State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Studio Arena Programs Studio Arena 11-5-1970 The urS vival of St. Joan Studio Arena Follow this and additional works at: http://digitalcommons.buffalostate.edu/saprograms Recommended Citation Studio Arena, "The urS vival of St. Joan" (1970). Studio Arena Programs. 62. http://digitalcommons.buffalostate.edu/saprograms/62 This Book is brought to you for free and open access by the Studio Arena at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Studio Arena Programs by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. I* takes imagination. So we created the 3:2:1 help the Pacemakers organize a solid estate and FREE Checking Account. And the Pacemakers build the right investment portfolio. tuned in, because it meant goodbye to service It takes service to be a Pacemaker. So we charges. feature full service banking. And we're just the It takes interest. So we designed two new, right size, so when the Pacemakers demand high-yield savings accounts that pay the highest personal service, we provide personal service. interest rates allowed by law, compounded And it takes growth to be a Pacemaker; So continuously. The Pacemakers now enjoy auto­ we're about to open a new Orchard* Park office. matic transfer between our 3:2:1 FREE Checking And the Pacemakers can look forward to even Account and our new high-yield Pacemaker and more convenience. Pacemaker-Plus Savings Accounts. It's: tough being a Pacem aker. but it's It takes diversity. So we offer specialized fasii;: a: !ho Haccmnkur Sank. PaCemakefS investment and trust services. Our staff of experts Member.FDIC /A Full Service Bank /A member of The Bank of Now Vork Company, Inc. Company, Vork Now of Bank The of member /A Bank Service Full /A Member.FDIC Niagara Frontier Bank of Nevftbrk iuffalo Orchard Pork EXECUTiv;: iv.c c ' j A D ?(; i N ISTRATiVI£ :"V . F RoL?i*r: T r i. ;i, G e n ii’ .'..’ ,.,^-r ICa^iryn Kitif'ciou, A .f.i^'.tiii O ror:; r Bios:,i ;n C i'h.:n. £ rt- l,s- :j; ■,i:b!i;-i ‘.y W iilu r '. L. Lurie. }.sni?s>> \ ‘.<.r,.r Gail Johnson. Se.;~e\-ry K,:cc S{ '.'vor, Prc^s Sc-c:«:.:i••■ Ft..<rion C o p el.in d , T h e a tre I ’n r.y U eprosent^tivc Helen Touj.ter. 'iheatre iV.rly Represent.>li\i' Js»rnc‘« P.'iynp. A d m in is tra tiv e A s tis lo m Richard L. Barr, Box Oflicc Manager Eleanor Albertson. Director of Special Services Frank S/aba. House Manager Meg Gardocki, Administrative Secretary Warren Enters, Associate Director Jane Keeler, Director Emeritus Norma Sandler, Theatre School Director PRODUCTION STAFF Ingrid von Wellsheim Cantarella, Stage Manager Richard Mueller, Assistant StaRe Manager Peter J. Gill. Master Klectrician Pearl Smith. Wardrobe Supervisor Harold E Head, Technical Director Peter Politanoff, Assistant Technical Director Jay Orcutt, Technician Douglas LeBrecht, Technician Susan Valentino. Wardrobe Mistress Patricia Coughlin, Property Mistress BOARD OF TRUSTEES Welles V. Moot, Jr., President Franz T. Stone, Chairman Harold M. Esty, Jr., Vice-President Charles J. Hahn, Vice-Prcsident Ira G. Ross, Vice-President Roger W. Putnam, Jr., Secretary Mrs. Charles E. Mott, Associate Secretary Paul Bauer, Treasurer Dana P. Pickup, Assistant Treasurer Seymour B. Abeles Mrs. Gerald D. Albertson W illia m R B a iley Robert R. Barrett P e te r B. F lic k in g e r William H Harder Mrs. Lauren B. Hitchcock Stephen Kellogg Irving Levick Frederic P. Norton Mrs. Clarence Obletz Calvin G. Rand Mrs. David L Robb Allen D. Sapp Robert O. Swados George L. Wessell HONORARY TRUSTEES Father James M. Demske Dr. E. K. Fretwell. Jr. William L. Marcy, Jr. M<iyo* Frank A. Sedita Notes On The Playwright __ JAMES UNEBERGER, a resident of Decatur, Georgia, won the Samuel French Playwriting Award for three years, 1959, 1960, and 1962. He has also won the Sausalito Drama Award and the University of Minnesota Centennial Drama Award. His first play in New York, A SONG FOR ALL SAINTS, done at The Playwrights Unit in 1965 and published the year before by the Tulane Drama Review, has been produced in Stockholm, Helsinki, and Minneapolis, as well as in over fifteen colleges and universities. He is presently represented in New York by a production of NOW WE ARE FREE, being done in repertory by the Spencer Memorial Church Theatre, one of the leading off-off-Broadway theatre centers. He was playwright in residence at the Guthrie Theatre from 1962 through 1965 where a production of his BETTY AND MR. COMB was presented under a grant from the Rockefeller Foundation. His film documentary, Ode to an Uncertain Tomorrow, received both the International Film Festival Award and the Chris Award at the Columbus International Film Festival. Book and Lyrics by Music bv JAMES LINEBERGER HANK and CARY RUFFIN Musical Coordination byS’l E P H E N SC M VVAK f Z 51.■ / and Costumes Designed by L ig h i i n g D e s ig n c d y b PETER HARVEY * DAVID ZIERK Directed by CHUCK GNYS l;. M urray Abraham Judith Granite Bill Braden Peter Lazer Mary Carter Dennis Lipscomb Tom Carter Mac McMack John A. Coe George Pentecost Grelchen Corbet I Janet Sarno Patrick Ford Julia W illis Music Performed by R U F F IN Assistant to the Director —Lynne Prather THIS PRODUCTION IS MADE POSSIBLE WITH THE SUPPORT OF THE NEW YORK STATE COUNCIL ON THE ARTS 50th PRODUCTION, NOVEMBER 5-29, 1970 BOX OFFICE TELEPHONE (716) 856-5650 HANK RUFFIN has been playing and touring with rock groups as guitarist, organist, leader and whatever was in the offing. Although he has written material for these various groups, THE SURVIVAL OF ST. JOAN is his first major writing venture. GARY RUFFIN, 18, is the youngest Ruffin and was also the last brother to join the group, having played with his own band for four years previously. This is also, along with brother Hank, his first major musical effort. Notes On The The Croup The other two members of Ruffin, along with Hank and Gary, are middle brother Stan Ruffin on drums and Randy Bugg on bass. The group has been together for a little over a year now, but in that short time, they have appeared at the Playwrights Unit in New York, with Steppenwolf in Atlanta (their home base) and in major concerts up and down the Eastern seaboard. The Story Joan of Arc, secretly released from prison by church edict, sees another woman burn in her place. Spirited away in the care of a young farmer, she lives with him for a time until she fiees again to join the army. Scorned by soldiers and populace alike. Joan wanders alone with God, until fina lly she is raped and abandoned in the forest. While the church attempts to find her, some villagers— mistaking her for a witch— capture her and burn her at the stake. ACT I Overture ....................... Survival 1. The Prison ........... Living With The Devil 2. A Small Room 3. A Prison Cell 4. Outside The Prison ..Someone Is Dying 5. After The Burning 6. The Prison Cell Run, Run 7. A Tavern ................ Someone Is Dying 8. A Country Road 9. Another Road ........ Back In The World 10. The Tavern 11. A Field Back In The World 12. The Palace 13. The Farm 14. A Tent 15. The Farm ............... .....Prison Life 16. The Palace 17. The Farm ............. ........ Love Me Stonefire Country Life How Can I Go 18. The City ..... Run, Run ACT II 19. An Army Camp ....... .......................... Army Life If This Is How It Is 20. A Field Nearby 21. The Farm ................... ........... Precious Mommy 22. A Public Road ........ ......................... Run, Run 23. The Palace 24. In The Village . ...................... Cornbread 25. The Bishop’s Chapel 26. A Field By The Road .........................Cannonfire 27. Domremy 28. The Road ........... I’m So Glad If This Is How It Is 29. The Woods ................ ........ Darkwoods Lullaby 30. A Prison Room 31. The Forest ................. .................... Prison Life You Don’t Know Why 32. A Convent 33. A Monastery 34. A Village Square ...... .. .Burning A Witch 35. Heaven ....................... ........... It’s Heaven Love Me ■ v--_. ■c>rY 'M fkw - 6EI 6KEIIIG IIT SE i f V f e ' Oc9 \f«Cl anila^n Is ll O S 1 wi <k I I 'A<- & J.V J L . j —— »*s — - 3266 Main Strei 3t Guild Opticians j BUFFALO, N. Y. 1422 16 835-2828 Theater Tickets Anywh ere Special Credits Lobby, Publicity and Rehearsal Photographs by Greenberg, May Productions, Inc. Assistant to Mr. Harvey — Philip Gilliam Sound by assoclaies inc. Hair Fashions by Cecelia Salon de Coiffure Metal for armour courtesy of Pepsi-Cola presents S T U D 10 300 THEATRE 1970-71 THEATRE DINNER PACKAGE November 25 - THE SURVIVAL OF SAINT JOAN '“ 1 December 16 — THE PRICE Special Menu January 27 - JACQUES BREL IS ALIVE AND WELL AND LIVING FIRST NIGHTER FLORIDA FRUIT COUPE IN PARIS February 24 — OTHELLO M arch 2 4 - THE DOCTOR IN SPITE OF DRURY LANE SALAD HIMSELF A p ril 21 - SCUBA DUBA VEAL A LA BARRYMORE or M a y 2 6 - INDIANS SUPREME OF $11.25 Per Person Tax 4- Gratuity SEAFOOD BERNHARDT > f Special Menu > f Choice. Theatre Ticket CURTAIN CALL SURPRISE > f Transportation To and From Studio Arena Theatre > f Free Underground Parking 8 is pleased to announce the engagement of ■;! _ the nationally known star of ' \ stage,, screen and television !>;■ ’ .' i- J a c k G ilf o r dVUL in \ AT' O Fi T v>" A\ T-ufr jWi7 ) Ti TVS l\VllT- b li most impressive play \ M M I M i / The Price Directed by ■ i * Warren Enters December 3-27 Arthur Miller’s AFTER THE FALL remains one of Studio Arena’s most memorable and outstanding successes.