Teaching with Bayley: a Lighter Note

Teaching with Bayley: a Lighter Note

<p>Teaching With Bayley: A Lighter Note</p><p>0001 10:00:02:03 10:00:04:19</p><p>(man) People, people, people.</p><p>0002 10:00:04:19 10:00:07:00</p><p>(woman) Start listening, pay attention.</p><p>0003 10:00:07:00 10:00:09:07</p><p>(man) You're looking for capitals.</p><p>0004 10:00:19:15 10:00:22:11</p><p>(narrator) Patrick Martin is a newly-qualified teacher</p><p>0005 10:00:22:11 10:00:25:14 at Chiswick Community School in West London.</p><p>0006 10:00:25:14 10:00:27:01</p><p>As a music teacher</p><p>0007 10:00:27:01 10:00:31:01 he finds the practical aspects very difficult to control,</p><p>0008 10:00:31:01 10:00:34:02 and has asked teaching consultant John Bayley</p><p>0009 10:00:34:02 10:00:37:10 for help with both his Year 9 groups. 0010 10:00:38:10 10:00:41:09</p><p>What we're going to look at today is composing a bass line</p><p>0011 10:00:41:09 10:00:45:06 for a chord sequence that you're going to be given.</p><p>0012 10:00:45:06 10:00:49:15</p><p>And we're going to develop that in various ways in today's lesson.</p><p>0013 10:00:49:15 10:00:52:14</p><p>Can I have absolute attention, please, Andre?</p><p>0014 10:00:52:14 10:00:55:07</p><p>Thank you. Faisel.</p><p>0015 10:00:55:07 10:00:59:20</p><p>We're starting a new topic today, which is on sequencing</p><p>0016 10:00:59:20 10:01:03:10 and developing your sequencing skills... Helena... using Cubasis.</p><p>0017 10:01:03:10 10:01:05:15</p><p>Unfortunately, we've got a problem today</p><p>0018 10:01:05:15 10:01:08:24 which is that the keyboards that we normally have in this room 0019 10:01:08:24 10:01:10:15 are being repaired at the moment</p><p>0020 10:01:10:15 10:01:15:04 so we can have good smooth lessons on them from next week onwards.</p><p>0021 10:01:15:04 10:01:17:05</p><p>But they're still at the repair shop now.</p><p>0022 10:01:17:05 10:01:19:23</p><p>So this task, which will get us warmed up,</p><p>0023 10:01:19:23 10:01:24:24 will help us to revise some keyboard skills</p><p>0024 10:01:24:24 10:01:30:06 and will start us thinking about bass lines, which we'll be using...</p><p>0025 10:01:31:06 10:01:33:13</p><p>..which we're going to be using</p><p>0026 10:01:33:13 10:01:36:02 when we do our sequencing on Cubasis.</p><p>0027 10:01:36:02 10:01:38:21</p><p>(man) How do you feel about the beginning of the lesson?</p><p>0028 10:01:38:21 10:01:39:23 Sit up, please.</p><p>0029 10:01:39:23 10:01:44:08</p><p>I noticed all the pausing and the stopping and starting.</p><p>0030 10:01:45:08 10:01:47:21</p><p>Perhaps not flowing enough.</p><p>0031 10:01:47:21 10:01:49:12</p><p>OK. I think that's right.</p><p>0032 10:01:49:12 10:01:52:23</p><p>And also, don't beat yourself up - I think that's pretty good.</p><p>0033 10:01:52:23 10:01:55:01</p><p>You got them in, you got them settled down,</p><p>0034 10:01:55:01 10:01:56:22 you're in command of the room.</p><p>0035 10:01:56:22 10:02:00:14</p><p>You might want to be a bit more flowing in your commands.</p><p>0036 10:02:00:14 10:02:04:08</p><p>The first note you play is the note that's written down on the sheet</p><p>0037 10:02:04:08 10:02:08:03 and that will form a pattern you can play with three fingers of one hand 0038 10:02:08:03 10:02:11:12 which will look something like this on the keyboard. (plays note)</p><p>0039 10:02:11:12 10:02:14:20</p><p>I like that visual demonstration a lot.</p><p>0040 10:02:15:24 10:02:17:20</p><p>(Patrick) That's for revision.</p><p>0041 10:02:17:20 10:02:20:14</p><p>I'm just going to play you an example of what's on here.</p><p>0042 10:02:20:14 10:02:22:14</p><p>(plays sequence)</p><p>0043 10:02:28:09 10:02:30:13</p><p>(John) You see some of that wriggling</p><p>0044 10:02:30:13 10:02:34:01 that's going on in boyland down there?</p><p>0045 10:02:34:01 10:02:36:01</p><p>That wriggling is beginning to tell you</p><p>0046 10:02:36:01 10:02:39:22 that you've got three or four minutes' presentational time left. 0047 10:02:39:22 10:02:43:22</p><p>OK. Now I would expect everyone in the class</p><p>0048 10:02:43:22 10:02:46:22 to attempt to play the simplest bass line</p><p>0049 10:02:46:22 10:02:51:00 using the note from the chord, the main note from the chord.</p><p>0050 10:02:51:00 10:02:56:01</p><p>Tariq. Can you just explain to me what the task is.</p><p>0051 10:02:56:01 10:02:58:08</p><p>- A bass line. - A bass line.</p><p>0052 10:02:58:08 10:03:03:17</p><p>And you're going to be using notes from the chords. OK.</p><p>0053 10:03:03:17 10:03:07:21</p><p>I'm really glad you got one or two children</p><p>0054 10:03:07:21 10:03:10:17 to repeat back to you what they're meant to be doing,</p><p>0055 10:03:10:17 10:03:13:23 but I would have liked to see this happen 0056 10:03:13:23 10:03:15:23 about four or five minutes earlier.</p><p>0057 10:03:15:23 10:03:19:00</p><p>"There are three things you will do by the end of this lesson."</p><p>0058 10:03:19:00 10:03:20:15</p><p>"A chord sequence,</p><p>0059 10:03:20:15 10:03:23:18 a bass line for it, and some of you will extend the bass line."</p><p>0060 10:03:23:18 10:03:27:01</p><p>"Andre, what are you going to do? Susan, what are you going to do?"</p><p>0061 10:03:27:01 10:03:30:14</p><p>"Does everyone know what three things you need by the end?"</p><p>0062 10:03:30:14 10:03:32:13</p><p>"Is there anybody in here</p><p>0063 10:03:32:13 10:03:35:13 with the smokiest doubt about what it is we're doing?"</p><p>0064 10:03:35:13 10:03:39:11</p><p>Also, if you use a bit more praise and recognition</p><p>0065 10:03:39:11 10:03:41:15 of the children who got things right</p><p>0066 10:03:41:15 10:03:44:03 it means you've got more of an alert audience,</p><p>0067 10:03:44:03 10:03:47:05 sitting up trying to find other ways to please you.</p><p>0068 10:03:47:05 10:03:50:06</p><p>I'll give you about 20 minutes to work on this.</p><p>0069 10:03:50:06 10:03:53:22</p><p>I might be stopping you at some point during that time...</p><p>0070 10:03:53:22 10:03:57:16</p><p>Helena... in order to give the whole class some extra guidance</p><p>0071 10:03:57:16 10:03:59:11 if I find there's general problems.</p><p>0072 10:03:59:11 10:04:02:24</p><p>When that happens I'm going to be asking you to remove your headphones</p><p>0073 10:04:02:24 10:04:05:08 and turn around to face the middle of the room.</p><p>0074 10:04:05:08 10:04:08:06 You should be able to do that in about 30 seconds, OK,</p><p>0075 10:04:08:06 10:04:10:19 from when I give the instruction.</p><p>0076 10:04:10:19 10:04:12:20</p><p>Then I can quickly give you more advice</p><p>0077 10:04:12:20 10:04:15:14 and then you can get back to work and not waste any time.</p><p>0078 10:04:15:14 10:04:19:20</p><p>I'd like you to make it even more formulaic, your standard routines.</p><p>0079 10:04:19:20 10:04:22:14</p><p>"What's our routine when we're playing the keyboard?"</p><p>0080 10:04:22:14 10:04:24:20</p><p>"What's the routine when I talk to you?</p><p>0081 10:04:24:20 10:04:29:17</p><p>- Andre, face the front, please. - You told me to do Star Wars.</p><p>0082 10:04:29:17 10:04:32:00</p><p>- Da-da-da-da. - (boy) Yeah, put that in.</p><p>0083 10:04:32:00 10:04:35:03 (John) At some point he needs closing in.</p><p>0084 10:04:35:03 10:04:38:02</p><p>"Andre, you're going to be a success in my room</p><p>0085 10:04:38:02 10:04:40:06 but tell me what you need to remember</p><p>0086 10:04:40:06 10:04:41:17 to make this a good lesson."</p><p>0087 10:04:41:17 10:04:46:01</p><p>Keep the volume low, take the headphones off when you talk.</p><p>0088 10:04:46:01 10:04:49:22</p><p>Then you can say, "That's my man. Everything's going to be all right."</p><p>0089 10:04:49:22 10:04:52:12</p><p>But what you're doing at the moment</p><p>0090 10:04:52:12 10:04:55:04 is you're having a running sniping match with him.</p><p>0091 10:04:55:04 10:04:57:14</p><p>One, two, three, four.</p><p>0092 10:04:58:11 10:05:00:12</p><p>Two, together, four. 0093 10:05:00:12 10:05:02:18</p><p>One, two, three, four.</p><p>0094 10:05:02:18 10:05:08:00</p><p>And E. One, two, three, four, five. OK, I've got to see someone else.</p><p>0095 10:05:08:00 10:05:11:14</p><p>Keep practising that to get it absolutely in time</p><p>0096 10:05:11:14 10:05:15:24 and then you can start thinking about adding other notes.</p><p>0097 10:05:15:24 10:05:17:14</p><p>Excuse me, boys.</p><p>0098 10:05:17:14 10:05:21:10</p><p>This is the bit where I feel it's like spinning plates.</p><p>0099 10:05:21:10 10:05:25:10</p><p>Getting them on task and keeping them on task.</p><p>0100 10:05:25:10 10:05:30:18</p><p>Be concentrating on one pair and then I see that something else...</p><p>0101 10:05:30:18 10:05:32:08</p><p>Then there's conflict there</p><p>0102 10:05:32:08 10:05:35:00 cos I want to see everybody in a systematic way.</p><p>0103 10:05:35:00 10:05:36:16</p><p>That's difficult here.</p><p>0104 10:05:36:16 10:05:38:04</p><p>That's A. Yes.</p><p>0105 10:05:38:04 10:05:41:10</p><p>And then use that one there. Fine. Then E.</p><p>0106 10:05:45:10 10:05:48:05</p><p>Three, four, five, six, seven, eight.</p><p>0107 10:05:48:05 10:05:50:16</p><p>One, two, three, four.</p><p>0108 10:05:50:16 10:05:53:02</p><p>Then you can try and play that with one hand</p><p>0109 10:05:53:02 10:05:56:13 and do the bass line here, just a single note, the same note,</p><p>0110 10:05:56:13 10:06:00:04 on the other hand. Like that.</p><p>0111 10:06:00:04 10:06:05:13</p><p>That could be maybe what you could get up to by the end of the lesson. 0112 10:06:06:17 10:06:09:06</p><p>- Andre. Andre. - I was just explaining.</p><p>0113 10:06:09:06 10:06:11:23</p><p>No need to be getting out of your seat.</p><p>0114 10:06:11:23 10:06:16:04</p><p>If he's got a problem he can put his hand up and I'll come and help.</p><p>0115 10:06:16:04 10:06:17:13</p><p>Right.</p><p>0116 10:06:26:03 10:06:28:11</p><p>(boy) I'm doing the chords.</p><p>0117 10:06:28:11 10:06:30:22</p><p>In that case, if you just swap places...</p><p>0118 10:06:30:22 10:06:33:02</p><p>(silence)</p><p>0119 10:06:34:02 10:06:36:11</p><p>(burst of music, laughter)</p><p>0120 10:06:37:11 10:06:40:21</p><p>Andre, I've had about enough of you. Can you go outside, please?</p><p>0121 10:06:40:21 10:06:43:14</p><p>Outside, please, Andre. 0122 10:06:43:14 10:06:48:22</p><p>And you need to come back after registration to talk about this.</p><p>0123 10:06:50:17 10:06:53:03</p><p>- Watch... - (Patrick) OK.</p><p>0124 10:06:56:22 10:06:59:08</p><p>The discipline code...</p><p>0125 10:06:59:08 10:07:02:19</p><p>- I notice that you scarcely use it. - Mm.</p><p>0126 10:07:02:19 10:07:07:22</p><p>That's something I haven't really been consistent over the term</p><p>0127 10:07:07:22 10:07:11:04 or over the term and a half that I've been here.</p><p>0128 10:07:11:04 10:07:13:15</p><p>If I'm using a system, I've got several options.</p><p>0129 10:07:13:15 10:07:17:09</p><p>One is I can look across the room and theatrically write a name.</p><p>0130 10:07:17:09 10:07:19:19</p><p>I don't have to go over to control the behaviour. 0131 10:07:19:19 10:07:22:02</p><p>I get the pen out and get your name down.</p><p>0132 10:07:22:02 10:07:25:21</p><p>Secondly, I can move in to you quietly.</p><p>0133 10:07:25:21 10:07:29:22</p><p>I can say, "Bloggins, I had to write your name down."</p><p>0134 10:07:29:22 10:07:31:10</p><p>"The next step will be a tick"</p><p>0135 10:07:31:10 10:07:34:02 and that would mean seeing me after the lesson.</p><p>0136 10:07:34:02 10:07:36:19</p><p>"Tell me what you need to do to avoid this happening."</p><p>0137 10:07:36:19 10:07:40:07</p><p>So it gives you the basis for a dialogue.</p><p>0138 10:07:44:03 10:07:49:00</p><p>Excuse me. Can you move on wherever you're supposed to be?</p><p>0139 10:07:49:00 10:07:52:10</p><p>Can I have you coming back inside but just standing by the door? 0140 10:07:52:10 10:07:55:11</p><p>We often do it in departments. Rather than put children out,</p><p>0141 10:07:55:11 10:07:59:01 we freeze them in a colleague's room or they can put a child in our room.</p><p>0142 10:07:59:01 10:08:02:09</p><p>If you know you're going to have X and they sometimes kick off,</p><p>0143 10:08:02:09 10:08:04:14 then you say to your colleague,</p><p>0144 10:08:04:14 10:08:07:11</p><p>"If it comes to it, you might be getting a visit from X</p><p>0145 10:08:07:11 10:08:10:02 about 20 minutes after the lesson starts."</p><p>0146 10:08:10:02 10:08:13:14</p><p>So you're sitting in the room, confident. You've got a strategy.</p><p>0147 10:08:13:14 10:08:17:19</p><p>You try to stop it from happening, but if it does have to happen</p><p>0148 10:08:17:19 10:08:20:24 then you just say, "You need to go to Mr So-and-So's room." 0149 10:08:20:24 10:08:24:05</p><p>I'm pretty sure that's what will be there</p><p>0150 10:08:24:05 10:08:27:00 because the head of department's very good in that way.</p><p>0151 10:08:27:00 10:08:31:02</p><p>But I think I'm just a bit shy in asking for it.</p><p>0152 10:08:31:02 10:08:33:20</p><p>If you've got tough classes, there's a problem.</p><p>0153 10:08:33:20 10:08:36:12</p><p>It's not just your problem, it's the department's,</p><p>0154 10:08:36:12 10:08:39:09 it's the pastoral team's. It's everybody's problem.</p><p>0155 10:08:40:23 10:08:43:14</p><p>- Can I hear a few performances? - (girl) No.</p><p>0156 10:08:43:14 10:08:45:24</p><p>(laughter)</p><p>0157 10:08:46:23 10:08:49:09</p><p>I don't think that's very funny. 0158 10:08:49:09 10:08:51:09</p><p>(girl) You're so childish.</p><p>0159 10:08:51:09 10:08:54:03</p><p>Let's have Jack and Luke, please.</p><p>0160 10:08:56:04 10:08:58:06</p><p>(boy) One, two, three, four.</p><p>0161 10:09:06:07 10:09:09:07</p><p>(Patrick) OK, thank you, Very good.</p><p>0162 10:09:13:14 10:09:16:24</p><p>A lot of children want to applaud. You don't encourage that, do you?</p><p>0163 10:09:16:24 10:09:19:22</p><p>(Patrick) OK, who was playing what in that?</p><p>0164 10:09:19:22 10:09:24:02</p><p>I didn't in this lesson, no. I don't think I generally do.</p><p>0165 10:09:24:02 10:09:28:15</p><p>Maybe I'm then worried it's going to result in a lot of general noise.</p><p>0166 10:09:28:15 10:09:30:15</p><p>You don't have to do it all the time.</p><p>0167 10:09:46:21 10:09:50:15</p><p>OK. Thank you very much. Another reasonably effective performance.</p><p>0168 10:09:50:15 10:09:54:15</p><p>Can somebody please... Sh.</p><p>0169 10:09:55:20 10:09:59:03</p><p>Now you've performed turn that off, turn your chairs around.</p><p>0170 10:09:59:03 10:10:02:11</p><p>(Patrick) I don't believe myself when I see myself praising.</p><p>0171 10:10:02:11 10:10:06:08</p><p>When I do do it it seems a bit low-key,</p><p>0172 10:10:06:08 10:10:10:06 a bit like I'm moving onto the next thing. Just brushing over it.</p><p>0173 10:10:10:06 10:10:13:20</p><p>Remember that praising more is a technical issue.</p><p>0174 10:10:13:20 10:10:19:09</p><p>You're winning affiliation, you're prolonging their attention span.</p><p>0175 10:10:19:09 10:10:23:11</p><p>You're giving off-task children or defiant children</p><p>0176 10:10:23:11 10:10:25:09 a different route to your attention. 0177 10:10:25:09 10:10:28:24</p><p>So it's not a moral question, not a question of being nicey-nicey.</p><p>0178 10:10:28:24 10:10:32:14</p><p>It's a very important teaching tool.</p><p>0179 10:10:32:14 10:10:36:01</p><p>- Bye, sir. - Bye. See you next week, Tariq.</p><p>0180 10:10:52:09 10:10:55:00</p><p>(Patrick) Let me hear what you've done then.</p><p>0181 10:10:55:00 10:10:59:16</p><p>(narrator) John's watching Patrick teach the lesson to another class.</p><p>0182 10:11:01:09 10:11:04:14</p><p>Patrick's giving even clearer instructions</p><p>0183 10:11:04:14 10:11:08:09 and he's being more generous with his praise.</p><p>0184 10:11:09:14 10:11:12:07</p><p>You did it wrong!</p><p>0185 10:11:12:07 10:11:15:01</p><p>So I'd like to hear now how far most of you have got. 0186 10:11:15:01 10:11:18:00</p><p>For those of you who are playing, who are performing now,</p><p>0187 10:11:18:00 10:11:20:09 it's an opportunity to perform to the class.</p><p>0188 10:11:20:09 10:11:23:20</p><p>For the rest of you... Charlotte... when another person is playing,</p><p>0189 10:11:23:20 10:11:26:00 make sure you're really listening to them.</p><p>0190 10:11:26:00 10:11:28:01</p><p>What I'd like you to listen out for</p><p>0191 10:11:28:01 10:11:33:20 is what are the two or three people in the group playing?</p><p>0192 10:11:33:20 10:11:37:18</p><p>Who's playing the chord sequence, who's playing the bass line?</p><p>0193 10:11:37:18 10:11:42:11</p><p>Are they playing the chords in a "one, two, three, four" rhythm</p><p>0194 10:11:42:11 10:11:44:06 or have they changed the rhythm?</p><p>0195 10:11:44:06 10:11:48:01 OK. Let's have the three girls here, please.</p><p>0196 10:12:02:15 10:12:04:18</p><p>OK. Thank you.</p><p>0197 10:12:04:18 10:12:07:23</p><p>Quick round of applause then.</p><p>0198 10:12:07:23 10:12:11:01</p><p>We'll talk about this one first. So that was very good as well.</p><p>0199 10:12:11:01 10:12:13:14</p><p>Really nicely in time.</p><p>0200 10:12:13:14 10:12:16:17</p><p>How many notes was Jade playing in the bass line?</p><p>0201 10:12:16:17 10:12:19:02</p><p>- Anyone tell me? - (girl) Four.</p><p>0202 10:12:19:02 10:12:21:23</p><p>- (boy) Five. - (all shout out)</p><p>0203 10:12:21:23 10:12:26:15</p><p>All right. Shannon, your first guess, four, was correct.</p><p>0204 10:12:26:15 10:12:29:02</p><p>Two notes on the A chord, the A and the C</p><p>0205 10:12:29:02 10:12:33:00 and two notes on the E chord, the E and the G.</p><p>0206 10:12:33:00 10:12:36:15</p><p>That was very good. You could add more notes later if you wanted to.</p><p>0207 10:12:36:15 10:12:41:08</p><p>What you ought to be able to do next week is add drum beats,</p><p>0208 10:12:41:08 10:12:46:05 prerecorded drum loops and turn it into a piece of dance music.</p><p>0209 10:12:46:05 10:12:50:12</p><p>That's where we're going with this. OK, Micah and Michael next.</p><p>0210 10:13:03:07 10:13:05:18</p><p>- OK. Thank you. - (boy shouts out)</p><p>0211 10:13:05:18 10:13:07:03</p><p>I like what you did there.</p><p>0212 10:13:07:03 10:13:10:14</p><p>I could see that you want to jazz it up, you want to do your own thing.</p><p>0213 10:13:10:14 10:13:12:20</p><p>You'll find it easier when we have Cubasis</p><p>0214 10:13:12:20 10:13:16:09 and you can record things in, copy them, paste them around</p><p>0215 10:13:16:09 10:13:19:17 and come up with your own piece. That's going to be really good.</p><p>0216 10:13:19:17 10:13:22:17</p><p>You got the chord sequence, bass line, different rhythms.</p><p>0217 10:13:22:17 10:13:26:19</p><p>That's all good stuff. OK. Tuck your chairs underneath, please.</p><p>0218 10:13:26:19 10:13:29:12</p><p>Stand behind them.</p><p>0219 10:13:29:12 10:13:31:18</p><p>Thank you, Eddie.</p><p>0220 10:13:33:16 10:13:35:20</p><p>See you next week. Well done.</p><p>0221 10:13:36:23 10:13:39:12</p><p>Really good today.</p><p>0222 10:13:40:20 10:13:44:22</p><p>- I really enjoyed that. - It was good, wasn't it?</p><p>0223 10:13:44:22 10:13:48:00 There's some really good musicians in this class, as you saw.</p><p>0224 10:13:48:00 10:13:49:20</p><p>A pretty good teacher as well.</p><p>0225 10:13:55:21 10:13:59:01</p><p>Visiontext subtitles by Katherine Appleby</p><p>0226 10:13:59:01 10:14:01:01 www.visiontext.co.uk</p>

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