<p> from A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)</p><p>LAURA MULVEY (b. 1941)</p><p>(British feminist/psychoanalytic film critic and theorist)</p><p>Works</p><p>Mulvey, Laura. "Visual Pleasure and Narrative Cinema." Screen 16.3 (Autumn 1975): 6-18. _____. "Visual Pleasure and Narrative Cinema." In Feminism and Film Theory. Ed. Constance Penley. New York: Routledge, 1988. 57-68. _____."Visual Pleasure and Narrative Cinema." In Mulvey, Visual and Other Pleasures. Bloomington: Indiana UP, 1989. 14-26. _____. "Visual Pleasure and Narrative Cinema." In Popular Television and Film. Ed. T. Bennett et al. London: Open UP / BFI, 1989. _____. From "Visual Pleasure and Narrative Cinema." In A Critical and Cultural Theory Reader. Ed. Antony Easthope and Kate McGowan. Buckingham: Open UP, 1992. 158-66.* _____. "Visual Pleasure and Narrative Cinema." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 421-32.* _____. "Visual Pleasure and Narrative Cinema." In Film Theory and Criticism: Introductory Readings. Ed. Gerald Mast, Marshall Cohen and Leo Brady. 4th ed. Oxford, 1992. _____. "Visual Pleasure and Narrative Cinema." 1975. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 833-44.* _____. "Visual Pleasure and Narrative Cinema." In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 438-48.* _____. "Visual Pleasure and Narrative Cinema." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.* _____. "Feminism, Film and the Avant-Garde." Framework 10 (1979): 3-10. _____. "Afterthoughts on 'Visual Pleasure and Narrative Cinema' inspired by King Vidor's Duel in the sun (1946)." Framework 15-16-17 (1981): 12-15. _____. "Afterthoughts on 'Visual Pleasure and the Narative Cinema' inspired by Duel in the Sun." In Feminism and Film Theory. Ed. Constance Penley. London: Routledge, 1988. 68-79. _____. "Afterthoughts on 'Visual Pleasure and the Narrative Cinema' inspired by King Vidor's Duel in the Sun (1946)." 1981. In Mulvey, Visual and Other Pleasure. Bloomington: Indiana UP, 1989. 29-38. _____. "Afterthoughts on 'Visual Pleasure and Narrative Cinema' Inspired by King Vidor's Duel in the Sun (1946)." Framework (Summer 1981): 12-15. Rpt. in Feminist Film Theory: A Reader. Ed. Sue Thornham. Edinburgh: Edinburgh, 1999. 122- 30. _____. Visual and Other Pleasures. London: Macmillan, 1989. _____. Visual and Other Pleasures. Bloomington: Indiana UP, 1989. _____. Citizen Kane. London: BFI, 1992.</p><p>Criticism</p><p>Doane, Mary Ann. "The Female Spectator: Contexts and Directions." Camera Obscura: A Journal of Feminism and Film Theory 20/21 (May/Sept 1989): 5-27. García Mainar, Luis Miguel. "Mulvey's Alleged Avoidance of Essentialism in 'Visual Pleasure and Narrative Cinema'." Atlantis 19.2 (December 1997, pub. December 1998): 113-23.* Naiman, Eric. "Shklovsky's Dog and Mulvey's Pleasure: The Secret Lie of Defamiliarization." Comparative Literature 50.4 (1998):333-352.</p>