Manuel Ocampo 1965 Born in Quezon City, Philippines 2012 Lives and works in Manila, The View Through the Bull of a Philippines Manual Laborer of Menagerie Gussied Over White Ground: 20 1985 years of Self-Loathing and California State University, Intestinal Mishaps , Tyler Rollins Bakersfield Fine Art, New York, NY (S) 1984 Asia Pacific Triennial, Brisbane, University of the Philippines, Australia(G) Quezon City 2011/12 Exhibitions: Hirschfaktor. Die Kunst des Zitierens, ZKM | Museum für Neue 2015 Kunst, Karlsruhe (C, G) Goya vu par Ocampo, La Junte des Philippines 1815–2015, Musée 2011 Goya, Castres The Ghost Poo of Painting, Philara – Sammlung zeitgenössischer Manuel Ocampo, Nosbaum Reding Kunst, Düsseldorf (S) Gallery, Luxembourg 2010 Come as You Are: Art of the 1990s, Inversion of the ideal, Galerie Montclair Art Museum, Montclair, Zimmermann-Kratochwill, Graz (G) NJ. Traveling to Telfair Museum of Art Savannah, GA; University of Nosbaum & Reding, Luxembourg Michigan Museum of Art, Ann (S) Arbor, MI; and Blanton Museum of Art, University of Texas at Austin 2009/10 (G) Slow Paintings, Museum Morsbroich. Leverkusen (C, G) The Corrections, Tyler Rollins Fine Art, New York, New York, USA (S) Papier, Galerie Bärbel Grässlin, 2014 Frankfurt a.M. (G) Notes from the Ste Anne Asylum, Galerie Nathalie Obadia, Paris, Family Jewels, Galerie der Stadt France (S) Esslingen im Bahnwärterhaus, Esslingen (C, G) POSSESSION (II), Lanchester Gallery, Coventry University (G) 2009 Monument to the Aesthetisization 2013 of Desublimated Fantasies Perverse Sublime of the Toxic, Rendered Impotent by Nosbaum & Reding, Luxembourg Unredeemable Gestures, Galerie (S) Bärbel Grässlin, Frankfurt/M. (S) Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt, Germany T +49—69—299 246 70, [email protected] G = group show, S = solo show, C = catalogue Manuel Ocampo The Making of Art, Schirn Bastards of Misrepresentation, Kunsthalle Frankfurt a.M. (C, G) Casa Asia, Barcelona (C, S) Miniaturen, Galerie Bärbel Grässlin, 2004 Frankfurt a.M. (G) Bienal Internacional de Arte 2007/8 Contemporánea de Sevilla, Sevilla Guided by Sausage or Setting the (C, G) Course for the Embarrassing Theme, Galería Tomás March, Bastards, Galerie Bärbel Grässlin, Valencia (S) Frankfurt/M. (S) 2007 Miserable Intentions, Alimentation Guided by Sausage, Nosbaum & Generale Art Conteporain, Reding, Luxembourg (S) Nosbaum & Reding, Luxembourg (with Gaston Damag) (S) on paper!, Gesellschaft für Gegenwartskunst e.V., Augsburg Moral Stories: Fuck The Third (C, G) World!!, Galerie Tomás March, Valencia (S) 2006 Gray Kapernekas Gallery, New York 2003 (S) Wunderkammer, Gesellschaft für Gegenwartskunst e.V., Augsburg En el cielo no hay cerveza sin (C, S) alcohol, Adhoc Galería, Vigo (with Curro González) (S) The Inadequacy of the Struggle Against the Inadequacy of the Kitsch Recovery Program: An Struggle, Sprüth Magers Projekte, Image Is Just A Pathetic Attempt To Munich (S) Do Justice To A Picture, Alimentation Generale Art 2002 Contemporain, Nosbaum & Reding, Extranjeros: Los Otros Artistas Luxembourg (S) Españoles, Museo de Arte Contemporaneo Esteban Vicente, Down with Reality, Galerie Jesco Segovia, Spain (G) von Puttkamer, Berlin (S) Gallery Paule Anglim, San 2005/6 Francisco (S) Goetz meets Falckenberg, Phönix- Hallen, Hamburg-Harburg (C, G) An All Out Attempt at Transcendence, Galerie Bärbel 2005 Grässlin, Frankfurt/M. (S) Miserable Intentions, ART-CADE, Marseille (with Gaston Damag) Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt, Germany T +49—69—299 246 70, [email protected] G = group show, S = solo show, C = catalogue Manuel Ocampo Comprehensible Only to a Few Initiates, Galerie Nathalie Obadia, Made in California: Art, Image, and Paris (S) Identity, 1900-2000, Los Angeles County Museum of Art, Los An Existentializing Function of an Angeles (C, G) Aesthetic Suspension of the Meaningful Word, Gallery Paule Faith: The Impact of Judeo- Anglim, San Francisco (S) Christian Religion on Art at the Millenium, The Aldrich Museum, 2001 Ridgefield, Connecticut (C, G) 49. Esposizione Internazionale, Plateau of Mankind, la Biennale di Partage d’Exotismes, 5th Biennale Venezia (C, G) d’Art Contemporain de Lyon, Lyon, France (G) Berlin Biennale II, Berlin Germany (C, G) Sammlung Falckenberg (Falckenberg Collection), Les Chiens Andalous, Track 16 Deichtorhallen, Hamburg, Germany Gallery, Santa Monica, California (G) (C, G) Those Long Dormant Pimples of Vom Eindruck zum Ausdruck: Inattention Counterattacking the Grässlin Collection, (From Hyper-Convoluted Dramas of the Impression to Expression), Gaze, Philomene Magers Projekte, Deichtorhallen, Hamburg, Germany Munich, Galerie Bärbel Grässlin, (C, G) Frankfurt/M. (S) Contemporary Devotion, San Jose Those Long Dormant Pimples of Museum of Art (G) Inattention Meandering through the Cranium Arcade of Pitiless Circos Globulos: Selected Works Logic Swastikating between Love from the Babilonia Wilner and Hate, Jack Shainman Gallery, Collection, Babilonia 1808, New York (S) Berkeley, California (G) The Stream of Transcendent Presenting the Undisclosed System Object-Making Consciously of References in the Loophole of Working towards the Goal, Galerie Misunderstanding, Galería OMR, Michael Neff, Frankfurt/M. (S) Mexico City (S) 1999 Free Aesthetic Pleasure Now!, The Nature of Culture--Manuel Babilonia 1808, Berkeley, California Ocampo/Gaston Damag (S) Interventions in the Monasterio de la Cartuja de Santa Maria de las 2000 Cuevas, Centro Andaluz de Arte Salon, Delfina, London (G) Contemporáneo, Seville (C, S) Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt, Germany T +49—69—299 246 70, [email protected] G = group show, S = solo show, C = catalogue Manuel Ocampo the Lack Thereof, Galerie Nathalie 1999 Obadia, Paris (S) Vestiges of War, 1899-1999: The Philippine-American War and Its Yo También Soy Pintura, El Museo Aftermath, Asian/Pacific/American Extremeno e Iberoamericano de Studies Gallery, New York Arte Contemporáneo, Badajoz, University (G) Spain (C, S) Jardin de Eros, Institut de Cultura Why Must I Care For a Girl Who de Barcelona, Palau de la Always Scratches Wherever She Virreina/Centre Cultural Tecla Sala, Itches: 1-1/2 Centuries of Modern Barcelona; Bergen Kunstmuseum, Art Twelve Step Program, Delfina, Bergen, Norway (C, G) London; Centre Cultural Tecla Sala, Barcelona (C, S) Sensibilidade Apocaliptica, Festival Atlantico ’99, Lisbon, Portugal (C, Galerie Philomene Magers, G) Cologne. (S) The Inversion of the Ideal: 1997 Navigating the Landscape of American Stories—Amidst Intestinal Muck, Swastikating Displacement and Transformation, between Love and Hate, Galería Setagaya Art Museum, Tokyo (C, G) Soledad Lorenzo, Madrid (C, S) Arte Chido! Antiguo Colegio de 1998 San Ildefonso, Mexico City (G) At Home and Abroad: 21 Contemporary Filipino Artists, Memories of Overdevelopment, Asian Art Museum of San Francisco Irvine Art Gallery, University of (C, G) California, Irvine. (C, G) Double Trouble: The Patchett Nu-Glu, Joseph Helman Gallery, Collection, Museum of New York (G) Contemporary Art, San Diego (C, G) Past Time, Wood Street Galleries, Pittsburgh (G) Pop Surrealism, The Aldrich Museum of Contemporary Art, Pervasive Referents, Phyllis Kind Ridgefield, Connecticut (C, G) Gallery, New York (G) ’98: Cien Anos Despues, Cultural Unmapping the Earth, ’97 Kwangju Center of the Philippines, Manila, Biennial, Korea (C, G) Puerto Rico; Havana, Cuba; Valencia, Spain (C, G) Art and Provocation: Images from Rebels, Boulder Museum of To Infinity and Beyond: Presenting Contemporary Art, Colorado (G) the Unpresentable—The Sublime or Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt, Germany T +49—69—299 246 70, [email protected] G = group show, S = solo show, C = catalogue Manuel Ocampo Heridas de la Lengua, Track 16 University of Washington, Seattle Gallery, Santa Monica, California (G) (C, S) Manuel Ocampo & Don Ed Hardy, Hacer Pintura Es Hacer Patria, Cavin Morris Gallery, New York (G) Galería OMR, Mexico City (C, S) Sacred and Profane, Studio Nosei, 1996 Rome (G) Annual Exhibition, American Academy in Rome (C, G) Unholy Wars, Postmasters, New York (G) Annina Nosei Gallery, New York (S) Paraiso Abierto a Todos, The 1995 Mexican Museum, San Francisco Eye Tattooed America, Laguna Art (S) Museum, Laguna Beach, California (G) Stations of the Cross, Annina Nosei Gallery, New York (S) In the Light of Goya, University Art Museum, University of California, 1993 Berkeley (G) 43rd Biennial Exhibition of Contemporary American Painting, Post-Colonial California, San The Corcoran Gallery of Art, Francisco State University (G) Washington, D.C. (C, G) Pollock-Krasner Foundation, Inc. Drawing the Line Against Aids, 45th The Art Matters Foundation Venice Biennial at the Peggy Guggenheim Collection (C, G) Ciocca Raffaelli Arte Contemporaneo, Milan (C, S) In Out of the Cold, Center for the Arts at Yerba Beuna Gardens, San Galerie Nathalie Obadia, Paris (S) Francisco (C, G) Musée d’Art Contemporain de Medialismo, Trevi Flash Art Montreal, Canada (S) Museum, Trevi, Italy (C, G) 1994 New Paintings, Salander-O’Reilly Asia/America: Identities in Galleries/Fred Hoffman, Contemporary Asian American Art, Beverly Hills, California (S) The Asia Society, New York (C, G) Manuel Ocampo, Galería OMR, Icastica, Galeria d’Arte Moderna, Mexico City (S) Bologna (C, G) 1992 Jean-Michel Basquiat & Manuel Documenta IX, Documentahallen, Ocampo, Henry Art Gallery, Kassel, Germany (C, G) Galerie Bärbel Grässlin Schäfergasse 46 B, 60313