Revised Syllabus Es 50

Revised Syllabus Es 50

<p> REVISED SYLLABUS ES 50</p><p>MAR 23 T MAPS, PLANS, SCHEMES Read: Harley; Lynch; Sennett (p. 255-81)</p><p>Commentary A: Why is a map, which can situate us geographically, spatially, even topographically, be considered a fiction?</p><p>MAR 25 TH PATHS OF DESIRE Read: Mann (all)</p><p>Commentary B: We have discussed the sexualized body a good deal in class. What does sex have to do with understanding the industrialized, modern city? = MAR 30 T PATHS OF DESIRE Read: Sennett (p. 282-316) See: videos on parkour</p><p>APR 1 TH PATHS OF DESIRE, 2 Read: Zola; Harvey; Boyer</p><p>Commentary A: To shop is to be. Comment. = APR 6 T PATHS OF DESIRE, 2 Read: Sennett (p. 317-76)</p><p>APR 8 TH CITY & MEMORY Read: Baudelaire See: Goskind/Kazimierczak, Warsaw (1938)</p><p>Commentary B: Argue that a city with a homogeneous population is an oxymoron. = APR 13 T CITY & MEMORY Read: Huyssen See: Suwa, “Place des Victoires” & Clark, “14th Arrondissement” from Paris, je t’aime (2006)</p><p>APR 15 TH THE CITY IN EXTREMIS Read: Vale; Page (“Beauty and Terror”) = APR 20 T THE CITY IN EXTREMIS Read: Rosbottom [handout] See: Reed, TheThird Man (1949) APR 22 TH VIOLENCE & THE OTHER Read: Poe (all) See: Kassovitz, Hate (1995)</p><p>TAKE-HOME ESSAY #2, DUE SATURDAY, APR 25, BY NOON = APR 27 T VIOLENCE & THE OTHER Read: Stevenson (all) See: Schmitz, “Place des Fêtes” from Paris, je t’aime (2006) </p><p>APR 29 TH FUTURES: UTOPIC, DYSTOPIC, VIRTUAL See: Clair, Paris qui dort (1925) = MAY 4 T FUTURES: UTOPIC, DYSTOPIC, VIRTUAL</p><p>AMAY 6 TH NEW YORK: THE IDEAL EUROPEAN CITY? Read: Page (“The Future of the City’s End”) See: Wadleigh, Wolfen (1981)</p><p>FINAL PAPER DUE NOON, MONDAY, MAY 17, BY NOON</p>

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    2 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us