ART AND CERAMICS FROM RODIN TO SCHÜTTE SÈVRES – CITÉ DE LA CÉRAMIQUE March 9 – June 12, 2016 LA MAISON ROUGE, PARIS March 9 – June 5, 2016 Art and ceramics – CERAMIX – From Rodin to Schütte Exhibition: March 9 – June 12, 2016 (Sèvres – Cité de la céramique), March 9 – June 5, 2016 (La maison rouge) Content p. 2 – 3 Foreword Camille Morineau and Lucia Pesapane p. 5 – 15 Exhibition sections Camille Morineau and Lucia Pesapane p. 16­ – 17 Information around the exhibition p. 18 – 30 Selected artworks p. 31 Visiting information p. 32 Partners p. 33 – 40 Appendix: Chronology Baimba Kamara Sèvres – Cité de la céramique La maison rouge Cultural development delegation Claudine Colin Communication Sylvie Perrin, head of communication and press relations Pénélope Ponchelet and Marine Le Bris tel. +33 (0)1 46 29 38 38 / cell.+33 (0)6 25 12 82 87 tel. + 33(0)1 42 72 60 01 [email protected] [email protected] ; [email protected] 2 CERAMIX ART AND CERAMICS FROM RODIN TO SCHÜTTE SÈVRES – CITÉ DE LA CÉRAMIQUE March 9 – June 12, 2016 LA MAISON ROUGE, PARIS March 9 – June 5, 2016 Preview: March 8, 2016 Press preview 9:15 a.m. to 11:15 a.m.: Sèvres – Cité de la céramique (8.45 a.m.: departure Palais Royal for Sèvres) 10:30 a.m. to 12:30 a.m.: La maison rouge (shuttle bus between Sèvres and Paris) Professionnal preview 17 p.m. to 21 p.m.: La maison rouge 18 p.m. to 23 p.m.: Sèvres – Cité de la céramique Cité de la Céramique in Sèvres, La maison rouge museum dedicated to ceramics from all over in Paris and the Bonnefantenmuseum in the world. Devoted to the promotion of ceramic art Maastricht present CERAMIX, the first international and creation, the institution had the strong desire exhibition devoted to the use of ceramics in the to undertake the exhibition. In Paris, for a long time twentieth and twenty first centuries. The timing La maison rouge has had the feeling that ceramics of this exhibition is no coincidence: ceramic needed to be explored in depth. Whilst meeting is an incredibly popular medium in sculpture right with Camille Morineau, this idea was corroborated now, largely due to its new and freer uses. and the ability to make it real arose. Next to that, the Bonnefanten is celebrating the twentieth anniversary of its iconic building After the Bonnefanten designed by Aldo Rossi! And what could be a more Museum in Maastricht appropriate and significant venue for the exhibition (October 16th - than a museum situated on the Avenue Ceramique, January 31st, 2016), on what was once the Ceramic terrain in the exhibition Maastricht. is presented CERAMIX presents a selection of over in Paris and Sèvres 250 highlights of ceramic art from international from March 9th, 2016. museum and private collections (e.g. Victoria & Albert Museum in London, Museo Internazionale della ceramica in Faenza, Petit Palais in Paris, Sevres, Paris and Maastricht have strong historical Marck Larock-Granoff, Isabelle Maeght, Alain Tarica connections to ceramic production in all its guises. and Luciano Benetton). It’s the first exhibition Sevres is both a worldwide known manufacture to focus on the relationship between art and of art since the eighteenth century and a national ceramics from the early 20th century to the present. Sèvres – Cité de la céramique La maison rouge Cultural development delegation Claudine Colin Communication Sylvie Perrin, head of communication and press relations Pénélope Ponchelet and Marine Le Bris tel. +33 (0)1 46 29 38 38 / cell.+33 (0)6 25 12 82 87 tel. + 33(0)1 42 72 60 01 [email protected] [email protected] ; [email protected] 3 Art and ceramics – CERAMIX – From Rodin to Schütte Exhibition: March 9 – June 12, 2016 (Sèvres – Cité de la céramique), March 9 – June 5, 2016 (La maison rouge) The exhibition is curated by guest curators Camille Morineau and Lucia Pesapane, who have Curators previously worked together on exhibitions of Gerhard Richter, Roy Lichtenstein, Niki de Saint Phalle and elles@centrepompidou. Camille Morineau, former curator at Centre Pompidou, and Lucia Pesapane, art historian. The use of ceramic as a sculptural medium has really They worked together on the Gerhard Richter, taken off in the 21st century and made an indelible Roy Lichtenstein, Niki de Saint Phalle exhbitions, mark on the art world. How can we explain as Elles in Centre Pompidou. this revival? Where and when did ceramics gain influence in the work of painters and sculptors? In which styles, movements, countries and production centres did this art form originate? Co-production by These questions form the basis of CERAMIX. The layout of the exhibition is both chronological and thematic. For instance, one of the rooms gives a chronological overview of the use of ceramics in the art history of Europe, the United States and Japan. Other rooms focus on various themes, such as The origin of ceramic sculpture, with works by artists like Rodin and Gauguin, the Otis group from California, with artists like Ken Price and John Mason, and Falling vases, breaking plates, with works by Picasso, Ai Weiwei, Anne Wenzel and Edmund de Waal. Finally, there are a number of monograph rooms that have been created in close cooperation with the artists: Katinka Bock, Johan Creten, Eduardo Chillida & Antoni Tàpies, Leiko Ikemura, Klara Kristalova, Luigi Ontani, Elsa Sahal and Thomas Schütte. Sèvres – Cité de la céramique La maison rouge Cultural development delegation Claudine Colin Communication Sylvie Perrin, head of communication and press relations Pénélope Ponchelet and Marine Le Bris tel. +33 (0)1 46 29 38 38 / cell.+33 (0)6 25 12 82 87 tel. + 33(0)1 42 72 60 01 [email protected] [email protected] ; [email protected] 4 Art and ceramics – CERAMIX – From Rodin to Schütte Exhibition: March 9 – June 12, 2016 (Sèvres – Cité de la céramique), March 9 – June 5, 2016 (La maison rouge) Exhibition sections Masks and by Camille Morineau and Lucia Pesapane grotesque figures Probably influenced by the masks in Japanese Birth of the ceramic Noh theatre, around 1890 Jean Carriès created masks sculpture, the ‘feeling representing horrified and laughing faces. of great heat’ These pieces are characterised by a combination of humour and the grotesque, like carnival masks. In 1938-39, André Derain experimented with It was at the turn of the twentieth century, the form of masks by drawing on the cultures at the moment when the notion of modernity was of Africa and Oceania. With their sometimes curious being developed, that certain artists – modern and disquieting gaze, his ceramic works sow masters like Auguste Rodin and Paul Gauguin – doubt about their identity. In architecture, grotesque embraced ceramics in a completely different way figures are ornaments in the form of often and revolutionised sculpture. The freedom frightening human faces whose function is to scare of the sculptor’s gesture and that of the movement away bad spirits from a building. of the body of the model, and the explosion With his Basler Maske, Thomas Schütte renews of colour given by the glaze, were artistic novelties the genre, presenting frightening masks whose that would also give rise to new content. The new expressions are reminiscent of certain caricatures subjects introduced by ceramics are the emergence from the nineteenth century and the carnival of hybrid and grotesque forms in the work in Basel. of Jean Carriès, eroticism in those of Francisco Durrio, the use of found objects in Rodin’s sculpture, Sèvres – Cité de la céramique and overall the modernisation of the ‘character’ Johan Tahon | (Belgium) Menen, 1965 – Lives and of ceramics that would then be explored works in Munkzwalm (Belgium) and in Istanbul in thousands of ways for almost a century. La maison rouge As summarised by Gauguin, the first theoretician Jean-Joseph Carriès | (France) Lyon, 1855 – Paris, 1894 of ceramic sculpture: ‘I search for the character André Derain | (France) Chatou, 1880 – Garches, 1954 inherent in each material. The character of stoneware Thomas Schütte | (Germany), 1954 – is the feeling of great heat’. Lives and works in Düsseldorf Sèvres – Cité de la céramique Paloma Varga Weisz | (Germany), 1966 – Lives and works in Düsseldorf Paul Gauguin | (France) Paris, 1848 – Atuona 1903 Jean-Joseph Carriès | (France) Lyon, 1855 – Paris, 1894 Francisco Durrio | (Spain) Valladolid, 1868 – Paris, 1940 La maison rouge Auguste Rodin |(France) Paris, 1840 – Meudon, 1917 Auguste Rodin et Paul Janneney | (France) Paris, 1840 – Meudon, 1917 | (France) Strasbourg, 1861 – Saint-Amand-en-Puisaye, 1920 Sèvres – Cité de la céramique La maison rouge Cultural development delegation Claudine Colin Communication Sylvie Perrin, head of communication and press relations Pénélope Ponchelet and Marine Le Bris tel. +33 (0)1 46 29 38 38 / cell.+33 (0)6 25 12 82 87 tel. + 33(0)1 42 72 60 01 [email protected] [email protected] ; [email protected] 5 Art and ceramics – CERAMIX – From Rodin to Schütte Exhibition: March 9 – June 12, 2016 (Sèvres – Cité de la céramique), March 9 – June 5, 2016 (La maison rouge) Pablo Picasso | (Spain) Malaga, 1881 – Ceramics, the material Mougins (France), 1973 of the avant-gardes Sèvres – Cité de la céramique and La maison rouge Raoul Dufy | (France) Le Havre, 1877 – Forcalquier, 1953 The popularity of this material in the twentieth century is demonstrated by the role it played in nearly all the avant-garde movements and by its importance Teatrini, Italy from the 1930s for some of the greatest artists of the period. Along the ceramics made by painters, the Fauves to the present day in France applied their revolutionary use of colour La maison rouge to vases and plates.