Curriculum Vitae s228

CURRICULUM VITAE: Linda Stupart Born 29 September 1983 [email protected] http://lindastupart.wordpress.com http://www.lindastupart.comEDUCATION:2001: Receive a Matriculation Exemption from Westerford High School. 2005: Receive a Bachelor of Arts in Fine Art at the Michaelis School of Fine Art, University of Cape Town 2008: Receive a Masters of Fine Arts at the Michaelis School of Fine Art, University of Cape Town 2011 – Present: Study towards an Arts Practice PHD at Goldsmiths College, University of LondonACADEMIC ACHIEVEMENTS  2003: Receive the Class Medal for Discourse of Art II  2004: Receive the Class Medal for Theory and Practice of Art III  On the Deans Merit List  2005: On the Deans Merit List  2011: Awarded a Research Bursary at Goldsmiths CollegePROFESSIONAL EXPERIENCE: Last Quarter 2004: Intern for arts journal, Art South Africa, edited by Sean O’Toole 2005: Library Assistant in Hiddingh Hall Library at the University of Cape Town  July 2005 – 2007: International Listings Editor for electronic journal, ArtThrob, edited by Sue Williamson  September 2005 - July 2006: Cape Town Editor for ArtThrob December 2005 till February 2006: Assist Zayd Minty in the organisation of the first Visual Arts Network South Africa (VANSA) national conference, Transformation/Growth/Opportunity in the Visual Arts Sector  2006: Tutor for Discourse of Art I and Discourse of Art II at the University of Cape Town’s Michaelis School of Fine Arts  Lecture in Discourse of Art II at the University of Cape Town’s Michaelis School of Fine Arts 2007: Tutor for Discourse of Art I, II and III at the University of Cape Town’s Michaelis School of Fine Arts  Lecture in Discourse of Art II and III at the University Cape Town’s Michaelis School of Fine Arts  Curator at the UCT Centre For African Studies Gallery 2008: Tutor for Discourse of Art II and Discourse of Art III at the University of Cape Town’s Michaelis School of Fine Arts.  Lecture Discourse of Art III at the University of Cape Town’s Michaelis School of Fine Arts  Correspondent and reviewer for the Daily ArtHeat at the Johannesburg Art Fair 2009: Lecture Weekly in Photographic Theory at City Varsity  Editor, writer and reviewer for the Daily ArtHeat at the Johannesburg Art Fair  Image and Copyright Co-ordinator and Acting Media Officer for Iziko Museums Cape Town 2010: Lecture Third Years in the Arts History Department at Rhodes University (four week course): Community Art in South Africa  Lecture in Discourse of Art I and II at the University of Cape Town’s Michaelis School of Fine Arts  Tutor Discourse of Art I and II at the University of Cape Town’s Michaelis School of Fine Arts  Tutor, History Department at the University of Cape Town.  Editor, writer and reviewer for the Daily ArtHeat at the Johannesburg Art Fair  Course Convene Introduction to Contemporary Art and Visual Cultural, History Department, University of Cape Town  Assist Michael Godby in convening the Honours and Masters Art Criticism students, History Department, University of Cape Town  2011: Lecture Discourse of Art III at the University of Cape Town’s Michaelis School of Fine Arts  Tutor Discourse of Art II at the University of Cape Town’s Michaelis School of Fine Arts  Conceive of, plan and teach the first ever Performance Art course in the Art Practice department at the University of Cape Town’s Michaelis School of Fine Arts  Press Officer for The Michaelis Gallery, University of Cape Town.  Administrator for the Michaelis School of Fine Art Alumni Auction.  2012: Teaching Assistant for Critical Studies and Art Writing at Goldsmiths College. PROGRAMS: 2007: Conceive of, plan and facilitate a yearlong series of Young Curators Workshops at the UCT Centre For African Studies  200-2010: Launch and project manage the Mixtape Public Arts Project, in collaboration with the Grahamstown National Arts FestivalSOCIAL RESPONSIBILITY PROJECTS: September 2005: Assist with the running of art workshops at the 2005 Living Landscapes project in Clanwilliam 2008: Work with NuBuntu on organising an art auction in aid of MyLiFE, a section 21 Company that works with street children in Cape Town 2010: Mixtape Public Arts Project launches the Sakhalunthu Art Factory collaboration, which works directly with children from Grahamstown’s ‘locations’, providing them with access to the National Arts Festival and to year-round interaction with contemporary arts and cultural productionPOSITIONS OF RESPONSIBILITY 2005: Serve as the chairperson of the Michaelis School of Fine Arts’ Student Representative Council  2005 – 2007: Serve on the Western Cape governing committee of VANSA (Visual Arts Network South Africa)SOLO EXHIBITIONS: February 2007: Don’t Let the Sun Go Down on Me at blank projects space  December 2009 – 2010: Who’s Abject Now Bitch? or crime scene consistent with a particular double homicide at YOUNGBLACKMAN SELECTED GROUP EXHIBITIONS:* indicates a catalogue  2003: YDEsire at the Castle of Good Hope. Curated by James Webb and Kim Stern 2005: Printtt at the AVA. Curated by Andrew Lamprecht  The Black and White Poster Project at Dirt Contemporary. Curated by Rory Palmer, Bevan Anderson and Jen-Henri Booyens *  Absolute Secret at the AVA 2006: Month of People’s Photography (MOPP)  ABSA Le’ Atalier finalist exhibition *  Portrait Exhibition at the AVA. 2007: Come at the Michaelis Gallery and the KZNSA *  2008: Fresh Meat at Whatiftheworld/Gallery. Curated by Robert Sloon. *  Come Again at the Michaelis Gallery and the Wits Granary *  Readymade at iKizo Gallery. Curated by Bettina Malcomess  Big Wednesday at Whatiftheworld/Gallery 2009: Voight-Kampff at the UCA Gallery. Curated by Catherine Ocholla.  2010: Swallow My Pride at blank projects space. Curated by Margaret Stone.  Vex and Siolence at YOUNGBLACKMAN: A Three person show with Stuart Bird and Belinda Blignaut.  2011: The Night Show at Goodman Gallery. Curated by Tony East and Claire van Blerck.  Zink Theatre Space. A happening curated by John Nankin.  ALPTRAUM . Various spaces in Washington, London, Berlin, Los Angeles, Cape TownWITH DOING IT FOR DADDY (Renee Holleman and Bettina Malcomess) 2006: The Cape Town Biennale at blank projects. Curated by Andrew Lamprecht  X Cape. An intervention outside of the South African National Gallery 2007: CCC at the AVA  Spier Contemporary at the Spier Estate, Johannesburg Art Gallery and Durban Art Gallery (2008). Curated by Clive van den Berg and Jay Pather* 2008: Prints and Editions 08 at Whatiftheworld/Gallery  2009: Nation State at Goodman Gallery and Goodman Gallery Cape*  2010: Localities: Fact and Fiction at the Museet for Samtidskunst, Roskilde, Denmark. Curated by N’Gone Fall & Sanne Kodof Olsen. * AWARDS:  2006: Final selection for the ABSA Le ‘Atalier 2007:With Doing it For Daddy: Winners at the Spier Contemporary Art AwardsCURATORSHIP: 2007: FINDING UCT: Narratives, New and Old in the UCT Permanent Collection at the UCT Centre for African Studies Gallery (with Clare Butcher)SELECTED BIBLIOGRAPHY: Gamaker, E, 2006, Birds of Paradise and Also-Rans: The Michaelis Graduate Exhibition 2005. ArtThrob January 2006. (http://www.artthrob.co.za/06jan/reviews/michaelis.html)  Robert Sloon, 2007. Strange Bedfellows. 3C at AVA. ArtHeat Friday, August 03, 2007. (http://artheat.blogspot.com/2007/08/strange- bedfellows-3c-at-ava.html#links)  Young, E, 2007. Review: 3C. Art South Africa V6.2 November 2007.  Robert Sloon, 2007. Untitled Post. ArtHeat Friday, September 21, 2007. (http://artheat.blogspot.com/2007/09/it-seems-seldom-these-days-to-see- art.html)  Tietze, A, 2007, Finding UCT: Narratives New and Old in the UCT Permanent Collection' at the UCT Centre for African Studies. ArtThrob November 2007. (http://www.artthrob.co.za/07nov/reviews/uct.html)  McIntosh, T, 2008. Spier Contemporary Art Awards. ArtThrob January 2008. (http://www.artthrob.co.za/08jan/reviews/spier.html)  Sean O’ Toole, Mix of Daring and Promise. Financial Mail 15 February 2008  Sean O’ Toole (editor), 2008. Bright Young Things: Daddy’s Girls. Art South Africa V6.3 March 2008.  Suzy Bell, 2010. Artist Makes Mark in Blood at City Gallery. Cape Times. 5 January 2010.  Altschuler, J. 2011. Linda Stupart: Profile. South African Art Times. October 2011. SELECTED PUBLICATIONS:BOOK CHAPTERS AND CATALOGUE ESSAYS: Come Again in Inggs, S (ed.). Come Again. Cape Town: UCT  Beyond 2000 in Smith, R. 2008. Future Shock Lost. Cape Town: Whatiftheworld  Return of the Undead in Gratrix, G, Master Copy. Cape Town: Whatiftheworld.  If you believe they put a Man on the Moon in Smith, R. 2009. If you get far enough away you'll be on your way back home. Cape Town: Whatiftheworld  A Specific Experience of an Abnormal Meaningfulness: Cyberspace Conspiracy and Performativity in the work of Robert Sloon in Sloon, R & Maggs, C. 2009. Syndrome. Cape Town: Whatiftheworld.  The comma, or, a Moment of Great Significance: An introduction to the Postgraduate Diploma Students in Inggs, S (ed.). 2010. Michaelis Graduate Exhibition. Cape Town: UCT.  Double Negative: Performance, Performativity and the Queer impostor in Fouche, P (ed.) 2011. Pierre Fouché Selected Work 1999- 2011. Cape Town: Whatiftheworld  The Dappled Light on Your Face: Environmental and Relational Aesthetics in ‘Maybe Your Magic is Working’ in Mooney, D (ed.) 2011. Maybe Your Magic is Working. Cape Town: Whatiftheworld  Antoinette Glatthaar-Theron, Linda Stupart, Elza Miles. 2011. Nel Erasmus. Cape Town: SMAC.   FLOWER PRESSING Love, Preservation and Death: The Flower in Contemporary South African Art Production in Threshold. Virginia MacKenny (ed.) Fourthwall Books: Publication Pending (2012)  Score in Smith, R & Lee, I (eds.). COME ON YOU FUCKERS. Calarts: California. Publication Pending (2012)  Echoing Crags Resound in Roussouw, C (ed.). 2012. A History of Failure. Cape Town: Brundyn & Gunsalves. ARTICLES/REVIEWS: Note: This is a very small selection of key texts amongst over a hundred reviews and articles published since 2005 particularly on http://www.Artthrob.co.za and http://www.Mahala.co.za * indicates a peer reviewed journal  Cameron Platter at the Bell-Roberts, ArtThrob, November 2005. (http://www.artthrob.co.za/05nov/reviews/bellroberts.html)  Diane Victor and Churchill Madikida at Michael Stevenson, ArtThrob, November 205. (http://www.artthrob.co.za/05nov/reviews/stevenson.html)  SESSIONS eKapa: What went on ?, ArtThrob, December 2005. (http://www.artthrob.co.za/05dec/news/sessions.html)  Pieter Hugo at Michael Stevenson Contemporary, ArtThrob, March 2006. (http://www.artthrob.co.za/06mar/reviews/stevenson.html)  Wim Botha at the SANG, ArtThrob, May 2006. (http://www.artthrob.co.za/06may/reviews/index.html)  'Second to None' at the SANG, ArtThrob, July 2006. (http://www.artthrob.co.za/06july/reviews/sang.html)  Bruce Nauman and Charles Atlas at the Michaelis Galleries. ArtThrob. June 2007. [http://www.artthrob.co.za/07jun/reviews/michaelis.html  Brian Eno at the Michaelis Gallery. ArtThrob. March 2007. [http://www.artthrob.co.za/07mar/reviews/michaelis.html]  Moshekwa Langa Art South Africa. Art South Africa v6.3. March 2008  Monomania Art South Africa. Art South Africa. Vol.7 Issue 2, Summer 2009.  Pieter Hugo, Conrad Botes at Michael Stevenson Contemporary. ArtThrob. February 2009. (http://www.artthrob.co.za/09feb/reviews/stevenson.html)  Reframing the Subject: Athi –Patra Ruga at WHATIFTHEWORLD/GALLERY and YOUNGBLACKMAN. ArtThrob . October 2010. (http://www.artthrob.co.za/Reviews/2010/10/Linda-Stupart- reviews-La-Mamma-Morta-and-Teeth-Are-the-Only-Bones-that-Show-by- AthiPatra-Ruga-at-Whatiftheworld/gallery.aspx)  Other Things: Ian Grose Art South Africa. Vol 09 Issue 03. Autumn 2011.*  A Paper Issue: Books as Medium and Metaphor in the Post-Apartheid artistic landscape. Art South Africa. Vol 09 Issue 04. Winter 2011. *  Sadomasochisticafricocamphysteria. Kaleidoscope Issue 14. Spring 2012.

Curriculum Vitae s228

Details

Download

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

Support