Publications for Richard Charteris 2018 7). Albany, California: PRB Productions. Charteris, R. (2018). New Light on Two Canons by Adam Charteris, R. (2008). [RECLASS] Peter Philips: Pavana and Gumpelzhaimer. Musik in Bayern, 82/83, 112-155. <a Galiarda Dolorosa for Four- or Five-Part Viol Consort. In href="http://dx.doi.org/10.15463/gfbm-mib-2018-184">[More Richard Charteris (Eds.), Peter Philips: Pavana and Galiarda Information]</a> Dolorosa for Four- or Five-Part Viol Consort, (pp. 2-11 plus 2017 parts). London, United Kingdom: Fretwork Editions. Charteris, R. (2008). Richard Dering's Concertato Motets. Charteris, R. (2017). A Collection of Georg Rhau's Music Music and Letters, 89(4), 698-700. <a Editions and Some Previously Unnoticed Works. The href="http://dx.doi.org/10.1093/ml/gcn093">[More Electronic British Library Journal, 2017 (1), 1-72. <a Information]</a> href="https://www.bl.uk/eblj/2017articles/article1.html">[More Information]</a> Charteris, R. (2008). Wolfgang Hoffmann von Grunbuhel's Lute Book: A New Source from the Early Seventeenth Century. 2015 The Lute, 46, 1-42. Charteris, R. (2015). Some Overlooked Manuscript Music in the Bischofliche Zentralbibliothek Regensburg. Musik in 2007 Bayern, 79/80, 7-60. <a href="http://dx.doi.org/10.15463/gfbm- Charteris, R. (2007). A Rediscovered Manuscript with Music by mib-2014-103">[More Information]</a> Henry Purcell. JAHRBUCH DES STAATLICHEN INSTITUTS FÃœR MUSIKFORSCHUNG PREUSSISCHER KULTURBESITZ, 2014 2005, 124-138. Charteris, R. (2014). Giovanni Croce: First Book of Motets for Charteris, R. (2007). Daniel Purcell: Ode for St Cecilia's Day Eight Voices and Organ. Hillsdale, New York: Pendragon Press. 1698. Albany, California: PRB Productions. 2013 2006 Charteris, R. (2013). Newly Identified Music Editions from the Charteris, R. (2006). A Late Renaissance Music Manuscript Private Library of Martin Luther. In Monte Artium, 6, 41-95. <a Unmasked. The Electronic British Library Journal, eBLJ, 2006, href="http://dx.doi.org/10.1484/J.IMA.1.103711">[More article 3(1), 1-24. <a Information]</a> href="http://www.bl.uk/eblj/2006articles/article3.html">[More Information]</a> 2011 Charteris, R. (2006). Johann Georg von Werdenstein (1542 - Charteris, R. (2011). Giovanni Gabrieli and His 1608): A Major Collector of Early Music Prints. Michigan: Contemporaries: Music, Sources and Collections. London, UK: Harmonie Park Press. Ashgate. Charteris, R. (2006). L'Amorosa Ero: Eighteen Italian 2009 Madrigals for Four Viols, Voices or Recorders. California: PRB Productions. Charteris, R. (2009). A neglected anthology of sacred vocal music dating from the sixteenth century. Music and Letters, 2005 90(1), 1-34. <a href="http://dx.doi.org/10.1093/ml/gcn047">[More Charteris, R. (2005). [RECLASS] John Coprario: The Fantasias Information]</a> for Two Bass Viols and Organ. In Richard Charteris (Eds.), John Coprario: The Fantasias for Two Bass Viols and Organ, Charteris, R. (2009). Giovanni Gabrieli: Motet ''Angelus (pp. ii-xvii plus scores). Albany, California: PRB Productions. Domini Descendit'' for Eight Voices. In R Charteris (Eds.), Baroque Music Series No. 56, (pp. 1-9). Albany, California: Charteris, R. (2005). An annotated catalogue of the music PRB Productions. manuscripts in the Folger Shakespeare Library, Washington, D.C. New York: Pendragon Press. Charteris, R. (2009). Giovanni Gabrieli: Motet ''Beati Omnes Qui Timent Dominum'' for Eight Voices. In R Charteris Charteris, R. (2005). Andrea Gabrieli: Gloria a 16 (1587). (Eds.), Baroque Music Series No. 57, (pp. 1-12). Albany, Huntingdon, Cambridgeshire: King's Music. California: PRB Productions. Charteris, R. (2005). Andrea Gabrieli: Kyrie a 5, Christe a 8, Charteris, R. (2009). Some early music editions in Brussels and Kyrie a 12 (1587). Leiden: Brill. Regensburg: Their historical connections unveiled. In Monte Charteris, R. (2005). Giovanni Gabrieli: Confitebor tibi Artium, 1(2008), 23-55. <a Domine a 13 (from ''Symphoniae Sacrae II'', 1615) (C76). href="https://www.brepolsonline.net/doi/abs/10.1484/J.IMA.1.1 Abingdon: Routledge. 00286">[More Information]</a> Charteris, R. (2005). Giovanni Gabrieli: Confitebor tibi 2008 Domine a 13 (from Gruber''s ''Reliquiae'', 1615) (C154). Huntingdon: Routledge imprint of Taylor & Francis. Charteris, R. (2008). [RECLASS] Giovanni Gabrieli: Motet 'Beata es virgo' for Six Voices. In Richard Charteris (Eds.), Charteris, R. (2005). Thomas' Hematopoietic Cell Giovanni Gabrieli: Motet 'Beata es virgo' for Six Voices, (pp. 1- Transplantation. Chichester: John Wiley & Sons. 2004 instruments. In Richard Charteris (Eds.), Giovanni Bassano: Motet "Dic nobis, Maria", (pp. ii-10). 963 Peralta Avenue, Charteris, R. (2004). A New Keyboard Work by Giovanni Albany, California, USA: PRB Productions. Gabrieli and the Relevance of its Compositional Technique. Music and Letters, 85(1), 1-21. <a Charteris, R. (2002). Baroque Music Series No. 29 | Giovanni href="http://dx.doi.org/10.1093/ml/85.1.1">[More Bassano: Motet "O Doctor Optime" for six voices or voices and Information]</a> instruments. In Richard Charteris (Eds.), Giovanni Bassano: Motet "O Doctor Optime", (pp. i-7). 963 Peralta Ave, Albany, Charteris, R. (2004). Baroque Music Series No. 33 | Giovanni California, USA: PRB Productions. Bassano: Motet "Canite tuba" for Eight Voices or Voices and Instruments. In Richard Charteris (Eds.), Giovanni Bassano: Charteris, R. (2002). Baroque Music Series No. 30 | Giovanni Motet "Canite tuba", (pp. ii-9 plus parts). Albany, California, Bassano: Motet "Nativitas Tua" for seven voices or voices and USA: PRB Productions. instruments. In Richard Charteris (Eds.), Giovanni Bassano: Motet "Nativitas Tua", (pp. ii-10 plus parts). 963 Peralta 2003 Avenue, Albany, California, USA: PRB Productions. Charteris, R. (2003). Baroque Music Series No. 31 | Giovanni Charteris, R. (2002). Giovanni Gabrieli's Sacrae Symphoniae Bassano: Motet "Quem vidistis pastores?" for eight voices or (Venice, 1597): some rediscovered partbooks with new voices and instruments. In Richard Charteris (Eds.), Giovanni evidence about performance practice. In Paul Mai (Eds.), Im Bassano: Motet "Quem vidistis pastores?", (pp. ii-10 plus Dienst der Quellen zur Musik, (pp. 195-228). Tutzing: Hans parts). 963 Peralta Avenue, Albany, California, USA: PRB Schneider. Productions. Charteris, R. (2002). Introduction. In Richard Charteris (Eds.), Charteris, R. (2003). Baroque Music Series No. 32 | Giovanni The Six-Part Pieces, (pp. iv-xxxiv). Albany, California: PRB Bassano: Motet "Cibavit nos" for eight voices or voices and Productions. instruments. In Richard Charteris (Eds.), Giovanni Bassano: Charteris, R. (2002). The two-, three- and four-part consort Motet "Cibavit nos", (pp. ii-5 plus parts). Albany, California: music. London, UK: Fretwork Editions. PRB Productions. Charteris, R. (2003). Critical Commentary: Giovanni Bassano: 2001 Opera Omnia Corpus mensurabilis musicae No. 101, Volume Charteris, R. (2001). Four Canzonas a 4 (C186-189). II: The Sacred Vocal Works II. In Richard Charteris (Eds.), Churcham, Gloucester, England: The Beauchamp Press. Giovanni Bassano: Opera Omnia, (pp. 25-52). USA: American Institute of Musicology. Charteris, R. (2001). New Connections between Eastern Europe and Works by Philips, Dowland, Marais and Others. Chelys, 29, Charteris, R. (2003). Critical Commentary: Giovanni Gabreili: 3-27. Opera Omnia Corpus mensurabilis musicae No. 12, Volume VII: Motets in Charteris, R. (2001). The Three-Part Consort Music; Thomas Manuscript Sources and Printed Anthologies I. In Charteris Lupo. In Richard Charteris (Eds.), The Three-Part Consort (Eds.), Giovanni Gabreili: Opera Omnia, (pp. 25-46). USA: Music. London: Fretwork. American Institute of Musicology. Charteris, R. (2001). Theophilus Hawney: a little-known Charteris, R. (2003). Critical commentary: John Hingeston: the composer and his much travelled works. Early Music, XXIX/4 Fantasia-Suites for Violin, Bas Viol and Organ. In Richard November 2001, 626-632. <a Charteris (Eds.), John Hingeston: the Fantasia-Suites for href="http://dx.doi.org/10.1093/em/29.4.626">[More Violin, Bas Viol and Organ, (pp. 6-11). California, USA: PRB Information]</a> Productions. Charteris, R. (2003). Giovanni Bassano: Opera omnia, Corpus mensurabilis musicae No. 101, Volume II: The Sacred Vocal Works II: Concerti ecclesiastici a cinque, sei, sette, otto, & dodeci voci (Venice, 1599),voci (Venice, 1599) (Critical Edition). Middleton, Wisconsin: American Institute of Musicology. Charteris, R. (2003). Music by Giovanni Gabrieli and his contemporaries: rediscovered sources in the Staats- und Universitatsbibliothek, Hamburg. Musica Disciplina, 52, 251- 288. Charteris, R. (2003). Music manuscripts missing from the Staats- und Universitatsbibliothek, Hamburg. Royal Musical Association Research Chronicle, 35, 1-40. Charteris, R. (2003). Thomas Lupo: The Four-Part Consort Music. In Richard Charteris (Eds.), The Four-Part Consort Music, (pp. 8-14). London, UK: Fretwork Editions. 2002 Charteris, R. (2002). An Early-Seventeenth-Century Collection of Sacred Vocal Music and Its Augsburg Connections. Music Library Association. Notes: quarterly journal of the music library association, 58(3), 511-535. Charteris, R. (2002). Baroque Music Series No. 19 | Giovanni Bassano: Motet "Dic nobis, Maria" for six voices or voices and.