ERIC CLAPTON ERIC TRACK LISTING Blues all day long “The Mississippi Delta” StandingStanding aroundaround cryingcrying “The giants” Forty-four It hurts me too “So much emotion” Early in the morning “Like breaking glass” Five long years THE BLUES BUT NOTHING Crossroads “The black James Dean” Malted milk “Chop the cotton” Motherless child How long “Shuffl es” Reconsider baby In late November 1994, movie director and blues music fan Martin Scorcese fi lmed a Sinner’s prayer documentary on guitarist Eric Clapton, who was touring the United States with his “Vibrato” “Nothing but the blues” show. Scorcese recorded interviews with the musician on why the blues genre had infl uenced him so much, as well as two complete shows from the tour Everyday I have the blues at The Fillmore in San Francisco. Someday after a while “Make it sing like a voice” The results of Scorcese’s work were aired once on PBS television stations in the United States, but have never been seen since. Until now. Now on DVD, with visuals taken from Have you ever loved a woman a rare Warner Music promotional video and remastered concert sound from the original Tore down pre-FM master tapes, this fi lm provides a lasting chronicle of one of Clapton’s most “A more vibrant tone” critically-acclaimed tours. Groaning the blues MARTIN SCORCESE PRESENTS A WARNER BROS MUSIC/REPRISE PRODUCTION “I always come back” ERIC CLAPTON “NOTHING BUT THE BLUES” Ain’t nobody’s business ERIC CLAPTON, ANDY FAIRWEATHER-LOW, CHRIS STAINTON, DAVE BRONZE, JERRY PORTNOY, ANDY NEWMARK, Driftin’ SIMON CLARKE, TIM SANDERS & RODDY LORIMER WITH JIMMY ROGERS, BUDDY GUY & BB KING LIVE RECORDING TOUR PRODUCTION TOUR GUITAR SUPERVISION RUSS TITELMAN MANAGER MICK DOUBLE CO -ORDINATION PETER JACKSON TECHNICIAN LEE DICKSON WRITING & EXECUTIVE PRODUC TION STEPHEN “SCOOTER” WEINTRAUB PRODUCER MARTIN SCORCESE DVD MENUS DOLBY 2.0 DVD COVER Running time 1h 46m & AUTHORING GEETARZ, BUTTON PRODUCTIONS REMASTER ING JOEY JAY ARTWORK BLACK MOUSE ERIC CLAPTON NOTHING BUT THE BLUES A FILM BY MARTIN SCORCESE.