S 11 T Is Ii Nn 1N 1101 In

S 11 T Is Ii Nn 1N 1101 In

s 11 T i s ii n n H- w 3 £ 1n 1101 i n <W O W hf Washington 25, D.C NEWS RELEASE DATE For release July 11, 1962 Washington,. D.C., July 11, 1962. The Traveling Exhibition Service of the Smithsonian Institution announced today a forthcoming exhibition of major importance, "Old Master Drawings from Chatsworth," which will open at the National Gallery of Art on October 28th. The lik magnificent drawings which comprise the exhibition are on loan from one of the finest private art collections in England, formed by the second Duke of Devonshire in the late 17th and early l8th centuries and enlarged by his descendants. Selected by Mr. A. E. Popham, for many years Keeper of Prints and Drawings at the British Museum, they illustrate the art of drawing in Europe from the Renaissance to the end of the 17th century. Chatsworth is one of the most famous of the great British country houses, and only on two occasions has an exhibition representing its wealth of drawings been attempted. Both were in England. Perhaps the outstanding feature of the collection is the series of landscape drawings by Rembrandt, ten of which are to be shown. Among the kj other artists represented are Leonardo da Vinci, Raphael, Giulio Romano, Mantegna, Correggio, Parmigianino, Primaticcio, Veronese, Rosso, Bruegel, Van i) ~~ Dyck, Rubens^ Durer, Holbein, and Inigo Jones. The earliest drawing in the exhibition is by an anonymous 15th century Sienese artist showing the "Betrayal of Christ" on one side and a finished composition representing "Christ Before the High Priest" on the reverse. Stylistically it is close to works by Simone Martini. - 2 - Among the outstanding mid-l^th-century drawings are those by Mantegna, one of which is a study of "Four Saints" demonstrating the same sensitivity to form which characterizes Mantegna's great painting. Ghirlandaio's beautiful cartoon for the head of a woman from the choir of Santa Maria Novella probably shows a member of the Tornabuoni family which commissioned the frescoes. The High Renaissance is represented by Leonardo and Raphael. The study for the "Head of a Child" by Leonardo corresponds with the head of the infant St. John in the famous "Virgin of the Rocks" in the Louvre. Raphael's superb drafts­ manship can be seen in six drawings which survive in remarkable condition, nota­ bly the sketch of "Three Men in Attitudes of Terror." A beautiful drawing by Rosso Florentine of an elegant female figure'balancing a bundle on her head shows clearly the mannerist strain in mid-15th-century art^c^s do'the^drawings by Parmigianino and Primaticcio. Drawings by the great Mannerist architect, Giulio Romano, include an allegory of Cupid driving a team of eagles, above which are two putti bearing the coat of arms of Cardinal Ercole Gonzaga. A number of the drawings are from the Baroque period. One by Guercino, "A Landscape in Flood," is executed in an agitated line that suggests the excited reaction of the peasants. From the Northern School, in addition to the exquisite landscapes by Rembrandt, are five Rubens studies, and eight sketches by the court painter Sir Anthony Van Dyck, including a masterful portrait of Carolus de Mallery. The exhibition includes an important series of four drawings by the English architect Inigo Jones for the Court Masques of James I. and Charles I. Also included is £ large sketch of a knight bowing, by Sir Peter Lely, a portrait painter better remembered as the connoisseur who formed a famous collection in '17th-century England. A great many of his drawings came into the Devonshire collec­ tions in the early l8th century^ and still bear the Lely mark, "P.L." Mr. T.S. Wragg, Keeper of the Devonshire Collections, has written an - 3 - informative introduction to the catalogue, giving the history of Chatsworth and its collector-owners. A valuable addition to the exhibition, it illustrates a majority of the works presented. The drawings, which were graciously lent by the Trustees of the Chats- worth Settlement, will be accompanied to Washington by Mr. Wragg. After being exhibited at the National Gallery, Washington, B.C., October 28th through Novem­ ber 25th, 1962, they will go to the following museums: The Pierpont Morgan Library, New York, December 4, 1962 through January 5, 1963 Museum of Fine Arts, Boston, January 17 through February 17, 1963 The Cleveland Museum of Art, March 1 through 31, 1963 National Gallery of Canada, Ottawa, April 12 through May 12, 1963 The Art Institute of Chicago, May 2k through June 23, 1963 California Palace of the Legion of Honor, San Francisco, July 6 through August k, 1963 This exhibition continues a series, organized by the Smithsonian Traveling Exhibition Service, which has included: "French Drawings" (1952-53), "Goya Drawings" (1955-56), "German Drawings" (1955-56), "Dutch Drawings" 1958-59), "Italian Drawings" (1960-61), and "Tiepolo Drawings" (1961-62). "OLD MASTER DRAWINGS FROM CHATSWORTH" Smithsonian Institution Traveling Exhibition Service Washington 25* D. C. ARTISTS INCLUDED IN THE EXHIBITION ABBATE, Niccolo Dell' (about ANDREA Del Sarto (1U8 7-1531) BA.ROCCI, Federigo BECCAFUMI, Dominico (about 1U86-1551) BRONZING, Agnolo (1503-1572) CAMPAGNOLA, Domenico CARPACCIO, Vittore (Working lii86 to about CARRACCI, Agostino (1557-1602) CARRACCI, Annibale ( 1560-1609 ) CARRACCI, Lodovico (1555-1619) CASTIGLIONE, Benedetto (1616-1670) CORRE03IO CORTONA, Pietro Da (1595-1669) DOMENIGHINO (1581-16U) GHIRLANDAIO, Domenico GIULIO Romano (H;85-15U6) GUERCDJO (1591-1666) LEONARDO Da Vinci LIPPI, Filippino MANTEGNA, Andrea MORETTO Da Brescia ORSI, Lelio (1511-158?) PARfflGIANINO PERINO Del Vaga (1500-15U7) "OLD MASTER DRAWINGS FROM CHATSWORTH" Smithsonian Institution Traveling Exhibition Service Washington 25, D. C. Artists Included in the Exhibition - Cont'd. PERUZZI, Baldassare (11*81-1536) PORDENONE (H*81*-1539) PORTA, Giuseppe (Salviati) (about 1520-about PRIMATICCIO, Francesco (I50ii-l570) RAPHAEL (1183-1520) RENI, Guide (1575-16U2) ROSSO Fiorentino (lU95-l5i;0) SCHEDONE, Bartolommeo (1560-1616) SEBASTIANO Del Piombo (about Hi85-l5U7) TESTA, Pietro (1607 or 1611-1650) VERONESE, Paolo (about 1530-1588) ZUCCARO, Federigo (15U2/3-1609) BRUEGEL, Pieter the Elder (1525/30-1569) (j VANDYCK, Sir Anthony FLINCK, Govaert (1615-1660) GOSSAERT, Jan (Mabuse) (about H;78-l533/36) JREMBRANDT Van Rijn (1606-1669) RUBENS, Sir Peter Paul (1577-161*0) BURGKMAIR, Hans (Hi 73-1531) DURER, Albrecht (Ii;72-l528) 3 HOLBEIN, Hans the Younger (11*9 7-151*3) HOLLAR, Wenceslaus (1607-1677) JONES, Inigo (1573-1652) LELY, Sir Peter (1618-1680) "OLD MASTER DRAWINGS FROM CHATSWORTH" Smithsonian Institution Traveling Exhibition Service Washington 25, B. C. All drawings lent by the Trustee of the Chatsworth Settlement. CATALOGUE LIST Name Catalogue No. Title Chatsworth No, Dimensions Anonymous 1 The Betrayal of our Lord 716 83/l*x71/8" Sienese Master Niccolo Dell 1 Abbate; 2 The Martyrdom of St. 35U 21 x 16^" Catherine Andrea Del Sarto 3 Two Studies of a Man 710 81/8x79/16" Suspended by his Leg - Federigo Barocci U Study for the Head of Christ 35U 133/l6x 93/1*" Federigo Barocci J> Study for the "Madonna del 357 21 5/8 x" Popolo" 15 1/8" Fed«|Lgo Barocci 6 The Holy Family 363 91/8x91/2" Domenico Beccafumi 7 A Standing and a Reclining 6 8 13/16 x Nude Man 6J» Agnolo Bronzino 8 Study of a Seated Youth 711* 10 3/8 x 7 3/8" Domenico Campagnola 9 Four Infants, one winged, in 2U7 6 1/8 x front of a Town; an Eagle 8 3/1*" above them - Vittore Carpaccio 10 Scene from the Life of San 739 6 UA6 x Lorenzo Guistiniani (?) 7 3/1*" Agostino Carracci 11 Study of Trees with a Glimpse 10 !5/l6x of Distant Buildings on the Right 1*65 i¥ Annibale Carracci 12 Virgin and Child.- on Cloud's above 1*28 9,5/8 x the City of Bologna ?!" Annibale Carracci 13 St. Gregory Praying for Souls in 1*35 I5ix Purgatory 10 3/8« Annibale Carracci ll* Shepherd Boy Piping 1*1*6 i5i x io|» Carracci 15 Portrait of a Youth 1*50 5 11/16 x" 10 5/8" Annibale Carracci 16 Landscape; Scene on a Canal U6l h 5/16 "x 8« -2- Lod^Btco Carracci 17 Man Pulling a Rope UlO 13 3/U x Benedetto Castiglione 18 The Expulsion of Hagar 619 15 3/8x 10 7/8" Correggio 19 Two Putti Supporting a 762 8 1/8 x Blank Medallion 5 7/16" Correggio 20 Two Putti supporting a 763 Medallion in which the Virgin is represented Correggio 21 Christ in Glory in a Circle 761; circular diameter 5 7/8" Pietro BaCortona 22 An Angel Presenting a Soul 590 1U 7/8 x to the Holy Trinity II 7/16" Domenichino 23 Landscape with a Cascade 506 III 3/16 x 9 5/8" Ghirlandaio 2k Head of a Woman 885 1U 7/16 x 8 11/16" Giu^o Romano Design for the Decoration 93 9 3/U of a Ceiling Giulio Romano 26 Design for a Bowl Composed 101 16" of Vine-Leaves Giulio Romano 27 A Cupid driving a Team of Eagles 105 16 3/U x with, above, the Coat of Arms of 11 3/8" Cardinal Ercole Gouzaga Guercino 28 Satirical Subject with Characters 513 7 3/16 x from the "Commedia dell'Arte" 10 5/8 in. Guercino 29 Landscape with a broken Column 533 9 7/8 x and Figures on the Right 16 3/8* Guercino 30 Landscape: a River in Flood and 5UU 10 3/8 x Peasants with Axes and other Tools 16 11/16" Guercino 31 Venus Scolding Cupid 551 1C 5/16" Leonardo DaVinci 32 Leda and the Swan 717 6 5/16 x 54" ScflHrL of Leonardo 33 Studies of the Heads of a 893 11 3/U x Da Vinci Woman and of a Child 8 5/8 M -3- Lippi 3k Head of a Man Wearing a 70k Chaperon 725/l6» Filippino Lippi 35 Head of an Elderly Man in an 705 7* x fr Oval Filippino Lippi 36 A Page from one of Giorgio 960 7 3/kx Casari's Books of Drawings k 1/8" Andrea Mantegna 37 Battle of the Sea-gods 897 9 11/16 x 13 3/k" Andrea Mantegna 38 Study of Four Saints 761 7 5/8 x 5 3/16" Moretto da Brescia 39 Study of a Woman's Head 7U3 10"2" X t'g Lelio Orsi I|0 Design for the Facade of his 351 10 5/8 x' own House 13 3/8 « Parmigianino ul The Virgin, holding the Child, 337 9 5/8 x seated on the ground in front qf 6 7/8" a chair Parmigianino k2 "The Marriage of The Virgin 339 17 7/8 x 9 1/8" Parmigianino k3 Design for Part of the Vaulting 788 9 3/16 x of Sta.

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