<p>People </p><p>8</p><p>ViktoriaTereshkina </p><p>CATHERINE PAWLICK catches up with the Mariinsky ballerina in St Petersburg </p><p>26 Gillian Lynne and <br>Miracle in the Gorbals </p><p>VIKIWESTALL meets up with the veteran choreographer in Birmingham </p><p>60 CiroTamayo </p><p>LUCÍA CHILIBROSTE interviews Ballet de Uruguay’s outstanding dancer </p><p>67 1st Job </p><p>CARLOS PONS GUERRA skypesTamara Chilirojo - aka Kevin García Montagut - in NewYork City </p><p>Features </p><p>25 Comment: Company Saved <br>But Few Rejoice </p><p>BRUCE MICHELSON analyses a less than satisfactory outcome </p><p>32 Critics’ Choice </p><p>Dance Europe’s writers, along with guest critics, select the highs and lows from last season </p><p>65 Tanzmesse </p><p>DWAYNE HOLLIDAY gets a taste of the mega dance event in Düsseldorf </p><p>68 Positano </p><p>Performances </p><p>WENDY PERRON reports on this year’s Positano Premia la Danza Léonide Massine </p><p>14 Coppélia </p><p>DEBORAHWEISS and MIKE DIXON weigh up different casts in ENB’s revival of Ronald Hynd’s production </p><p>70 Shawbrook </p><p>DIARMAID O’MEARA visits a terpsichorean hideaway in Ireland </p><p>18 Push </p><p>GERARD DAVIS savours a hypnotic marriage </p><p>6</p><p>EntrE nous </p><p>20 Julidans </p><p>73 </p><p>81 83 85 86 </p><p>Auditions And Jobs intErnAtionAl diAry dAncE on scrEEn Exhibitions And EvEnts </p><p>DAVIDE COCCHIARA considers some of the highlights in this year’s Amsterdam festival </p><p>23 Biarritz </p><p>FRANÇOIS FARGUE reports on an alliance formed by three French companies </p><p>PEoPlE PAgE </p><p>→</p><p>Photos: Erik Tomasson; Andrew Ross; Dance Europe <br>Front cover: Mariinsky Ballet - Viktoria Tereshkina as Juliet in <em>Romeo and Juliet </em></p><p>Photo: E. Kauldhar/Dance Europe. </p><p></p><ul style="display: flex;"><li style="flex:1">DANCE EUROPE </li><li style="flex:1">October 2014 </li></ul><p></p><p>3</p><p>Performances </p><p>DANCE EUROPE </p><p>Founded in 1995&nbsp;ISSN: 1359-9798 </p><p>30 Solo forTwo </p><p>MIKE DIXON on Osipova andVasiliev outside their normal comfort zone </p><p>P.O. Box 12661, London E5 9TZ,UK Tel: +44 (0)20 8985 7767 www.danceeurope.net Twitter: LeChat@DanceEuropeDanz </p><p>40 Les Étés de la Danse </p><p>FRANÇOIS FARGUE applauds San Francisco Ballet in Paris </p><p><em>Editor/Photographer </em>Emma Kauldhar </p><p><a href="mailto:[email protected]" target="_blank">[email protected] </a></p><p><em>Advertising Manager </em>Naresh Kauldhar </p><p><a href="mailto:[email protected]" target="_blank">[email protected] </a>Tel: +44 (0)20 7682 1733 mobile/text: +44 (0)7981 945320 skype: nareshdanceeurope </p><p>42 Mariinsky in London </p><p>MIKE DIXON and AMANDA JENNINGS report on the St Petersburg company’s season at the Royal Opera House </p><p><em>Senior Critic &amp; Events Editor </em>DeborahWeiss </p><p><a href="mailto:[email protected]" target="_blank">[email protected] </a></p><p>50 Edinburgh 2014 </p><p>ELLIE CARR picks some of the highlights at this year’s Festival </p><p><em>Editorial Consultant </em>ClareTaylor <em>Administrator </em>Katie Harrington </p><p><a href="mailto:[email protected]" target="_blank">[email protected] </a></p><p>52 Ein Reigen </p><p>ALISON KENT reviews a premiere by Ashley Page inVienna </p><p><em>Dance Critics and Writers </em></p><p>Laura Cappelle, Ellie Carr, Lucía Chilibroste, Davide Cocchiara, Gerard Davis, Mike Dixon, François Fargue,Alessandra Gallone, Jesús R. Gamo, Dwayne Holliday,Amanda Jennings, Altin Kaftira,Alison Kent,Ali Mahbouba,Trina Mannino, Bruce Michelson, Mia Nadasi, Yuki Nagano, Diarmaid O’Meara, Catherine Pawlick, Wendy Perron, Carlos Pons Guerra, Olivia Sabee, Jenifer Sarver, Oli Speers, JessicaTeague, Michael Vincent, DeborahWeiss,VikiWestall. </p><p>54 Dracula </p><p>MIKE DIXON gets drawn in to bloodthirsty business in Leeds </p><p>58 Alina Cojocaru’s Dream Project </p><p>YUKI NAGANO reports on starry performances inTokyo </p><p><em>Japanes e T ranslator </em>Yuki Nagano </p><p>日本語 www.danceeurope.jp </p><p>62 Petipa, Messerer, Duato </p><p>CATHERINE PAWLICK has praise for the Mikhailovsky’s first programme of the season </p><p>русский www.danceeurope.ru.com </p><p><em>Website developer </em>Michael Lenahan </p><p>MEDIA </p><p>DANZA EUROPA </p><p>Founded in 2009&nbsp;ISSN 2041-8841 www.danzaeuropa.net </p><p>57 Books </p><p>Twitter: ElGato@DanzaEuropa </p><p>AMANDA JENNINGS and MIKE DIXON </p><p>review <em>Faber Pocket Guid e T o B allet </em>and <em>Irina Baronova and the Ballets Russes de Monte-Carlo </em></p><p><em>Spanis h T ranslators </em></p><p>Carlos Pons Guerra, Jesús R. Gamo, Fernando Balsera Pita </p><p><em>Spanish Advertising </em></p><p><a href="mailto:[email protected]" target="_blank">[email protected] </a></p><p>75 Film </p><p>CARLOS PONS GUERRA reviews the Ballet Boys </p><p>Dance Europe was founded in November 1995. It is published 11 times a year in London and distributed worldwide by:&nbsp;UK - Comag Specialist Division, London;Austria - Morawa &amp; Co. Ltd;Australia/New Zealand - Gordon &amp; Gotch; Canada - LMPI; Croatia - ANGCRO; Germany - We Saarbach GmbH; Iceland - Innkaupasam band Boksala; South Africa - Magscene (Pty); Sweden - Svenska Interpress AB; Poland - Ingland Co. Ltd; Croatia, Slovenial - Levant Dist;&nbsp;Portugal - International News;Trieste - EST; Finland - Rautakirja Oy; Poland - Ingland Co. Ltd; Sweden - Sevenska Interpress; U.S.A. - SEMAJ INC/IPD/; Spain - SGEL;&nbsp;Belgium - AMP;&nbsp;Hungary - Libropress 2000; Taiwan - Multi-Arts Enterprise; Singapore - Borders/ STP; Japan -Yohan ; Malaysia - STP; Italy - Intercontinental (FE) and in France by the publisher +44 20 8985 7767. Individual subscriptions, single and back issues, library and institution subscriptions and English and Spanish digital versions available online at www.danceeurope.net. </p><p>Reviews </p><p>76 </p><p>Camille A. Brown and Dancers </p><p><em>Mr.TOL E. RAncE </em></p><p>Ballet Nacional de España </p><p><em>Sorolla </em></p><p>City Contemporary Dance Company </p><p>Hong Kong <em>As If to Nothing </em></p><p>Freelance contributions are welcomed especially from writers who have worked as professional dancers. New writers should, in the first instance,&nbsp;submit a short review or article accompanied by a CV.&nbsp;Photos sent by email or dropbox need to be 300 dpi and should be clearly captioned in Photoshop File Info. </p><p>WendyWhelan <em>Restless Creature </em></p><p>Mariinsky Ballet <em>Giselle </em></p><p>The content of <em>Dance Europe </em>and <em>Danza Europa </em>is copy- </p><p>righted and may not be freely reproduced in any medium whatsoever, including on the internet.The scanning and posting of articles published in <em>Dance Europe </em>and <em>Danza Europa </em>is strictly forbidden and constitutes a breach of copyright. </p><p>80 Japanese page </p><p>ソロ・フォー・トゥー </p><p>© Dance Europe&nbsp;2014 </p><p>Photos: Dance Europe; Richard Haughton; Jusꢀn Slee; Mikhailovsky Theatre </p><p></p><ul style="display: flex;"><li style="flex:1">DANCE EUROPE </li><li style="flex:1">October 2014 </li></ul><p></p><p>5</p>