Kafka: Suggestions for Further Reading

Kafka: Suggestions for Further Reading

<p>Kafka: Suggestions for further reading</p><p>Alter, Robert, Necessary Angels: Tradition and Modernity in Kafka, Benjamin and Scholem (Cambridge, Mass.: Harvard University Press, 1991). </p><p>Anderson, Mark (ed.), Reading Kafka: Prague, Politics, and the Fin de Siecle (New York: Schocken, 1989).</p><p>Boa, Elizabeth, Kafka: Gender, Class and Race in the Letters and Fictions (Oxford: Clarendon Press, 1996). </p><p>Corngold, Stanley, Lambent Traces: Franz Kafka (Princeton: Princeton University Press, 2004). </p><p>Dodd, W. J. (ed.), Kafka: The Metamorphosis, The Trial and The Castle, Modern Literatures in Perspective (London and New York: Longman, 1995). </p><p>Duttlinger, Carolin, Kafka and Photography (Oxford: Oxford University Press, 2007). </p><p>Flores, Angel (ed.), The Kafka Debate (New York: Gordian Press, 1977). </p><p>Gilman, Sander L., Franz Kafka, the Jewish Patient (London and New York: Routledge, 1995). </p><p>Goebel, RolfJ., Constructing China: Kafka's Orientalist Discourse (Columbia, SC: Camden House, 1997). </p><p>Heidsieck, Arnold, The Intellectual Contexts of Kafka's Fiction: Philosophy, Law Religion (Columbia, SC: Camden House, i994). </p><p>Koelb, Clayton, Kafka's Rhetoric: The Passion of Reading (Ithaca and London: Cornell University Press, 1989). </p><p>Politzer, Heinz, Franz Kafka: Parable and Paradox (Ithaca, NY: Cornell University Press, 1962). </p><p>Robertson, Ritchie, Kafka: Judaism, Politics and Literature (Oxford: Clarendon Press, 1985). </p><p>Robertson, Ritchie, 'Kafka as anti-Christian: Das Urteil, Die Verwandlung, and the Aphorisms', in James Rolleston (ed.), A Companion to the Works of Franz Kafka (Rochester, NY: Camden House, 2002), 101-22. </p><p>Sokel, Walter H., The Myth of Power and the Self: Essays on Franz Kafka (Detroit: Wayne State University Press, 2002). Swales, Martin, 'Why Read Kafka?', Modern Language Review, 76 (1981), 357-82. </p><p>Zilcosky, John, Kafka's Travels: Exoticism, Colonialism, and the Traffic of Writing (Basingstoke and New York: Palgrave Macmillan, 2003). </p><p>Zischler, Hanns, Kafka Goes To the Movies, tr. Susan H. Gillespie (Chicago and London: University of Chicago Press, 2003). </p><p>The Metamorphosis Corngold, Stanley, The Commentators' Despair: The Interpretation of Kafka's 'Metamorphosis' (Port Washington: Kennikat Press, 1973). </p><p>Luke, F. D., `Kafka's Die Verwandlung', Modern Language Review, 46 (1951), 232-45. </p><p>Nabokov, Vladimir, 'Franz Kafka, "The Metamorphosis"', in Lectures on Literature, ed. Fredson Bowers (London: Weidenfeld & Nicolson, 1980), 251-83. </p><p>Ryan, Michael P., `Samsa and Samsara: Suffering, Death and Rebirth in The Metamorphosis', German Quarterly, 72 (1999), 133-52. </p><p>Straus, Nina Pelikan, 'Transforming Franz Kafka's Metamorphosis', Signs: Journal of Women in Culture and Society, 14 (1989), 651-67. </p><p>In the Penal Colony Burns, Wayne, ‘In the Penal Colony: Variations on a Theme by Octave Mirbeau', accent, 17 (1957), 45-51. </p><p>Davey, E. R., 'The Broken Engine: A Study of Franz Kafka's In der Strafkolonie', Journal of European Studies, 14 (1984), 271-83. </p><p>Gray, Richard T., 'Disjunctive Signs: Semiotics, Aesthetics, and Failed Mediation in In der Strafkolonie', in James Rolleston (ed.), A Companion to the Works of Franz Kafka (Rochester, NY: Camden House, 2002), 213-45. </p><p>Peters, Paul, 'Witness to the Execution: Kafka and Colonialism', Monatshefte, 93 (2001), 401-25.</p>

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    2 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us