<p>Heather Galloway Conservator, Fellow AIC Galloway Art Conservation LLC</p><p>355 E College Street Oberlin, OH 44074 440-935-4807 [email protected]</p><p>Education</p><p>Conservation Center, Institute of Fine Arts, New York University, New York, NY Advanced Certificate in the Conservation of Art and Historic Works 1994 Hebrew Technical Institute Fellowship</p><p>Williams College Graduate program in Art History, Williamstown, MA M.A. in Art History, concentration in modern sculpture 1989</p><p>Middlebury College, Middlebury, VT B.A. in Studio Arts cum laude with departmental high honors, minor in Italian 1987 </p><p>Professional Experience</p><p>Galloway Art Conservation LLC 2015-present Conservator and Owner Document and treat works of art in museums and private collections. </p><p>University of Oslo, Oslo, Norway 2005-present on a biennial basis Visiting Assistant Professor in the Department of Archaeology, Conservation and Historical Studies Masters Diploma Program in Conservation Solvent Cleaning of Paintings</p><p>Case Western Reserve University, Cleveland, OH 2014-2016 Adjunct Assistant Professor in the Department of Art History Joint Graduate Program in Art History with the Cleveland Museum of Art Materials, Methods and the Physical Examination of Works of Art</p><p>Oberlin College, Oberlin, OH Fall 2009, Spring 2013, Fall 2014, Fall 2015 Visiting Assistant Professor in the Department of Art History</p><p>ICA Art Conservation, Cleveland, OH 1998-2015 Painting Conservator</p><p>Cleveland Museum of Art, Cleveland, OH. 1/1998-9/1998 Contract Conservator</p><p>National Gallery of Art, Washington, D. C. 1995-1997 William R. Leisher Fellow in the Research and Treatment of Modern Paintings</p><p>Musée Carnavalet/Institut Français de Restauration des Œuvres d’Art, Paris, France. 1994-1995 Friends of French Art Fellow</p><p>Museum of Modern Art, New York, NY. 1992-1994 Samuel H. Kress Foundation Post Graduate Fellow National Endowment for the Arts Intern</p><p>Rustin Levenson Art Conservation Associates, New York, NY. Summers 1988, 1991, 1992, and 9/1989-6/1990 Paintings Conservation Intern</p><p>Williamstown Regional Art Conservation Laboratory, Williamstown, MA. 1988-1989 Work-study in paper and paintings conservation. Heather Galloway Page 2 of 2 Galloway Art Conservation LLC</p><p>Professional Service and Affiliation</p><p>The American Institute of Conservation of Historic and Artistic Works (AIC), Fellow 2012 Peer Review Status</p><p>Education and Training Committee, AIC 2009-present Chair of committee 2015-2017 Established Task Force on Equity and Inclusion</p><p>Connecting to Collections Care, Foundation for the American Institute of Conservation (FAIC) Advisory Group 2015-present</p><p>Northern Ohio Alliance for Response, Heritage Preservation 2004-present Head of Organizing Committee 2004-2010</p><p>Heritage Preservation Leadership Roundtable, Alliance for Response, Washington, D. C. 2008 </p><p>Painting Specialty Group, AIC 2002-2004 Chair and Vice Chair</p><p>Selected Papers and Publications</p><p>Conservation in the Classroom: Conveying our Meaning September 2015 Midwest Regional Conservation Guild Annual Meeting</p><p>When Paint Means More than Color April 2009 Symposium Form to Finish: Strategies in Outdoor Sculpture Conservation The Sculpture Center of Cleveland and the Intermuseum Conservation Association</p><p>Sol LeWitt: 49 Three-Part Variations on Three Different Kinds of Cubes January 2008 Co-presenter with Dr. Stephanie Wiles of the Allen Memorial Art Museum The Object in Transition: A Cross Disciplinary Conference on the Preservation and Study of Modern and Contemporary Art, The Getty Conservation Institute and the Getty Research Center</p><p>Painting Conservation Catalog Volume 2: Stretchers, Insert and Stretcher Linings 2008 Painting Specialty Group of the American Institute for Conservation</p><p>Sacred Objects and the Practice of Conservation February 2007 Introductory talk in ICA series Preservation of Sacred Artifacts</p><p>The Politics of Permanence: the Legacy and Preservation of WPA Mural Art March 2006 Lecture for the SAGES Program at Case Western Reserve University</p><p>Disaster Response from the Conservator’s Point of View November 2004 Northern Ohio Alliance for Response</p><p>An Artist Treats a Painting: Clyfford Still’s Corrective Treatment of 1957K February 2003 College Art Association Convention, New York</p>