Sonologia 2016 – Out of Phase Fernando Iazzetta, Lílian Campesato and Rui Chaves (editors) Published by NuSom – Resear!h Centre on Sonolo"y São Paulo, November 2017 www.eca.usp.br/nusom SONOLOGIA 2016 – OUT OF PHASE www.eca.usp.br/sonologia 2 Sonologia 2016 – out of phase Proceedings of the International Conference on Sound Studies S#o Paulo, November $$%$&, $'() First Published in November $'(* by NuSom – Resear!h Centre on Sonolo"y +,niversity o- S#o Paulo. S#o Paulo, /razil ISBN: 0*1%1&%&21')%''%$ All the content presented in the texts are solely responsibility of the authors. The ideas presented do not necessarily represent the opinion of the editors. Organization: Support: PROCESSO FAPESP 2016/13842-8 SONOLOGIA 2016 – OUT OF PHASE www.eca.usp.br/sonologia 3 Index Editorial..............................................................................................................................................8 Keynote Speakers.............................................................................................................................9 Panels.............................................................................................................................................. 11 Session 1......................................................................................................................................... 14 1. Methodological intersections in search of the sonic memory of the graphic industry in a Colom- bian neighborhood........................................................................................................................... 15 Joaquin Llorca 2. Innovative, industry-based projects to augment sonic expressions in everyday life..................24 Jordan Lacey 3. New Resonances: Sound in contemporary architectural thought...............................................33 Colin Ripley 4. Urban Sound Design projects in Colombia. Exploring portability and the passersby sonic inter- action................................................................................................................................................ 43 Júlian Arango Jaramillo Session 2......................................................................................................................................... 52 5. "Ta [p] Chas": Transculturation, heterogeneity and hybridity in Peruvian electroacoustic music in the sixties generation....................................................................................................................... 53 Renzo Filinich Orozco 6. Hybrid Frequencies: Underground Networks And The International Ra(u)dio Art Show (1978- 79).....................................................................................................................................................65 Yuri Bruscky 7. Towards ‘decolonized’ listening – A sound ethnography of the Paul Bowles Moroccan Music Collection..........................................................................................................................................76 Gilles Aubry Bern 8.“Every Argentine man should know what his mission is and fulfill it”. Notes on electronic van- guards during the Peronist administration CICMAT (Buenos Aires, 1973-1976). ..........................87 Miguel Garutti SONOLOGIA 2016 – OUT OF PHASE www.eca.usp.br/sonologia 4 Session 3......................................................................................................................................... 98 9. Making Sites Audible: Ambient Sound in Practice...................................................................... 99 Budhaditya Chattopadhyay 10. Between vinyl and mp3: music and memory...........................................................................111 Cacá Machado 11. YTPMVs - Viral Error Aesthetics and Chaos Informational from recycling YouTube memes as new form of Video Music................................................................................................................ 124 Cristiano Figueiró; Guilherme Soares; Guilherme Lunhani 12. A Century of Zombie Sound.....................................................................................................132 AUDINT (Steve Goodman, Toby Heys, & Eleni Ikoniadou) Session 4....................................................................................................................................... 134 13. Strana Lektiri, Voicing and Cut-Up Tragedy: Some reflections about feminist epistemologies, sound creation and the gendered allocation of space..................................................................135 Isabel Nogueira; Leandra Lambert 14. The Sound of ACT UP! AIDS Activism as Sound(e)scape and Sound-Escapade..................141 Katrin Köppert 15. The Brazilian experimental music scene is wearing skirts! The work of Natacha Maurer, Ren- ata Roman and Vanessa de Michelis and the feminization of the field......................................... 142 Tânia Mello Neiva; Adriana Fernandes; Didier Guigue 16. An archeology of presence in voice studies and the Concert for Voice (Moods IIIb) by Maja Ratkje..............................................................................................................................................152 Flora Ferreira Holderbaum Session 5....................................................................................................................................... 164 17. Shadows In The Field Recording............................................................................................. 165 Tullis Rennie 18. The experience of sonority: the dangers of a journey into the unknown.................................174 Valéria Bonafé 19. Is that the show?! Comprovisation and Occupation of Public Spaces at the TransPosições Performance................................................................................................................................... 176 Miguel D. Antar; Yonara Dantas de Oliveira SONOLOGIA 2016 – OUT OF PHASE www.eca.usp.br/sonologia 5 Session 6....................................................................................................................................... 186 20. A Danceable Shower of Bullets: Sound Morphologies and Neurosis in the Genesis of an EDM Beat.................................................................................................................................................187 Carlos Palombini 21. Ubiquitous Public Voices in the Soundscape of Arcoverde, Pernambuco.............................188 Daniel B. Sharp 22. Composition for Temple Speakers: On Devotion and Noise in India .....................................189 Sindhu Thirumalaisamy Session 7....................................................................................................................................... 191 23. The Menace of the Earthquake: Listening to the Chilean criollo............................................. 192 Gregorio Fontaine 24. Musicology of listening – the cachucha (caxuxa) and the history of aural transmission in Brazil ........................................................................................................................................................ 203 Martha Tupinambá de Ulhôa 25. Listening Out for the Metaphysical: an introduction to ‘Park Bench Sojourn’.........................205 Matthew Sansom 26. The Politics of Resistance Music: Hong Kong’s Tiananmen Square Incident Memorial Vigil ........................................................................................................................................................ 210 Laura Teresa Spence 27. Loudspeaker Broadcasting in South Africa in the 1940s........................................................ 222 Thokozani Mhlambi Session 8....................................................................................................................................... 224 28. Soundcheck with Nicolas Collins ............................................................................................ 225 Alexandre Marino Fernandez; José Guilherme Allen Lima 29. Anonymous Flows and Decentred Listening: Non-Anthropocentric Practices in the Sonic Arts ........................................................................................................................................................ 235 Rahma Khazam 30. Michel Chion’s contributions to the study of representation in sound arts .............................239 David Donato 31. Graphic scores and diagrammatic thinking.............................................................................247 Daniel Puig SONOLOGIA 2016 – OUT OF PHASE www.eca.usp.br/sonologia 6 Session 9....................................................................................................................................... 255 32. The solfège of technical objects: a few notes on the potential contribution of Simondon to sound studies and arts...................................................................................................................256 José Henrique Padovani 33. The pre-apparatuses in experimental music: implications for sound, technology and perform- ance................................................................................................................................................257 Eduardo Nespoli 34. Touching the machines: immaterial value added on sonic electronic devices .....................267 Alexandre Sperandéo Fenerich 35. Some considerations towards a more critical practice