ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due

ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due

<p>ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p>Aim</p><p>To interpret the life history of the Saint Sava Serbian Orthodox Church in its historical and</p><p> social context, using primary documentary evidence from the first land title until present.</p><p>Changes in interpretations of the site and the cultural significance of the church will be</p><p> addressed.</p><p>Method</p><p>The artefact, the Saint Sava Serbian Orthodox Church (SSSOC), was chosen for its</p><p> aesthetic and social value. The SSSOC is located at 675 Port Road, Woodville Park,</p><p>South Australia. Before commencing with the research, permission from the SSSOC was</p><p> obtained. Permission was granted by the resident priest Father Milorad, the President of</p><p> the SSSOC Malutin Dinic and the Financial Administrator Dusan Zubic. An appointment</p><p> was scheduled with Dushan Zubic to meet on Friday 20 August 2005 at the SSSOC at</p><p> approximately 8pm. After explaining to Dusan Zubic that this project was intended to be</p><p> used as part of a Flinders University assignment, he assisted in locating and sorting the</p><p> required primary documents. A condition was placed on my research: the administration</p><p> was to proof read this assignment before submission. Being a community member myself,</p><p> a high level of trust, confidentiality and respect was expected throughout this assignment.</p><p>The primary documents are stored at the office of the St. Sava Hall. The St. Sava Hall is</p><p> located directly adjacent to the SSSOC. Documents were collated in their corresponding</p><p> years, and stored in a locked file. Documents included marriage certificates, birth and</p><p> death registers, baptisms, immigration requests, war letters, accounts, constitutions,</p><p> memberships, patriarchal speeches, general and church correspondence. Dushan Zubic</p><p> expressed concerns over the condition of the storage facility. A significant amount of</p><p> correspondence has been destroyed over the years. The general tax practice for many</p><p> small organizations is to clear old correspondence and financial details after seven years</p><p> of storage. This practice is not favorable in an historic or archaeological preservation</p><p> context.</p><p>Figure 1 Front page is a SSSOC icon of St. Sava painted by Dragan Marunic</p><p>1 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p>Many of the existing documents were over 50 years old and had faded significantly. Dusan</p><p>Zubic suggested that scanning the documents would enhance the quality of the copies. An</p><p> invitation to scan the documents at Dusan’s house was offered and accepted. The</p><p> selected documents were scanned on Tuesday 24 August 2005. Documents from the</p><p> church were chosen for their contribution in a social and historical context. Unfortunately,</p><p> not all the documents could be scanned or be interpreted. Many documents were dated</p><p> and addressed to the diocese before the church was established, and finding a place in a</p><p> social context would be difficult. Many of the priests that served at the church are now</p><p> deceased.</p><p>A search for publications, newspaper advertisements and web sites was conducted.</p><p>Minimal information was available on the Church itself except for two publications. In 1989</p><p> a publication called the St. Sava Serbian Orthodox Church was published with the support</p><p> of the South Australian Government Department for the Arts. The publication, in the form</p><p> of a booklet was written in English and Serbian. This booklet was intended to promote the</p><p> church, the Byzantine art, and the religious context as a celebratory and historical</p><p> document. This publication was edited and complied by Father Radan, who was the</p><p> resident priest that commissioned the Byzantine art in the church. This publication is</p><p> referred to in the course of this paper. The other publication was a book called Australian</p><p>Serbs Living in Australia. Unfortunately, I was unable to determine the name of the author.</p><p>This book was deleted from publication several years ago, and was not available for the</p><p> purpose of this research. A few community members own this book, but I was unable to</p><p> locate one who did so. Other references were sourced from the Flinders University Library</p><p> and the web.</p><p>Land titles were sourced from the Lands Title Office, 101 Grenfell Street, Adelaide, South</p><p>Australia. Information of trusts, owners, dates, loans, transfers and allotments are shown</p><p> on the titles. The early titles are difficult to read due to the transfer from book to</p><p> computerized copies. Not all titles were purchased as they were expensive at $6.70 each.</p><p>The first title could only be obtained at the Old Systems Titles Section under the</p><p>2 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p>Department of Administrative and Information Services located at 39 Carrington Street,</p><p>Adelaide. The first title was created under an old system, which still maintains legislation</p><p> that does not permit public access to the documents. Access is obtained through written</p><p> permission from the owners of the related title. Due to this paper being historical research,</p><p>Wayne Slape, Examiner of Titles, was able to permit access to the title for a limited period.</p><p>Problems associated with this part of the assignment were minimal. The SSSOC were</p><p> helpful with any requests in obtaining information or the scanning of primary documents.</p><p>However, many documents have been destroyed. Most of the missing documents consist</p><p> of personal communications, receipts and official bills. Expenditure and income are</p><p> detailed in ledgers and were kept for every year. Unfortunately, the ledgers are the only</p><p> form of fiscal data that remain in the early years of the church. Access to current account</p><p> and membership books were denied. </p><p>There is an absence of documented evidence of the role that the church has played in its</p><p> community’s over the last six decades. Events such as government or visiting dignitaries</p><p> were not recorded, except for some financial details. Most of the administration is currently</p><p> run by people who have immigrated to Australia in the last fifteen to twenty years. The new</p><p> administration is keen to acquire and document historical details. The absence of</p><p> documentation about events such as fairs, community projects and celebrations organized</p><p> by the SSSOC over the past six decades, has undermined an otherwise accurate account</p><p> of the social context of the church. There is a visitor’s book for people to sign as you enter</p><p> the church. Once completed the visitor books are stored away without any evaluation.</p><p>Results</p><p>Land Titles</p><p>Colonel William Light surveyed and divided Adelaide land under an alphabetized grid</p><p> system in the mid 1830s. The SSSOC was in the B allotment. Crown land was then</p><p> transferred to the South Australian Company. Land was then subdivided in to a system</p><p> called hundreds. The SSSOC came under the jurisdiction of the Hundred of Yatala. The</p><p>3 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p> alphabet was then replaced with province numbers. Province numbers were</p><p> commissioned by the Colonization Commissioner of Public Lands, George Galwer</p><p>Esquire. The land portion known as B became the province number ‘343’. The trustees of</p><p> the South Australian Company were George Fife Angus of Jettery, St. May; Henry</p><p>Kingscote of Bank Buildings, London and Thomas Smith of Ramsbury in the county of</p><p>Wilts. On the 7 March 1839, one hundred and thirty four acres of land was sold. The land</p><p> was sold under a land grant drawn up from England. In 1886 the land was again</p><p> subdivided, and sold under the Real Property Act 1886; vol. 542. fol. 9. The province was</p><p> then allocated a new number of ‘397’ (refer to titles in appendix 1).</p><p>The first allotment under province 343 was surrounded by Port Road, Government Road</p><p> and the Port Railway. The titles do not show evidence of a fourth road on the North West</p><p> side. This would be due to a continuation of vacant or agricultural land. On September 17</p><p>1908, Irena Florence Taylor of Prospect purchased one acre of allotment 397 (refer to</p><p> appendix 1). Irene was a spinster when she acquired allotment 397. By the 4 May 1928,</p><p>Irene married Frederick William Plate of Woodville Estate. The title vol. 1154 fol. 161.</p><p> shows a newly created road running adjacent on the eastern side of the allotment (refer to</p><p> appendix 1). Irene sold a portion of the land to Alwine Hulda Hese on the 1 April 1927.</p><p>Irene then proceeded to sell more land as show on title vol. 1473. fol. 51. (refer to</p><p> appendix 1). For the first time the newly created Balmoral Street is displayed on a tile.</p><p>Land was sold to the Elders Trustee and Executors Company Limited on the 27 November</p><p>1946. Irene died 3 August 1962. Land continued to be subdivided and was sold to the</p><p>Central Mission Old Folks Homes Incorporated on the 26 March 1962. The SSSOC</p><p> bought land on the 22 May 1962, which was mortgaged to the South Australian Bank of</p><p>South Australia No. 2354783. The SSSOC demolished a run down house, which possibly</p><p> belonged to Irene Florence and her husband. To find out who owned the house would</p><p> require more title searches. Unfortunately, titles are expensive and limited the scope of</p><p> this assignment. The Corporation of the City of Woodville also purchased land on this title</p><p> on the 12 October 1966. In 1995 the SSSOC purchased a neighbouring allotment, which</p><p> belonged to Anne Carmel Hunt, until the time of her death. By the 23 August 2000, the</p><p>4 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p>SSSOC was granted an application to amalgamate four separate allotments into what is</p><p> now its current title today vol. 5801 fol. 59. (refer to appendix 1). The SSSOC is currently</p><p> registered on the title as the Serbian Orthodox Church and School Community St. Sava.</p><p>Figure 2 A picture of the SSSOC as it stands today. </p><p>Community Documents</p><p>Document one is the original constitution dated 11 September 1951, and was written in</p><p>Serbian (refer to appendix 2). Document two is an updated version of the old constitution</p><p> dated 23 February 2005. The SSSOC is a registered business under the South Australian</p><p>Associations Incorporations Act 1985, Section 24(5)(b) (refer to appendix 2). The Church</p><p> administers several community functions. This certificated is a primary document providing</p><p> detailed administrative information regarding general regulations, composition of</p><p> governing bodies and their roles, management of the church, register of parish duties,</p><p> community members responsibilities and a clause for rule alternations. The foremost</p><p>5 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p> function of the corporation is to provide a community church with a fully ordained priest.</p><p>The church also provides a Serbian school teaching the Serb language and history for</p><p> children from six years old upwards. Adjacent to the church is the community hall, which is</p><p> used for community and public functions. The school is recognized and partially funded by</p><p> the government. The school also provides a dancing school dedicated in teaching the</p><p> traditional dance called the kolo to the community’s children. Recitals and open days are</p><p> regularly run by the teaching administration.</p><p>Document three is a membership book, which provides details of the year, date of first</p><p> membership and contribution amount (refer to appendix 2). This document displays that</p><p> the SSSOC organization commenced in 1951. The original membership book could not be</p><p> located. Many of the members were ex-war servicemen form the Second World War. Most</p><p> of the initial members have since passed away. Document four is a wedding register that</p><p> commenced before the construction of the church in the early 1960s. This wedding</p><p> register is dated the 1 January 1947, and provides details of ex-patriate nuptials. Many</p><p>Serbian army soldiers were stationed in Germany after the war, after which they</p><p> immigrated to Australia. The document details name, place of birth, occupation, parent</p><p> names, current residing address and religion. Early documents were typically written in</p><p>Serbian and require interpretation.</p><p>Document five is an account of contributions given by its community members for the</p><p> church (refer to appendix 2). The top of the page states in red that all monies obtained will</p><p> be kept on the premises in a safe. The bottom right hand side of the letter displays three</p><p> signatures from committee members who have counted and balanced the money. This</p><p> document provides a social and economic insight into the community. The majority of</p><p> community members were from a low socio-economic group. Member’s contributions</p><p> reflected what they could afford by donations or labour to the church. Document six is</p><p> similar to document five, expect it displays contributions collected to purchase land (refer</p><p> to appendix 1 & 2). Document seven provides details of monetary contributions and the</p><p>6 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p> number days of unpaid worked by community members. Members would give up their free</p><p> time and help construct the church.</p><p>Document eight is an account of a remembrance day held in the honor of a Serbian war</p><p> commander Draza Mihailovic (refer to appendix 2). This day was attended by ex-war</p><p> prisoners, Chetnicks (Serbian veterans) and a few new immigrants. Document eight</p><p> provides the date of the event, 20 April 1951, and the intended purpose of the</p><p> commemorations and the administrations duties. Document nine also refers to this event</p><p> and is approved by the active president and secretary at that time (refer to appendix 2).</p><p>Document ten displays the account for a royal visit. King Peter II of Serbia attended a</p><p> celebration held in his honor on the 15 September 1951. Document ten discloses the</p><p> amount spent in preparations for this event and included invitations, transport and</p><p> entertainment costs (refer to appendix 2). All of the old accounts display pounds as the</p><p> currency.</p><p>Byzantine Art</p><p>The cultural significance of the SSSOC should first be examined in a historical</p><p> perspective, in order to interpret a social context. Byzantine art (also known as sepulchral</p><p> art), is a collaboration of ‘Roman statecraft, Greek culture and Christian beliefs’ (Schug-</p><p>Wille, 1969:6). The sepulchral art style was initially used in decorating Early Christina</p><p> cemeteries. These cemeteries were called catacombs; surviving evidence has been dated</p><p> to the early second century (Schug-Wille, 1969:13). The SSSOC was named after the first</p><p>Archbishop of the Serbian Church St. Sava (Radan, 1989:4). After the fall of</p><p>Constantinople, St. Sava was encouraged by his brother Stephan II to develop an art style</p><p> that glorified God but illustrated the state in its interpretation. Stephan II was crowned king</p><p> of Serbia for the first time in 1217 by the papal emissary (Schug-Wille, 1969:13). Stephen</p><p>II was devoted to the arts and an advocate for secular education. Stifled by the Roman</p><p>Church, Stephan II denounced the church and crowned himself king once again. This time</p><p> he ordained himself in the Orthodox tradition. His coronation was administered by his</p><p>7 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p> brother St. Sava. The SSSOC is named after St. Sava for his contribution to the Serbian</p><p>Byzantine movement and his religious service, which ordained him a saint. </p><p>The St. Sava Church on Port Road displays architectural characteristics of the church of</p><p> the Mother of God at Studencia (Schug-Wille, 1969:212). This church is reminiscent of</p><p>Roman architecture with ‘single-aisled, vaulted church with three apses culminates in a</p><p> square section topped by a lofty dome’ (Schug-Wille, 1969:13). Stephen Nemanja was the</p><p> architect who designed and built the church of the Mother of God at Studencia, and is the</p><p> model used for many subsequence Orthodox churches. The church is one of many</p><p>Orthodox churches in Adelaide. The distinguishing feature that makes this church a</p><p> historic landmark is that this church is the first Orthodox Church in Australia to continue a</p><p> tradition that evolved approximately two millennia ago in Europe. Since this church was</p><p> commissioned, only one other Serbian church in Australia. The Church of Alexandria in</p><p>Sydney is decorated in authentic Serbian Orthodox tradition. Again, the Church of</p><p>Alexandria was commissioned by Father Radan.</p><p>The SSSOC was the first church in the southern hemisphere to be completely decorated</p><p> with wall paintings of icons. Icons are an important part of prayer for the Orthodox faith, as</p><p> they embody the spiritual presence of the saint. The St. Sava icons are renowned for their</p><p> artistic value, and summon inspirational imagery during the liturgies for the community.</p><p>Each iconographer reflects their individuality through their paintings. Dragan Marunic was</p><p> commissioned as the iconographer for the SSSOC. Dragan Marunic commenced painting</p><p> in November 1988 and completed the entire internal church walls by May 1989. The</p><p> painting process begins with an application of dry lime plaster, which is rendered to the</p><p> walls. Dragan then sketched each icon before painting. Pigment is diluted to a watery</p><p> solution, and then applied to the walls (Radan, 1989:5). The deep blues, vivid reds and</p><p> gold are striking (refer to appendix). The purpose of iconography is to evoke spiritual</p><p> inspiration and metaphysical connections with each icon during prayer.</p><p>8 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p>Figure 3 Dragan Marunic painting icons in the St. Sava Serbian Orthodox Church.</p><p>Discussion</p><p>The SSSOC provides tangible and intangible evidence for the interpretation of a social and</p><p> economic context. The research in the life history of the church was permitted by the</p><p> administration, in the pursuit for a historical account. The first church was built in the early</p><p>1960s, and was constructed of wood. This small wooden church was subsequently</p><p> replaced in the late 1970s with the current building. The growth and grandeur of the</p><p>9 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p> church represented the community’s economic development and population growth. The</p><p> majority of people who attended the old wooden church were ex-prisoners of war, war</p><p> veterans or Serbian migrants. Members contributed what they could afford. The new</p><p> church prospered from an increase number of migrants, and the first generation of</p><p>Australian-born Serbs. Prosperity grew with employment and education, and so did the</p><p> contributions. Members of the community and trades people would volunteer their time</p><p> and help construct the church. Fairs would be organized to raise money, and this is</p><p> demonstrated in the accounts. During the early years, the Woodville Council was</p><p> attributed in helping the community prosper. Council rates, water and electricity bills were</p><p> reduced in order to help the community financially. This council information is absent from</p><p> the records, but is knowledge possessed by older community members such as my father.</p><p>Being one of the first Australian born Serbs, I am able to remember details in the</p><p> construction of the church, and the enormous effort of its community members. </p><p>The origins for the church are not adequately documented for the new generation of</p><p>Australian-born Serbs to study. Information concerning the history of the church is</p><p> predominately held by older community members. The new administration is slowly losing</p><p> their historical beginnings in Adelaide. This can be amended by documenting oral histories</p><p> from several of the remaining original members and by recording past events. The cultural</p><p> context of the church is an important indication of its identity for the people who have used</p><p> the church, or will use it in the future. The religious and social context of the church is vital</p><p> to this community. The Serbian language, food, custom, dance, school and prayer are</p><p> reflected in the church and its ability to administer to its community.</p><p>The condition of the church and its art is maintained by community members. A problem</p><p> did occur after a few years after the arts completion. The constant lighting of bee wax</p><p> candles began to discolour the artwork. A thin layer of dark candle emissions covered the</p><p> ceiling. The community took action by carefully cleaning the ceiling, and the position of the</p><p> candles was reassessed. The decision was to place the candles at the back of the church.</p><p>Commercial strength rangehoods were installed, drawing the excess candle emission out</p><p>10 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p> of the church. Volunteers from the community cleaned the walls, while the rangehoods</p><p> were bought from donations. </p><p>Figure 4 The St. Sava Serbian Church just prior to November 1989</p><p>Figure 5 The St. Sava Serbian Church after completion.</p><p>11 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p>The SSSOC cultural meaning represents a relationship with God, Serbian culture and its</p><p> people. The ability to create a community based on origins from overseas is a great</p><p> achievement. Many of the older members considered the construction of the church as a</p><p> new beginning in Australia but also a connection to their cultural past and identity. Today</p><p> aging and young members are united in their ongoing contribution to the church. However,</p><p> there is a power relationship with the church and its community members. This practice is</p><p> synonymous to all community run church organizations. This is the necessity for ongoing</p><p> attendance, donations and volunteers in order for its survival. People travel from other</p><p> interstate Serbian communities to see the church and appreciate its art. The ongoing</p><p> attendance of its community members is constant. The attendance represents the</p><p> communities need to contribute to the church, not just financially but spiritually. In</p><p> exchange the church is fulfilling its duty to the community and administering its religious</p><p> practice through its liturgies and walled imagery. The SSSOC is named after the patron</p><p> saint St. Sava, who is still a strong source of historical, cultural and social significance for</p><p> its community members.</p><p>References</p><p>Radan, R 1989, St. Sava Serbian Orthodox Church, ed. St. Sava Serbian Orthodox Church, Adelaide.</p><p>Schug-Wille, C 1969, Art of the Byzantine World, Harry N. Abrams, Inc. Publishers, New York.</p><p>12 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p>Appendix 1</p><p>Certificate of Title Vol. 5801 Fol. 58, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Certificate of Title Vol. 542 Fol. 9, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Certificate of Title Vol. 791 Fol. 70, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Certificate of Title Vol. 1154 Fol. 161, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Certificate of Title Vol. 1473 Fol. 51, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Certificate of Title Vol. 3450 Fol. 124, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Historical Search – Registrar-Generals Automated Title System – Current, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Map of Allotment, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Registrar-Generals Automated Title System – Parent Title Search, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Registrar-Generals Automated Title System – Amalgamation Application, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Registrar-Generals Automated Title System – Historical Search of Certificate of Titles 1, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>Registrar-Generals Automated Title System – Historical Search of Certificate of Titles 2, obtained from the Lands Title Office 101 Grenfell Street, Adelaide.</p><p>13 ARCH2002 Australian Historical Archaeology Major Assignment by Marica Beric 2030824 Due Date: October 31 2005. </p><p>Appendix 2</p><p>Document One – Original Constitution, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Two – Updated Constitution, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Three – Membership Log, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Four - Wedding Nuptials Record Book, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Five – Church Contributions, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Six – Contribution of Land, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Seven – Financial and Labour Contribution List, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Eight – Draza Mihailovic Administrative Protocol, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Nine – Event Approval, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>Document Ten – Account - King Peter II Visit, obtained from the administration office at St. Sava Hall 675 Port Road, Woodville Park, Adelaide.</p><p>14</p>

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