Box 12 Abbot, John M. La Coralie polka schottisch. Composed for and respectfully dedicated to Miss Kate E. Stoutenburg. For solo piano. New York: J. E. Gould and Co., 1851. Abbot, John M. La reve d’amour. For solo piano. New York: William Hall & Son, 1858. 3 copies. L’Aboyar. La coquetterie polka facile. For solo piano. Boston: Oliver Ditson, 1853. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. New York: James L. Hewitt & Co., [s.d.]. Adam, Adolphe. Duke of Reichstadt’s waltz. For solo piano. Boston: C. Bradlee, [s.d.].. Adam, A. Hungarian flag dance. Danced by forty-eight Danseuses Viennoises at the principal theatres in Europe and the United States. For solo piano. Arranged by Edward L. White. Boston: Stephen W. Marsh, 1847. Adams, A.M. La petite surprise! For solo piano. New York: W. Dubois, [s.d.]. Adams, G. Molly put the kettle on. For solo piano. Boston: Oliver Ditson, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss. R. Brown on the harp at the Boston Concerts. For solo piano or harp. New York: William Hall & Son, [s.d.]. Adams, G. Scotch air. With variations as performed by Miss R. Brown on the harp at the Boston Concerts. For solo piano or harp. New York: Firth, Hall, and Pond, [between 1846 and 1847]. Adams, J.B. Sunbeam polka. For solo piano. Boston: Oliver Ditson, 1853. Adams, J. Willard. Dream life polka. Composed and most respectfully dedicated to the Ladies of Fredericksburg, PA. For solo piano. New York: Firth, Pond, and Co., 1852. [Composer unlisted.] The admired sett of cotillions from “La Dame Blanche; or, The White Lady.” For solo piano. New York: C. T. Geslain, [1842]. [Composer unlisted.] The admired sett of cotillions from the opera of “La Dame Blanche; or, The White Lady.” For solo piano. New York: E. Riley, [between 1830 and 1835]. 4 copies. [Composer unlisted.] Agathe (When the swallows). For flute or violin and piano. New York: Firth, Pond, and Co., 1853. Ahner, Henry. Clarisse Harlowe. A collection of beautiful waltzes, polkas as performed by the Germania Musical Society. For solo piano. Cleveland: S. Brainard & Co., [1856 or 1859]. 1 Ahrens, August. Margharetta polka. Composed and dedicated to Ms. Margaretta Riggs. For solo piano. New York: Kerksieg & Breusing, 1852. [Composer unlisted.] Air Tyrolean con varia. Inscribed to Columbia’s fair daughters by an eminent professor. For solo piano. New York: Firth & Hall, [s.d.]. Alary, Giulio. Sontag polka. For solo piano. Arranged by John C. Scherpf. For solo piano. New York: William Vanderbeek & Son, 1852. Alary, Giulio. Sontag polka. For solo piano. Arranged by P. Y. Densari. New York: S. Pearson, 1853. Alberti, Henry. Come friends and listen to my story. A favorite march as performed by the Light Guards and other military bands. For solo piano. New York: C. E. Horn, 1835. Alberti, H. Ernani de Verdi. For solo piano. Boston: Russell & Tolman, [s.d.]. Alberti, H. O pescator dell’onda. For solo piano. St. Louis: Balmer & Weber, 1846. Albrechtsberger. Modulations from C Major and C Minor. For solo piano. Boston: G. P. Reed & Co., [s.d.]. Alden, Mary J. Commencement waltz. Composed and dedicated to Oliver Shaw Esq. For solo piano. Boston: Parker & Ditson, [s.d]. 2 copies. Alexander, M.P. Flora’s waltz. Composed and respectfully dedicated to Miss Sarah Miller. For solo piano. Boston: Oliver Ditson, 1852. Allen, B.D. The merry sleigh bells. Composed and respectfully dedicated to Miss Anna M. Richardson. For solo piano. Boston: Oliver Ditson, [between 1844 and 1857]. [Composer unlisted.] The Alpine march. For solo piano. New York: Firth & Hall, [before 1860]. Amateur. The Union polka. Respectfully dedicated to Young pupils. For solo piano. New York: Horace Waters, 1855. Missing pages; copy consists of cover sheet only. [Composer unlisted.] Amelia polka. For solo piano. New York: H. B. Dodworth, 1856. Missing pages; copy consists of cover sheet only. [Composer unlisted.] Andante for the piano forte and flute. For flute and piano. [s.l.: s.n., s.d.]. Engraved by G. W. Quidor. Anderson, G. Battle of Waterloo. Composed and dedicated to the Duke of Wellington. For solo piano. Philadelphia: Fiot, Meignen, & Co., [between 1837 and 1839]. 2 Anderson, G. Battle of Waterloo. Composed and dedicated to the Duke of Wellington. For solo piano. New York: E. Riley, [s.d.]. Anderson, G. Battle of Waterloo. Composed and dedicated to the Duke of Wellington. For solo piano. New York: William Hall & Son, [s.d.]. Andre, A. Overture to Tancredi. Duet for two pianos. Baltimore: John Cole & Son, [s.d.]. Andrews, J.C. Caradori waltz. Respectfully dedicated to E. F. Allan Esq. For solo piano. New York: Edward J. Jaques, [s.d.]. Andrews, John C. Empire state quadrilles. Composed, arranged, and respectfully dedicated to the Ladies of the State of New York. For solo piano. New York: Hewitt & Jaques, [between 1837 and 1841]. Andrews, R. Eighteen popular airs. Duet for two pianos. Boston: G. P. Reed, [between 1839 and 1849]. 3 volumes. Andrews, R. The Swiss boy. For solo piano. Philadelphia: Geo. Willig, [s.d.]. Andrews, William K. The weeping willow waltz. For solo piano. Boston: Oliver Ditson, [s.d.]. Ancelo, D. Musidora polka mazurka. Arranged and fingered expressly for teaching pieces. For solo piano. New York: Firth, Pond, & Co., 1860. Ancelo, D. Lunatics last waltz. Duet for two pianos. New York: Firth, Pond, and Co., 1860. Anguera, Mary J. Linda schottisch. Respectfully dedicated to A. B. Smith Esq. For solo piano. Boston: Henry Tolman, 1852. 2 copies. Ascher, Joseph. Andante from Lucia di Lammermoor. For solo piano. New York: William Hall & Son, [between 1848 and 1858]. Ascher, J. La cascade de roses. For solo piano. Philadelphia: Lee & Walker, [s.d.]. Ascher, J. La cascade de roses. For solo piano. New York: William Dressler, [between 1855 and 1861]. Ascher, Joseph. Danse Andalouse. For solo piano. Boston: Oliver Ditson, [s.d.]. Ascher, Joseph. Deux mazurkas. For solo piano. New York: Stephen T. Gordon, [s.d.]. Ascher, Joseph. L’etoile aimee. For solo piano. Boston: Oliver Ditson & Co., [between 1860 and 1862]. Ascher, Joseph. Fanfare militaire. For solo piano. Baltimore: Miller & Beacham, 1860. 3 Ascher, Joseph. Favorite polkas. For solo piano. New York: William Hall & Son, [s.d.]. Ascher, Joseph. Feuille d’album. For solo piano. New York: Firth, Pond, and Co., 1860. Ascher, Joseph. Les gouttes d’eau. For solo piano. New York: Firth, Pond, & Co., [between 1848 and 1853]. Ascher, Joseph. Grande paraphrase de concert. For solo piano. New York: William Dressler, [s.d.]. Ascher, Joseph. Marche de la reine. For solo piano. New York: William Hall and Son, 1860. Ascher, Joseph. La marucca. For solo piano. New York: S. T. Gordon, 1860. 2 copies. Ascher, Joseph. Mazurka des traineaux. For solo piano. New York: S. T. Gordon, 1863. Ascher, Joseph. Mazurka des traineaux. For solo piano. New York: Firth, Pond, & Co., [s.d.]. 2 copies. Ascher, Joseph. Mazurka favorites (Sleigh bells). For solo piano. Cincinnati: W. C. Peters & Sons, [s.d.]. Ascher, Joseph. La montagnarde. For solo piano. Boston: Oliver Ditson & Co., 1860. Ascher, Joseph. Podolia mazurka. For solo piano. Cleveland: S. Brainard & Co., 1863. Ascher, Joseph. Polka from Le Carnaval de Venise. For solo piano. New York: Firth, Pond, & Co., [s.d.]. Ascher, Joseph. Le retour du soldat. For solo piano. Philadelphia: Beck & Lawton, [s.d.]. Ascher, Joseph. Rosalba. For solo piano. Boston: Oliver Ditson & Co., [s.d.]. Ascher, Joseph. Sans souci. For solo piano. Philadelphia: Lee & Walker, 1860. 2 copies. Ascher, Joseph. La traviata. To Miss Nellie Hanscome of Portsmouth, New Hampshire. For solo piano. Philadelphia: Lee & Walker., [s.d.]. Ascher, Joseph. Trust in me (Croyez moi). For solo piano. Cleveland: S. Brainard & Co., [1856 or 1859]. Ascher, Joseph. Vaillance polka militaire. For solo piano. New York: Firth, Pond, & Co., [s.d.]. 3 copies. Astor, William. The park rondo. Composed and respectfully dedicated to John Jacob Astor, Esq. by his nephew. For solo piano. New York: Jollie & Millet, 1835. 4 Auber. Waltzes from La Bayadere. For solo piano. Boston: Parker & Ditson, 1836. 2 copies. Auber, D. F. E. Overture to Les Diamants de la Courrone. For solo piano. Philadelphia: J.E. Gould, [between 1853 and 1856]. Auber, D. F. E. March from Le Dieu et La Bayadere. For solo piano. New York: Firth & Hall, [s.d.]. Auber. Melodies from Fra Diavola. For solo piano. C. B. Seymour & Co., 1860. Auber. Gallopade from Gustave III (Masked Ball). For solo piano. New York: James L. Hewitt & Co., 1840. 2 copies. Auber, D. F. E. Overture to Masaniello. For solo piano. Boston: Oliver Ditson, [s.d.]. Auber. Gallopade from Muette de Portici. For solo piano. Philadelphia: Geo. Willig, 1832. 2 copies. [Composer unlisted.] Auld Robin Gray. Inscribed to Miss Miles. For solo piano. [s.l.: s.n., ca. 1850]. Avery, H. Surprise party polka. To Miss Emma E. Avery. For solo piano. Boston: Oliver Ditson & Co., 1859. Ayling, Thomas. The Bremen waltz. Dedicated to Miss Emily A. Clark. For solo piano. New York: M. Bancroft, 1835. 5 Box 13 B., E. Fi-yi-yi. For solo piano. New York: Lewis H. Embree,1851. B., E. Rosebud polka. For solo piano. Boston: A. & J. P. Ordway, 1847. Baah, Herb. The foo-foo! schottisch. Composed and respectfully dedicated to Miss Lamb. For solo piano. New York: S. Pearson, 1851. Babcock, De Grand D. The friendship waltz. For solo piano. New York: William Hall & Son, [s.d.]. Bach, Johann Sebastian. Sarabande and rondo. For solo piano. Boston: Russell & Tolman, [s.d.]. Bacon, N. V. The fusileer’s grand march. For solo piano. Boston: Oliver Ditson & Co., 1857. 2 copies. Badarzewska, Thecla. Maiden’s prayer (La priere d’une vierge).