Elements of Design s1

Elements of Design s1

<p> CLASSROOM RULES</p><p>BE IN SEAT WHEN BELL RINGS</p><p>WHEN SPEAKING – LISTEN</p><p>FOLLOW CLEANUP PROCEEDURES</p><p>CLEAN AREA BEFORE SELF</p><p>DO NOT SAY “SHUT UP” OR “NAMES”</p><p>REWARDS</p><p>GUM – ANYTIME COKES – ANYTIME BUT PRUCHASED BEFORE CLASS BONUS POINTS</p><p>IPODS/PHONES</p><p>CONSEQUENCES</p><p>WARNING D-HALL FULL D-HALL OFFICE AND PARENTS Portfolios</p><p>Art 1 – 2 quality works per Semester</p><p>Art 2 – 4 quality works per Semester</p><p>Painting – 4 quality works per Semester</p><p>Due January 10 – Major Grade</p><p>Art Fee</p><p>Art 1 – 20 dollars for the Year</p><p>Art 2 – 40 dollars for the year</p><p>Painting – 40 dollars for the year ELEMENTS OF DESIGN</p><p>LINE, COLOR, SHAPE, TEXTURE, FORM, SPACE</p><p>LINE – THE PATH OF A MOVING POINT</p><p>TWO TYPES OF LINE – STRAIGHT AND CURVED</p><p>VERTICAL/ HORIZONTAL – STABLE WITH NO MOVEMENT DIAGONAL – UNSTABLE WITH MOVEMENT</p><p>ACTUAL LINES – LINES YOU CAN SEE IMPLIED LINES – LINES YOU CANNOT SEE BUT MAKE YOU LOOK IN A CERTAIN DIRECTION</p><p>LIGHTER, FUZZIER LINES APPEAR TO BE FURTHER AWAY</p><p>CLEAR, DARK LINES APPEAR TO BE CLOSER</p><p>PRIMARY COLORS – RED, BLUE, YELLOW NO OTHER COLORS MIXED TOGETHER MAKE A PRIMARY ALL OTHER COLORS ARE MADE BY MIXING THE PRIMARIES SECONDARY COLORS – ORANGE, GREEN, PURPLE MADE BY MIXING TWO PRIMARIES TOGETHER</p><p>INTERMEDIATE COLORS – R/O B/G B/P Y/O Y/G R/P MADE BY MIXING A PRIMARY WITH A SECONDARY</p><p>COMPLIMENTARY COLORS – COLORS OPPISITE ON THE COLOR WHEEL</p><p>ANALOGOUS COLORS – COLORS NEXT TO EACH OTHER ON THE COLOR WHEEL</p><p>MONOCHROMATIC COLORS – THE TINTS AND SHADES OF ONE COLOR</p><p>TINT – THE LIGHT AREAS OF A DRAWING</p><p>SHADE – THE DARK AREAS OF A DRAWING</p><p>WARM COLORS – RED, YELLOW, ORANGE SEEM TO COME TOWARD THE VIEWER</p><p>COOL COLORS – BLUE, GREEN, PURPLE SEEM TO MOVE AWAY FROM THE VIEWER</p><p>HUE – THE COMMON NAME OF A COLOR</p><p>LIGHT – THE VISUAL PORTION OF THE SPECTRUM SHAPE – A TWO DIMENSIONAL AREA ENCLOSED BY A LINE</p><p>FORM – A THREE DIMENSIONAL OBJECT</p><p>TEXTURE - VISUAL TEXTURE – TEXTURE THAT CAN BE SEEN BUT NOT FELT TACTILE TEXTURE – TEXTURE THAT CAN BE SEEN AND FELT</p><p>SPACE – POSITIVE – THE AREA OF INTEREST IN A DRAWING OR PAINTING NEGATIVE – THE AREA THAT SURROUNDS THE POSITIVE SPACE</p><p>PERSPECTIVE – A WAY TO MAKE DRAWINGS APPEAR 3-D ONE POINT TWO POINT</p><p>HORIZON LINE – A LINE AS FAR AS THE EYE CAN SEE VANISHING POINT – WHERE ALL OBJECTS SEEM TO RECEED CONTRAST – DIFFERENCE BETWEEN LIGHT AND DARK PRINCIPLES OF DESIGN</p><p>BALANCE, COMPOSITION, PATTERN, EMPHASIS, VARIETY, UNITY, RHYTHM MOVEMENT</p><p>BALANCE – ASSYMETRICAL – WHEN ONE SIDE APPEARS DIFFERENT THAN THE OTHER</p><p>SYMETRICAL – WHEN BOTH SIDES APPEAR EQUAL</p><p>RADIAL – LINES COMING FROM A CENTRAL POINT</p><p>COMPOSITION – THE ARRANGEMENT OF PARTS IN ART</p><p>PATTERN – REPEATING A SHAPE, LINE, COLOR IN AN ARTWORK</p><p>UNITY – A SENSE OF TOGETHERNESS IN AN ARTWORK EMPHASIS – TO PLACE GREATER ATTENTION ON AN AREA OF AN ARTWORK MOVEMENT – A WAY TO MAKE YOUR EYE MOVE THROUGH AN ARTWORK</p><p>RHYTHM – A FORM OF MOVEMENT IN AN ARTWORK</p><p>VARIETY – ADDING CHANGE TO COLOR, SHAPE, TEXTURE TO ADD INTEREST DRAWING PEOPLE</p><p>GESTURE –DRAWING A PERSON QUICKLY TO CAPTURE A POSE </p><p>SUSTAINED GESTURE- DRAWING A PERSON QUICKLY BUT ADDING SOME DETAIL</p><p>SUSTAINED DRAWING- A DETAILED DRAWING BUT NOT AS A STUDY </p><p>STUDY- A DRAWING THAT LOOKS LIKE ALMOST A PHOTO</p><p>A PERSON SHOULD BE DRAWN 7-8 HEADS TALL</p><p>WHEN DRAWING THE FACE, THE EYES ARE TO BE DRAWN IN THE MIDDLE OF THE HEAD</p><p>THE NOSE, HALF WAY DOWN FROM THE EYES TO THE CHIN</p><p>THE BOTTOM OF THE MOUTH, HALFWAY FROM THE NOSE TO THE CHIN</p><p>THE EARS, BETWEEN THE EYES AND THE BOTTOM OF THE NOSE EACH END OF THE MOUTH MEETS THE MIDDLE OF THE EYES</p><p>HAIR IS DRAWN ABOVE AND BELOW THE LINE OF THE HEAD</p><p>EYE BROWS ARE INDIVIDUALISTIC</p><p>EYES- COPY THE EXAMPLE</p><p>Artist’s Brain</p><p>THE ARTIST WANTS TO DEVELOP THE RIGHT SIDE OF THE BRAIN</p><p>YOU CANNOT TALK AND DRAW WELL</p><p>LOOK AT THE OUTSIDE OF AN OBJECT </p><p>LOOK AT OBJECT 75 % – PAPER 25 % CERAMICS</p><p>CERAMICS BEGAN AROUND 7000 YEARS AGO</p><p>SCIENTISTS BELIEVE CERAMICS WERE DISCOVERED BY ACCIDENT</p><p>LEATHERWARE – CLAY THAT IS WET BUT HAS DRIED TO BE A LITTLE STIFF</p><p>GREENWARE – CLAY THAT HAS TOTALLY DRIED</p><p>BISQUEWARE – CLAY THAT HAS BEEN FIRED ONCE</p><p>GLAZEWARE – CLAY THAT HAS BEEN FIRED, LAZED AND FIRED AGAIN</p><p>FIRST GLAZES WERE MADE FROM SAND</p><p>SCORING – ROUGHENING THE EDGES OF THE CLAY BEFORE JOINING THEM TOGETHER</p><p>SLIP – EXTREMELY WET CLAY THAT IS ADDING TO CLAY LIKE GLUE PRIOR TO JOINING THEM TOGETHER</p><p>SHARDS – BROKEN PIECES OF FIRED CLAY PINCH METHOD – PINCHING YOUR CLAY TO FORM YOUR POTTERY</p><p>COIL METHOD – ROLLING YOUR CLAY OUT INTO SNAKE FORM TO MAKE YOUR POTTERY</p><p>SLAB METHOD – ROLLING YOUR CLAY FLAT TO BUILD YOUR POTTERY</p><p>THROWING METHOD – BUILDING YOUR POTTERY ON A SPINNING WHEEL</p><p>KILN – THE OVEN USED TO BAKE THE CLAY</p><p>PRINTMAKING</p><p>PRINTMAKING IS THE USE OF A PLATE TO MAKE AN IMAGE</p><p>PRINTMAKING BEGAN AROUND 3000-4000 YEARS AGO</p><p>LITHOGRAPH IS THE USE OF A STONE TO MAKE AN IMAGE</p><p>LITHO-GRAPH IS GREEK FOR STONE-WRITING WOODCUTTING IS THE USE OF WOOD TO MAKE AN IMAGE</p><p>ETCHING IS THE USE OF METAL TO MAKE AN IMAGE</p><p>ETCHING WAS INVENTED DURING THE MIDDLE AGES</p><p>ALBRECT DURER WAS THE MOST FAMOUS PRINTMAKER DURING THE MIDDLE AGES</p><p>FOR THE FIRST TIME ART BECAME AVAILABLE TO THE PUBLIC</p><p>BRAYER – THE ROLLER USED TO SPREAD THE INK</p><p>INK PALLETTE – METAL SHEET USED TO SPREAD THE INK OUT ON</p><p>LINOLEUM CUTTER – USED TO CUT THE LINOLEUM</p><p>SERIES – A NUMBER OF PRINTS OF THE SAME PICTURE</p><p>PRINT – THE FINAL WORK IN A PRINTMAKING PROCESS PAINTING</p><p>PAINTING BEGAN AROUND 40,000 YEARS AGO</p><p>EARLY MAN USED BLOOD, PLANTS, BERRIES AND FAT TO MAKE HIS PAINTS</p><p>PAINTINGS MADE DURING THIS TIME WERE FOR RELIGIOUS REASONS</p><p>ARTISTICALLY SPEAKING, ROME FELL AROUND 453 CE. FRESCO PAINTINGS ARE MADE USING PAINT AND WET PLASTER.</p><p>THE WORD RENNAISSANCE MEANS REBIRTH</p><p>LEONARDO DA VINCI PAINTED THE “MONA LISA”.</p><p>MICHELANGELO PAINTED THE SISTINE CHAPEL</p><p>RAPHEAL PAINT “THE SCHOOL OF ATHENS”</p><p>FRANCISCO DA GOYA PAINTED “THE THIRD OF MAY, 1808”</p><p>A PAINTING DEPICTING AN EVERYDAY SCENE IS KNOWN AS A GENRE PAINTING PICASSO PAINTED “Ladies da Avignon” AND “GUERNICA”</p><p>ANDY WARHOL IS MOST FAMOUS FOR BEING A POP ARTIST</p><p>JACKSON POLLACK BEGAN ABSTRACT EXPRESSIONISM</p><p>TIME MAGIZINE PUT POLLACK ON THE COVER AND STATED “ART IS DEAD”</p>

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