WWW.JAZZINSIDEMAGAZINE.COM AUGUST 2013 Interviews Andrew Cyrille David Chesky Satoko Fujii Francisco Mela Dizzy’s Club, August 19 Roy Hargrove Big Band Blue Note, August 20-25 Marcus Strickland EARL Jazz Standard, August 13-14 Comprehensive Directory of NY Club Concert KLUGH & Event Listings HANDPICKED E view Section! 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CONTENTS INTERVIEWSINTERVIEWS 44 Francisco Mela Chesky; Antonio Ciacca; Ian Dogole; CLUBS, CONCERTS, EVENTS 27 Willie Martinez Paquito D’Rivera; George Duke; PERFORMANCE REVIEW 15 Calendar of Events, Concerts, 30 Andrew Cyrille by Ken Weiss PERFORMANCE REVIEW Orrin Evans; Derrick Hodge; Robert 47, 48, 45 Vision Festival 2013 — Festivals and Club Performances 37 Roy Hargrove Hurst; Ethan Iverson; Geoff Keezer; Review & Photos by Ken Weiss 28 Clubs & Venue Listings 38 Satoko Fujii by Jerry Gordon Earl Klugh; John Marshall; Christian FEATURES 40 David Chesky by Jerry Gordon REVIEWS OF RECORDINGS McBride; John Medeski; Charnett 4 Earl Klugh by Curtis Davenport 42 Gregory Generet 57 Billy Bang; Buika; Gary Burton; BWB; Moffett; David Murray; Old Time 49 Jazz Birthday Gallery 43 Jeremy Pelt Will Calhoun; Michel Camilo; David Musketry; Nick Sanders; Alex Sip- iagin; Michael Stephans, Dave Lieb- man; Wayne Wallace; Yellowjackets; Swingadelic ARE YOU BUYING RESULTS OR JUST LIKE US MARKETING & PROMOTIONAL SERVICES? www.facebook.com/ JazzInsideMedia STRAIGHT-UP PROFESSIONALS Delivering Breakthrough Internet Marketing, Advertising & Publicity Solutions That Get Results FOLLOW US Comprehensive Online & Offline Media & Marketing Campaigns www.twitter.com/ CD Releases Events National Campaigns Consultations JazzInsideMag Web Social Mobile Video Press Releases SEO List Building Traffic WATCH US 107-A Glenside Ave Glenside, PA 19038 www.youtube.com/ CALL TODAY! Accelerate your results: 215-887-8880 JazzInsideMedia 2 August 2013 Jazz Inside Magazine www.JazzInsideMagazine.com To Advertise CALL: 215-887-8880 Jazz Inside-2013-08_002-... Tuesday, July 30, 2013 08:44 page 2 MagentaYellowBlacCyank Feature Interview By Curtis Davenport EK: Oh, boy. Well, it’s like that sometimes, only with the different strings. But I really, you know? really, really enjoyed the sound of classical gui- Jazz Inside: So glad that you could take a little tar, nylon-string guitar - just a very unique in- time to speak with us today. JI: Yeah, so I did definitely get something out strument. of that deal. I know that many people have heard Earl Klugh: Oh, yeah, this is fun. about your, you being influenced by Chet Atkins JI: It’s been very successful for you and the - and I know a lot of folks are a bit surprised to beauty of your style comes through every time JI: I’ve enjoyed your work for quite a while hear that Chet was such an influence on you. we do hear you, it’s very unique and very enjoy- now. If I could just share a story I hope you’ll Can you talk just a little bit about how you got to able. find humorous with you about one of the first be influenced by him? times I heard about you back in high school. EK: Well, thank you. There was a young lady who was, I guess, trying EK: Well, he, just like me, was a nylon string to get to know me a little better, and invite me to player. I was all set for that to be my instrument. JI: Still staying on the line of Chet Atkins …. I come over to her house. She asked me if I had The classical guitar was kind of a big thing back know that you had worked with him for a while ever heard of you, and I had not. But she invited in the early ‘60s. There were a lot of steel string and done some collaboration with him. Was me over and I have to say my interest in your players, but then there were some players who there any particular advice that he gave you that music lasted a lot longer than my interest in her. played nylon strings as well. I gravitated to that really stuck with you, anything about your per- [Laughter] because the first time I tried to play a regular sonal relationship with him that stuck with you? steel-string guitar, non-amplified guitar - boy, the pressure you have to use with your fingers EK: Well, we were good friends. Chet is very Earl Klugh appears at and I mean it was just brutal, you know? So I interesting. He was a very interesting person The Blue Note, New York, July 30 - August 4 stuck with my nylon-string guitar, partially for because he wouldn’t say too much - and the touring in support of his new that, but also, too, you know, it just made sense longer I got to know him, the less he would say. Concord CD HandPicked to me because I guess had I gotten a steel-string He never would utter a disparaging word on Visit: www.EarlKlugh.com guitar, I would have taken it along similar lines - (continued on page 6) 4 August 2013 Jazz Inside Magazine www.JazzInsideMagazine.com To Advertise CALL: 215-887-8880 4-6 Tuesday, July 30, 2013 04:23 page 2 MagentaYellowBlacCyank 08-2013_Lineage_JazzInside 7/26/13 4:28 PM Page 1 NEW! ROCK & POP CLASSICS REVISITED This recording is a look back, but cast in the sound of today. You will be surprised at the direction some Mr Sandman of these classic tunes take. Eleanor. Rigby Visions Tequila I Only Have Eyes For You Walk Don t, Run Woodstock, 1310 Tucker Road North Dartmouth, MA 02747 USA Wipe Out Phone: (508) 992-6613 Here There and Everywhere Web: www.whalingcitysound.com , Love Me Tender Earl Klugh anybody - but he’d have a way of giving you the message anyway.
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