FASCH-Studien Bd 5 KB 1995 Tof C

FASCH-Studien Bd 5 KB 1995 Tof C

FASCH-STUDIEN, Bd./Vol. 5 = Fasch-Konferenzbericht/Conference Report 1995, published in 1997 Nationalstile und Europäisches Denken in der Musik von Fasch und seinen Zeitgenossen [National Styles and European Thinking in the Music of Fasch and his Contemporaries] Inhalt/Table of Contents Vorwort [Preface] 7 Rüdiger Pfeiffer, Magdeburg Johann Friedrich Fasch. Anmerkuhgen zu seinen kompositions- ästhetischen und stilistischen Standort 9 Siglind Bruhn, Ann Arbor (USA) Herr, gehe nicht ins Gericht. A comparison of style and musical symbolism in the church cantata settings of this text by Johann Sebastian Bach and Johann Friedrich Fasch 23 Barbara M. Reul, Victoria (Kanada) „Motivic Interplay“: Fasch and the Italian Style 40 Michael Saffle, Blacksburg (USA) Of Fasch, Topoi , and pre-Classical Style 55 Brian Clark, Dundee (Gro βbritannien) A man of his time. Johann Friedrich Fasch was familiar with Musical trends from France, Italy and elsewhere in Europe. But how critical a part do such influences play on his output? 76 Günther Eisenhardt, Potsdam/Dessau Friedrich Wilhelm Rust – Faschs „Nachfolger“ in Dessau – „Vorläufer“ Beethovens? 80 Joelle Elmyre Doussot, Dijon (Frankreich) Telemanns Oper Orpheus und die Mischung der Stile zur Zeit der Aufklärung 90 Albert Scheibler von Labiau, Lohmar/Bonn Formen, Stile und Klangbilder zur Fasch – und Händelzeit 95 Marjorie E. Rycroft, Glasgow (Gro βbritannien) Aspects of national styles in gamba music of the eighteenth century 99 Jordi Rifé i Santaló, Girona (Spanien) Music and Musical Styles in Catalonia during the first half of the Eighteenth Century 109 Alfred E. Lemmon, New Orleans (USA) An die Musik. The Impact of German-Speaking Jesuit Musician- Missionaries in Spanish America 128 Personenregister [Index of Names] 138 .

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