples in this context. These scenarios are accom- panied by the necessity of transmitting computer generated 2. STATIC SCREEN CONTENT CODING video signals between the involved devices. Furthermore, Typical screen content signals consist in large parts of static considering that the signals might be transmitted over chan- areas, i.e. areas without changes between consecutive frames. nels with limited transmission capacity (e.g. Internet connec- That is why it is desirable to use a specific coding mode for tions), efficient coding of the transmitted signals is required. static screen content in order to employ this characteristic. The coding of computer generated video signals is often re- In the following parts of this section, already known screen ferred to as screen content coding (SCC). Since compatibility content coding methods and their lack of coding efficiency for between different devices is imperative, it is advisable to use static screen content are analyzed. After that the copy mode standardized methods for SCC. Video coding standards like for static screen content and various encoder optimizations MPEG-2 [1] or AVC [2] have been studied extensively dur- are introduced. 978-1-4799-8339-1/15/$31.00 ©2015 IEEE 1930 ICIP 2015 Reference Frames Current Frame Reference Frame Current Frame (a) (b) Fig. 1. Comparison of the merge mode (a) with the copy mode (b): While the merge mode selects the motion information from several candidates (with the necessity of signaling the selection) the copy mode has only one candidate (the optimal candidate for static screen content, i.e. the zero motion vector), and thus avoids this signaling. 2.1. Related work enhanced by Jones and Hein (who use a separate change in- dicator map for each 8 × 8 block) in subsequent decades [11], Numerous methods for screen content coding are known in [12]. However, while conditional replenishment is based on the literature [6], [7], [8]. Among them there are the palette the omission of static frame parts during encoding, we incor- mode, intra block copy and adaptive color space transfor- porate a distinct coding mode into the coder to fully enable mations. These three methods are the most notable innova- rate-distortion optimization. tions of the current HEVC SCC draft [6] and address specific screen content properties. While the palette mode is suitable 2.2. Copy mode to code signal parts with a small number of potentially very different colors and sharp edges [7], [8], the intra block copy The new copy mode exploits that the uncompressed sample mode is capable of describing recurrent patterns within one values of corresponding blocks, i.e. of blocks located at the frame (e.g. text characters in longer texts). Assuming that same spatial position in consecutive frames, are identical for typical screen content signals are captured in the RGB color static screen content. Therefore, the copy mode prediction space, the adaptive color space transformation can be used to of the block (which in case of HEVC is referred to as coding transform the signal to a color space where the signal compo- unit or CU) in the current frame is formulated as sample value nents are less correlated, e.g. to the YCbCr or to the YCgCo copy from the block in a reference frame. Fig. 1(b) illustrates color space. However, none of these tools specifically ad- this prediction process. dresses static screen content. The merge mode [9], which is Commonly, several reference frames are available for pre- part of the regular HEVC standard, is beneficial for the coding diction. To avoid signaling overhead, the reference frame for of areas with homogeneous motion. Furthermore, static areas, the copy mode prediction is selected implicitly at the encoder i.e. areas with no motion, can be considered as a special case and at the decoder without any signaled information. In gen- of homogeneous motion. For this reason, the merge mode (or eral, it is desirable that the selected reference frame has both more specifically the skip mode, i.e. the merge mode with- a high fidelity and a small temporal distance to the current out residual) is most likely to be chosen by encoders for static frame. As part of our research two selection methods have screen content. As illustrated in Fig. 1(a), the basic princi- been investigated: The selection of the reference frame with ple of the merge mode is the motion information copy for the the smallest picture order count (POC) difference (i.e. with current block (purple) from one of several merge candidates the smallest temporal distance) and the selection of the ref- (gray). These merge candidates are spatial or temporal adja- erence frame with the smallest quantization parameter (QP) cent blocks. This principle leads to several drawbacks with value, i.e. with the highest fidelity. However, if the selection respect to static screen content coding: Firstly, the optimal is QP driven, it is hardly probable (without major decoder motion information for static screen content, i.e. the zero mo- modifications) that the content is static due to the increased tion vector, is not necessarily among the merge candidates. temporal distance. Thus, the first option is chosen for this Secondly, taking into account the low bit rates for screen con- paper. tent, the signaling of the selected merge candidate is costly. A binary flag at the very beginning of the coding unit syn- Additionally, in case the motion vector of the selected merge tax (before the skip flag) is used to signal the copy mode us- candidate has sub-pel precision, interpolation for the recon- age. If this flag is equal to 1, all of the remaining syntax is struction process might introduce unnecessary complexity. skipped. Otherwise, the syntax for the other coding modes The fundamental idea of the introduced copy mode is like skip, merge, inter, intra, etc. is signaled. Considering the similar in spirit to the well-known conditional replenishment low overall bit rates achieved for screen content signals, it is technique which has been introduced by Mounts in 1969 indispensable to avoid any unnecessary signaling overhead. [10] (who signals the replenishment for each pel) and further Based on empirical results it has been observed that static 1931 40% 44 42 30% 40 20% 38 PSNR [dB] PSNR - 10% Y 36 Anchor 0% 34 Copy Mode reduction time Encoding 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 -10% 32 Sequence number 500 1500 2500 3500 4500 5500 bit rate [kbit/s] Fig.

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