THE SOUL AT WORK SEMIOTEXT(E) FOREIGN AGENTS SERIES FROM ALIENATION TO AUTONOMY © 2009 by Semiotext(e) and Franco Berardi All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photo� copying, recording, Of otherwise, without prior permission of the publisher. Published by Semiotext(e) 2007 Wilshite Blvd., Suite 427, Los Angeles, CA90057 www.semiotexte.com Franco "Bifo" Berardi Special thanks to Andrew Drabkin, John Ebert, and Jason Smith. Preface by Jason Smith Cover art by lutta Koerher, Untitled, 2007. Black and white photocopy, 8 1/2" X 11". Courtesy of the artist and Reena Spaulings Fine Art, NY. Back Cover Photogtaphy by Simonetta Candolfi Design by Hedi El KhoIti Translated by Francesca Cadel and Giuseppina Mecchia ISBN: 978-1-58435-076-7 Distributed by The MIT Ptess, Cambtidge, Mass. and London, England Printed in the United States ofAmerica <e> Contents Preface by Jason Smith 9 Introduction 21 1. Labor and Alienation in the philosophy of the 1960s 27 2. The Soul at Work 74 3. The Poisoned Soul 106 4. The Precarious Soul 184 Conclusion 207 Notes 223 Preface Soul on Strike The soul is the clinamen of the body. It is how it falls, and what makes it fall in with other bodies. The soul is its gravity. This ten­ dency for certain bodies to fall in with others is what constitutes a world. The materialist tradition represented by Epicurus and Lucretius proposed a worldless time in which bodies rain down through the plumbless void, straight down and side-by-side, until a sudden, unpredictable deviation or swerve-clinamen-leans bodies toward one another, so that they come together in a lasting way. The soul does not lie beneath the skin. It is the angle of this swerve and what then holds these bodies together. It spaces bodies, rather than hiding within them; it is among them, their consistency, the affinity they have for one another. It is what they share in com­ mon: neither a form, nor some thing, but a rhythm, a certain way of vibrating, a resonance. Frequency, tuning or tone. To speak of a soul at work is to move the center of gravity in contemporary debates about cognitive capitalism. The soul is not simply the capacity for abstraction, for the subsumption of the particular. It is an aesthetic organ as well, the exposure of thought to the contractions and dilations of space, to the quickening and lapsing of time. To say the soul is put to work is to affirm that the \ social brain or general intellect (to use two of Marx's phrases that � 9 have some currency in rhese debares) is nor rhe primary source of pages from the Grundrisse, Marx spoke of a tendency, a limit point value in rhe productJ.on process. Rather the soul as a web of in the process of the valorization of capital: the impossible possi­ attachments and tastes, attractions and inclinations. The soul is bility that capital might circulate "without circulation time," at an � ot simply the seat of intellectual operations, but the affective and infinite velocity, such that the passage from one moment in the libidinal forces that weave together a world: attentiveness, the circulation of capital to the next would take place at the "speed of ability to address, care for and appeal to others. The contemporary thought." Such a capital would return to itself even before taking subject of cognitive capitalism-Bifo speaks of the cognitariat, but leave of itself, passing through all of its phases in a process perhaps there are other names-is not simply a producer of know1- encountering no obstacles, in an ideal time without time-in the edge and a manager of symbols. Capitalism is the mobilization of blinding flash of an instant without duration, a cycle contracting a pathos and the organization of a mood; its subject, a field of into a point. No less an authority than Bill Gates restages this fan­ desire, a point of inflexion for an impersonal affect that circulates tasy-a limit point of capital, toward which it strains, its like a rumor. The cognitariat carries a virus. vanishing point-in his Business @ the Sp eed o/ Th ought, cited by Th e Soul at Work calls itself an experiment in "psychopathology," Bifo as a contemporary formalization of this threshold, sum­ and it describes how something in the collective soul has seized up. moning the possibility of the circulation of information that would, The world has become heavy, thick, opaque, intransigent. A little, Gates fantasizes, OCCut as "quickly and naturally as thought in a dark light shines through, though. Something opens up with this human being." extinction of the possible. We no longer feel compelled to act, that There is speed and there is speed. It is not simply the phenom­ is, to be effective. Our passivity almost seems like a release, a enon of speed as such that plays the pathogenic role here. The social refusal, a de-activation of a system of possibles that are not ours. factoty is just as much governed by the destabilizing experience of The possible is seen for what it is: an imposition, smothering. With changes in rhythms, differences in sp eeds, whiplash-like reorientations the eclipse of the possible, at the point zero of depressive lapse, we imposed on a workforce that is flexible, precarious and permanently are at times seized by our own potentiality: a potency that, no on-call-and equipped with the latest iPhone. This organization Ion in vectors of realization, washes back over us. of work, in which just-in-time production is ovetseen by a per­ Depression ccurs, Franco "Bifo" Berardi argues, when the manently temporary labor force, is mirrored in the form of spee and plexity of the flows of information overwhelm the governance characteristic of democratic imperialism, sustained as capacities of the "social brain)) to manage these flows, inducing a it is by appeals to urgency, permanent mobilization, suspensions of panic that concludes, shortly thereafter, with a depressive plunge. norms: governance by crisis, rule by exception. It is impossible to Depression is so widespread today, Bifo argues, because the con­ separate the spheres of the economy and the political these days. In temporary organization of production of surplus-value is founded each case, a managed disorder, the administration of chaos. The on the phenomenon-the accumulation-of speed. In well-known social pacts and ptoductive truces of the old welfare states are gone. 10 / Tile Soul at Work Instability is now the order of the day. Disorder, a technique of 1960s primarily took two forms. In the sphere of consumption, government. Depression starts to look less like a drying up of desire there was the form of direct democracy known as "political" rhan a stubborn, if painful, libidinal slowdown or sabotage, a pricing, in which neighborhoods and entire sections of cities uni­ demobilization. The soul on strike. laterally reduced the costs of goods and services such as housing, transportation and electricity, on the basis of a collective decision The Soul at Work wants to answer this question: How did we get that refused any economic rationality in the determination of from the particular forms of workers' struggle in the 1960s, char­ prices. At the point of production, the primary lever of antagonism acterized by widespread "estrangement" of workers from the was the wage struggle, in which worker power was exercised in a capitalist organization of production, to the situation today, in refusal to link wage levels to productivity, insisting the wage be which work has become the central locus of psychic and emotional treated as an "independent variable." The mutation represented by investment, even as this new libidinal economy induces an entire the events of 1977, in which the logic of needs and antagonism range of collective pathologies, from disorders of attention to new gives way to desite and flight, is where Th e Soul at Work really forms of dyslexia, from sudden panics to mass depression? How, in begins. For what is at stake in its story is the aftermath of this mass other words, have we passed from the social antagonisms of the defection from factory discipline, this unilateral withdrawal from 1960s and 1970s, when worker power was paradoxically defined by the social pact drawn up by capital and its partners, the unions and a refusal of work, its autonomy from the capitalist valorization the worker parties, in view of "saving" the Italian economy after the process, and its own forms of organization-its defection from war. It asks: how has the sphere of desire, the field of the imaginary factory discipline-to the experience of the last two decades, where and the affective, whose affirmation as the fundamental fieldof the work has become the core of our identity, no longer economically political once led to a collective abandonment of the sphere of necessary, yet vital to the constitution. of the self? In short, from work, been transformed into the privileged force in the contempo­ W�t1f . fleeing work to identifying rary ordet of work, the privileged moment in the production of Something happened in 1977. ifo hangs his story on this value? Desire braids together emotional, linguistic, cognitive and mutation. It's the year when e refusal of work reaches a fever imaginary energies that affirmed themselves against the regime of pitch in the Italian autonomia movement, the year that the logic of work in the 1960s and 1970s, a refusal that is then paradoxically antagonism and worker neea$-what Mario Tr onti called the put to work by capital itself.