volume 6 issue 1 2013 Greg Lake Comes Full Circle LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones PLUS: Clair Robe GMatter MADONNA IT’S A MATTER OF SCALE photo credit: Southern Reel “You guys saved the day…we couldn’t have WWW.AIRCHARTERSERVICE.COM done it without you! I’m sure thousands of fans are thanking you as I type” Use your smartphone to scan and watch our corporate video Air Charter Service (ACS) are longstanding experts providing aircraft charter solutions for artist HELICOPTERS management companies and tour managers worldwide - successfully flying equipment, crew TURBOPROPS and some of the world’s most renowned artists on large scale music tours. Our global network PRIVATE JETS of offices are able to provide flexible and bespoke solutions to meet your exact requirements, EXECUTIVE AIRLINERS whatever your aircraft charter needs. COMMERCIAL AIRLINERS Contact us today to see how we can look after your logistical requirements. CARGO AIRCRAFT A GLOBAL LEADER IN MUSIC INDUSTRY CHARTERS N.AMERICA | S.AMERICA | EUROPE | AFRICA | CIS | MIDDLE EAST | ASIA volume 6 issue 1 2013 contents IN THE NEWS 6 SOUND “The Stones Roll at 50 with Clair” 7 LIGHTING “Robe Adds its Voice to Top German Talent Competition” 8 VIDEO+CHARITY “GMatter Delivers Video Content Design for Journey’s World Tour” “The Hands That Rock Massages the Future for Underprivilaged Children” 9 REHEARSAL FACILITY “S.I.R. Opens New Rehearsal Studios in Vegas” 10 NEW HIRES FEATURES 12 “GREG LAKE COMES FULL CIRCLe” 16 LE BAS “23 Successfully Safe Years of White Glove Charter Service” 20 MADONNA’S MDNA “It’s A Matter Of Scale” 27 MDNA CREW/PRODUCTION 30 BUFORD JONES 32 Obituary: Ed Hopson FROM THE Publisher Is it possible? Is it 2013 already? Where did the last year go? Maybe this is a function of age, but it seems that it we went from Spring to Christmas in a blink of an eye! Tour Link is on us and that is where our year begins. We work pretty hard during the year, but nothing like the amount HOME OFFICE STAFF SOUNDCHECK of work we do during the last quarter of the year. So, I want ph: 615.256.7006 • f: 615.256.7004 to take this chance to thank our staff for all the hard work 2961 Armory Dr • Nashville, TN • USA 37204 mobileproductionpro.com NASHVILLEiAUSTIN they put out. I especially want to thank Managing Editor, Chris Cogswell and our Chief Writer, Michael Beck. For advertising inquiries: [email protected] In this issue, we cover one of the more challenging tours on the road, Madonna and her MDNA Tour. Her tours are always Publisher: Larry Smith challenging, but the show is always something special. A lot [email protected] of the credit for the production goes to Production Manager Managing Director: Chris Cogswell extraordinare Jake Berry. Jake is one of those rare individuals [email protected] who can balance multiple tasks and while doing so, remains Chief Writer / Photographer: Michael A. Beck rehearsal rooms the perfect gentleman. Jake will bring his experience to Tour [email protected] Link this year, so don’t miss the chance to hear him speak and Art Director / Graphic Designer: Anna Cherry meet him….he is worth the trip by himself. [email protected] Office Manager: [email protected] backline rentals Also in this issue is a piece on Le Bas Air Charter. This company Contributing Writers: also has a director with a unique personality. Tracey Deakin Bill Abner / [email protected] is a Brit with an amazing wit. Hey, that rhymes! I may have to Hank Bordowitz / [email protected] let him use that line. In any event, his energy is driving this Richard Bennett / [email protected] company into the industry with quality service keeping client Bill Evans / [email protected] storage lockers Todd Kramer / [email protected] interests as the primary mission. Bill Robison / [email protected] Mike Wharton / [email protected] So, enjoy this issue and we hope to see you in Scottsdale. pa rentals PUBLISHED BY Anvil Productions, LLC Larry Smith ph: 615.256.7006 • f: 615.256.7004 cartage Publisher FOLLOW US Tour-Guide-Publications / Tour-Link-Conference @mobileprodpro / @TourLinkConf ©2012 Anvil Productions, LLC. Nothing may be reproduced without written permission of the publisher. The publisher reserves the right to edit any and all editorial content included in this publication. The publisher has made every attempt to insure accuracy and consistency of this publication. However, Soundcheck Nashville Soundcheck Austin some listings & information may be incomplete due to a lack of informa- tion provided by various companies listed. Please send any inquiries to the attention of the publisher. All advertising appears at the paid solicitation of the advertiser. Anvil Productions, LLC, can not be held liable for any errors, 750 Cowan St. 1901 E. 51st St. omissions or inaccuracies appearing in this journal in the form of editorials, listings or advertising. Nashville, TN 37207 Stage 4 Member of: Austin, TX 78723 615-726-1165 512-444-0023 www.soundchecknashville.com www.soundcheckaustin.com [email protected] [email protected] Cellular 214.422.1844 eMail [email protected] Website www.alanpoulinphoto.com 4 mobile production monthly SOUNDCHECK NASHVILLEiAUSTIN rehearsal rooms backline rentals storage lockers pa rentals cartage Soundcheck Nashville Soundcheck Austin 750 Cowan St. 1901 E. 51st St. Nashville, TN 37207 Stage 4 Austin, TX 78723 615-726-1165 512-444-0023 www.soundchecknashville.com www.soundcheckaustin.com [email protected] [email protected] >> IN THE NEWS: Sound Natale mixed to a PA consisting of main and side hangs of Clair’s flagship i-5 line array with flown i-5b bass modules and P-2 two-way active front fill cabinets. There were further i-5s in a rear hang. The system was set up by Brett Stec using Clair’s proprietary AlignArray software; it was powered by Crown amplification and processed with Clair iO loudspeaker processors. Another Clair long-timer, Ed Dracoules mixed monitors and divided his channels across a primary Midas Heritage 3000 console and an Avid (formerly Digidesign) D-Show Profile, a secondary board added to handle inputs specific to the show’s introduction and encore. Stage monitoring was provided by Clair 12AM wedges, R-4 Series III success, ‘Doom And Gloom’, the band’s full-range cabinets, i-5b bass modules The Stones Roll commanding stage presence was as and Shure PSM1000 IEM systems. dynamic as it has ever been, with at 50 with Clair Sir Mick at ease as he cracked jokes Outboard in monitor world included between numbers. dbx 160a mono compression, Aphex With former members Bill Wyman 622 expander gates, t.c. electronic and Mick Taylor making cameo Clair Global was chosen by the Stones’ TC1128 28-band graphic EQ and appearances, along with guest production management supremo Dale Yamaha SPX 990 effects. Shure UR spots from guitar legend Jeff Beck ‘Opie’ Skjerseth to supply the audio series wireless systems were used and songstress Mary J. Blige, The systems and crew for the shows as throughout. Rolling Stones celebrated their 50th well as private band sessions in France anniversary with style and panache and production rehearsals at Wembley Chiefed by Lars Schlapfer, the Clair with two sold out shows at London’s Arena in the week leading up to the crew included system engineer Brett 20,000-capacity O2 Arena in late opening 50 & Counting show. Stec, PA technicians Adam Collins, Matt November. Woolley and Tino Kreischatus, monitor FOH engineer Dave Natale, whose close system techs Myles Hale and Don Dressed in a silver blazer and trilby, association with Clair stretches back to Baker, and stage techs Simon Bauer and Mick Jagger led the vintage rockers his twenties, entered the Rolling Stones’ Thomas Huntington. — Keith Richards, Ron Wood, Charlie camp in 2005 on their A Bigger Bang Watts and sidemen Daryl Jones (bass) world tour. He mixed the latest shows The Rolling Stones followed their 50 and Chuck Leavall (keys) — through a on a pair of Yamaha PM4000 analogue & Counting shows at the O2 with US crowd-pleasing, no-filler set of classic consoles, relying on outboard devices dates at Brooklyn’s Barclays Center songs spanning their five decades as such as the Aphex 612 expander gate, (December 8) and the Prudential Center “the greatest rock’n’roll band in the Yamaha SPX 990 digital multi FX, in Newark (December 13/15). world”. Manley EL-OP tube limiter, dbx 903 comp/limiter, Smart C-2 dual mono www.clairglobal.com From their 1963 hit ‘I Wanna Be Your compressor and Apogee Rosetta 200 Man’ through to their current chart AD/DA convertor. 6 mobile production monthly Lighting >> Robe Adds its matrix of towers behind the stage and around the central video wall. Voice to Top All 88 of the ColorWash 2500 and German Talent 1200E AT fixtures were also in the roof. Competition The pair of ColorBeam 2500E ATs were centre stage behind the Nearly 200 Robe opening video screen to silhouette moving lights performers for their entrances and exits. added glamour, sparkle and The ColorSpot 2500E ATs and the dynamics to the ColorWash 2500E ATs were used as the lighting design by respective spot and wash backbones Manuel da Costa of the lighting rig, chosen for their for The Voice of power and intensity. “Reliability, colour Germany (TVOG) 2012. and output are excellent,” says Da Costa adding that they are also very The hugely popular talent show fast moving and he likes the smooth was produced by Schwartzkopff dimming. TV Productions GmbH & Co KG and Talpa Distribution B.V. and “The Robe 2500 Series overall delivers recorded in Am Studio 20 of a bright strong and punchy beam,” he Studio Berlin.