Elisabeth Subrin

ELISABETH SUBRINSolo Exhibitions2011 PARTICIPANT, Inc., New York, NY2010 Sue Scott Gallery, New York, NYSolo Screenings 2009 Lost Tribes: Elisabeth Subrin, Light Industry at X-Initiative, Dia/Chelsea, New YorkReplica Remake Radical (with Bea Santiago-Munoz), Filmoteca Nacional, San Juan, PR2007 Film Forum, Los Angeles, CA2005 Institute of Contemporary Art, Boston, MA2003 Harvard Film Archives, Cambridge, MA2002 Film and Video By Elisabeth Subrin, The Film Center at The Art Institute of Chicago, Chicago, ILMemoirs of a Difficult Daughter: Works By Elisabeth Subrin, Aurora Picture Show, Houston, TXThe 48th Robert Flaherty Film Seminar, Poughkeepsie, NY (Featured Artist) The Center for Media, Culture and History, New York University, New York, NY2001 Northwest Film Center, Portland Museum of Art, Portland, ORThe Multiple Personnae of Francesca Woodman and Isabelle Eberhardt: Experimental Bios by Elisabeth Subrin and Leslie Thornton, Yeurba Buena Center for the Arts, San Francisco, CA2000 Memoirs of a Difficult Daughter: Recent Works by Elisabeth Subrin, Thread Waxing Space, New YorkVienna International Film Festival, Vienna, Austria1999 Museum of Modern Art, New York, NYParallel Lies: Imagining Histories and The Female Double, Pleasuredome, Toronto, Canada1998 San Francisco Cinematheque, CA Film Forum, Los Angeles, CAThe Film Center at The Art Institute of Chicago, Chicago, IL1996 True Lies (with Leah Gilliam), Randolph Street Gallery, Chicago, ILGroup Exhibitions2009 Made in the USA at Pete’s Motors, organized by Phillip Deely, RENTAL2008 Technically Sweet, PARTICIPANT, INC., New York, NYTechnically Sweet, Ovegaden Institute of Contemporary Art, Copenhagen, DK2007 Invisible Mend, LUX , London, England2006 Cinema Cavern, PS1, Long Island City, NY2005 Inside Out Loud: Kemper Art Museum, St. Louis, MOVideo Bites, Queensland Art Gallery, South Brisbane, Queensland, Australia2004 Rear View Mirror, Kettle’s Yard, Cambridge, UKThe Past Recaptured, Center for Curatorial Studies, Bard College, Tivoli, NYAmerican Tableaux, Selections from the Permanent Collection, Walker Art Museum, Minneapolis, MNTouring Exhibition to: University of Iowa Museum of Art , Iowa City, IAWinnepeg Art Gallery, Winnepeg, Manitoba, CanadaMiami Art Museum , Delaware Art MuseumDelaware Art Museum, Wilmington, DE2003 Fate of Alien Modes, Film Museum & Secession, Vienna, Austria Video Windows, curated by Shirin Neshat, Stefan Stux Gallery, New York, NY2000 The Whitney Biennial, The Whitney Museum of American Art, New York, NY1999 The Cool World: Film and Video in America 1950-2000 (The American Century: Art & Culture 1900-2000) Whitney Museum of American Art, New York, NY1996 Girlhood, Dis-Orderred, The Geffen Contemporary at Museum of Contemporary Art, Los Angeles, CA (in conjunction with Private TV/Public Living Rooms: A New Media Exhibition) Artist Presentations/Talks 2009 Archives Fever: An Evening with Elisabeth Subrin, Film Studies Department, Bryn Mawr College, Bryn Mawr, PAEscuaela de Artes Plastica de Puerto Rico (with Bea Santiago), San Juan, Puerto Rico2007 Visiting Filmmaker Series, Film Studies, Yale University, New Haven, CT2006 The Films of Elisabeth Subrin, Film and Video Center, University of California, Irvine, Fine Arts Lecture Series, Otis College of Art and Design, LAPitzer Cinematheque, Claremont, CA2005 Department of Art, Northeastern University, Boston, MADepartment of Film and Video, Bennington College, VTSchool of the Arts, Virginia Commonwealth University, Richmond2004 Visiting Artist Lecture Series, University of Maryland, BaltimoreScholar’s Club, New York University, New York, NYKeynote Speaker, Sarah Lawrence College Experimental Film Festival, Bronxville, NY2003 Department of Media Arts, New Jersey City University, Jersey City, NJMassachusetts College of Art Film Society, Boston, MA2002 Memoirs of a Difficult Daughter, Department of Radio, TV, Film, University of Texas, Austin, TXDepartment of Film and Media, Hunter College, New York, NY2001 Humanities Gender Group, Women's Studies Program, Rutgers University, Rutgers, NJ2000 The Claremont Colleges, Clarement, CA1999 Visiting Lecture Series, Marlboro College, Brattleburo, VTWomen's Studies Research Center at The Five Colleges, South Hadley, MAFilm Society, Massachusetts College of Art, Boston, MA1998 Department of Women's Studies, University of Lancaster, England1997 Rhode Island School of Design, Providence, RI1996 Sleeth Gallery, West Virginia Wesleyan College, VA Group Screenings & FIlm/Video Festivals2009 Portland Experimental Film and Video Art Festival, Portland, NY2008 Body Politics, New Britain Museum of American Art, New Britain, CTAm I Repeating Myself? The Power Plant, Toronto, ON, CanadaAfter School Special (with Alex Bag and Kika Thorne), Cineworks, Vancouver, CAAnimal, Mineral, Vegetable: Recent Experimental Documentaries, Pacific Film Archive, Berkeley, CAErsatz Facts: The Pseudo-Documentary, Artist Television Access, San Francisco, CA2007 Festival De Cine Documental, Pamplona, SpainPhotographers Movies; Movies about Photographers, Biennale of Photography, Malmo, SwedenThe Plastic Self, Orchard Gallery, New York, NYFeminale Women’s Video Festival, Koln, GermanyIf I Can’t Dance, I Don’t Want To Be Part of Your Revolution, MuHKA_media, Antwerp, BelgiumCine Test, Museo Nacional Centro de Arte Reina Sofia & Canopia Gestion Cultural, Madrid, Spain2006 The 44th New York Film Festival, Lincoln Center, New York, NYYFeedback: The Video Data Bank, Museum of Modern Art, New York, NYWomen Make Waves Film and Video Festival, Taipei, TaiwanAurora Picture Show, Houston, TXNow Again the Past: Rewind Replay Resound, Carnegie Art Museum, North Tonawanda, NYBoomerang: Three Short Remakes, Hallwalls Contemporary Art Center, Buffalo, NY2005 Artists’ Vision of Film Series, Institute of Contemporary Art, Boston, MA2004 Women in the Director’s Chair, Chicago, ILOutfest Film Festival, Los Angeles, CAAustin Gay and Lesbian International Film Festival, Austin, TXFeast Film Festival, Tampa, FL 2003 The 22nd Black Maria Film and Video Festival , Jersey City, NJ (multiple locations, nationally)Featured Video Artist, Kentucky Women Writers Conference, Lexington, KYMicrowave International Media Art Festival, To Kwa Wan, Kowloon, Hong KongCornell Cinema, Ithica, NYThe New Festival, New York, NYFrameline, San Francisco, CAVideolisboa, Lisboa, Portugal New Jersey City Museum, Jersey City, NJ2002 Walker Art Center, Minneapolis, MNParis Photo, Paris, FranceClose Up, SixPack Films, Vienna, AustriaPixelvision, Balagan Experimental Film and Video Series, Boston, MAHarn Museum of Art, Gainsville, FLDietmar Schwaertz Gallery, Vienna, AustriaCheekwood Museum of Art, Nashville, TNThe School of the Museum of Fine Arts, Boston, MAAnthology Film Archives, New York, NYCinematexas Film Festival, Austin, TXSundance Channel, New York, NY2001 International Film Festival Rotterdam, The NetherlandsDrama Queens: Women Behind the Camera, Guggenheim Museum, New York, NY Scene Images: (Auto) Biographical Aspects of Contemporary Media Production, Kunsthalle Exnergasse, Vienna, AustriaVIPER – Int’l Festival for Film, Video & New Media, Basel, Switzerland Transmediale, International Media Arts Festival, BerlinEuropean Media Arts Festival, Osnabruch, GermanySan Francisco Cinematheque, San Francisco, CABlack Maria Film and Video Festival (multiple locations, nationally) Film Forum, Los Angeles, CAWatching People Watching You, curated by Lauren Cornell,The British Council in Poland, Warsaw, PolandMade in the 20th Century: New Video from Art & Tech, Wexner Center for the Arts, Columbus, OH2000 New York Video Festival, Lincoln Center, New York, NYThe Cool World: Film and Video in America 1950-2000, The Whitney Museum, NY1999 Walker Art Center, Minneapolis, MNCornell Cinema, Ithica, NY1998 Rotterdam International Film Festival, The NetherlandsLondon International Festival of the Moving Image, London, EnglandWexner Center for the Arts, Columbus, OHMargaret Mead Film Festival, American Museum of Natural History, NYMontreal Int’l Festival of Nouveau Cinema, Montreal, QuebecPacific Film Archives, Berkeley, CAHarvard Film Archives, Cambridge, MAOut of the Ordinary: 25 Years, 25 Films, Northwest Film and Video Center, Portland, ORBent Is Beautiful: Sadie Benning, Elisabeth Subrin, Nguyen Tan Hoang University of North Carolina & Mr. Lady Records, Durham, NC1995 The 35th New York Film Festival, New York, NYMuseum of Contemporary Art, Chicago, ILWalker Art Center, Minneapolis, MNMuseum of Photography/Museum of Contemporary Art, Antwerp, Belgium1996 New York Video Festival, Lincoln Center, New York, NYFestival du Noveau Cinema de Montreal, Montreal, Quebec European Media Art Festival, Osnabruck, GermanyVideo Art: The Chicago 15, Pacific Film Archives, Berkely, CA World Wide Video Festival, The Hague, The NetherlandsAmerican Film Institute Video Festival, Los Angeles, CANorthwest Film Center, Portland Museum of Art, Portland, ORWomen Filmmakers Present, Museum of Fine Arts, Boston, MAInstitute of Contemporary Art, London, EnglandNew Langton Arts Center, San Francisco, CAIMPAKT Festival of Film, Video and New Media, Utrecht, The Netherlands,No More Sweets for You: New Films and Videos,Institute of Contemporary Art, Boston, MASapphire and The Old World: New Works by Leslie Thorntion, Leah Gilliam & Elisabeth Subrin Kino-Eye Cinema, Chicago Filmmakers, Chicago, ILWalker Art Center, Minneapolis, MNWomen in the Director’s Chair Film/Video Festival, Chicago, ILVideoTENSIONS; VideoGRRLS, University of Arizona/Arizona Media Arts Center, Tuscon, AZLanguage and Disorder, curated by Kristine Diekman (touring, multiple locations)1995 The American Center, Paris, FranceAnthology Film Archives, New York, NYThe Film Center of The Art Institute of Chicago, Chicago, ILMIX: New York Gay and Lesbian Experimental Film Festival, New York, NYNo More Sweets for You: New Films and Videos, Randolph St. Gallery, Chicago, IL1989.94 Boston Film/Video Foundation, Boston, MAModerna Galerija Ljubijana, Ljublijana, YugoslaviaMedien Werkstaat, Wien, AustriaEuropean Media Art Festival, Osnabruck, GermanyKOB 8 Filmburo, Mainz, GermanyFestival de Video Musical, Vitoria-Gasteiz, SpainMobius, Boston, MA The Space Gallery, Boston, MAGrants, Fellowships & Awards2007 -Fellow, The MacDowell Colony, Peterborough, NH (also 2002, 2003, 2006)2006-07 -Fellowship, The Annenberg Foundation & The Sundance Institute, Los Angeles, CA2005.7 -Film Commission, The MacDowell Colony Centennial Celebration, New York, NY2004.5 -The Rockefeller Foundation, Media Arts Fellowship, New York, NY2003 -Fellow, Sundance Feature Filmmaker’s Lab, Sundance Institute, UT-Fellow, Sundance Screenwriter’s Lab, Sundance Institute, UT-Director’s Choice, The 22nd Black Maria Film and Video Festival, Jersey City, NJ 2002-03 -Fellow, John Simon Guggenheim Memorial Foundation, New York, NY2001 -Viper International Award for Film/Video, Basel, Germany-2nd Prize, Black Maria Film and Video Festival, Jersey City, NJ-Fellow, Yaddo, Saratoga Springs, NY-Fellowship, Creative Capital Foundation, New York, NY2000 -Best Experimental, New England Film and Video Festival, Boston, MA1999 -Art and Technology Residency, Wexner Center for the Arts, Columbus, OH-Fellowship, The Andrea Frank Foundation, New York, NY1998 -Los Angeles Film Critics Association Awards: “The Douglas Edwards Independent/Experimental Film/Video Award: Shulie” -“Best of 1997,” Film Comment Magazine, January-Faculty Research Grant, Amherst College, Amherst, MA 1997 -Fellowship in Media Arts, Illinois Arts Council, Chicago, IL-Director’s Citation, Black Maria Film and Video Festival, Jersey City, NJ-“Best of 1996,” Film Comment Magazine, January-Art and Technology Residency, Wexner Center for the Arts, Columbus, OH1996 -First Place Experimental, USA Film Festival, Dallas, TX-Juror’s Choice, 1996 Charlotte Film and Video Festival, Charlotte, NC -Grantee, Community Arts Assistance Program, City of Chicago Department of Cultural Affairs, Chicago, IL-Director’s Citation, Black Maria Film and Video Festival, Jersey City, NJ1995 -Grantee, Regional NEA Fellowship, Center for New Television, Chicago, IL1993 -Trustee Fellowship, two-year full scholarship for the MFA Video Program, The School of the Art Institute of Chicago, Chicago, IL1990 -Morton Godine Fellowship, Massachusetts College of Art, Boston, MASelected Bibliography2008 -Ed. Yvette Brackman & Maria Finn, Technically Sweet: One Script/Thirteen Points of View/Allusions-Endless, Danish Arts Council & Plum Velvet, Copenhagen, DK 2006 -Alex Juhasz & Jesse Lerner, “Phony Definitions and Troubling Taxonomies of the Fake Documentary,” F Is For Phony: Fake Documentaries and Truth’s Undoing, Visible Evidence Series, University of Minnesota Press 2005 -Jean Petrolle & Virginia Wesman, Ed. “Introduction,” Women and Experimental Filmmaking, University of Illinois Press 2004 -Alka R. Tandon and Meghan M. Dolan, “15 Professors that are Changing the World: Punk Auteur Takes Over the Airwaves,” The Harvard Crimson, March 2003 -Roundtable conversation on Francesca Woodman, Art Journal, Summer -Astria Suparak, “Queens of All Media,” Heeb Magazine, Volume 3, Spring 2002 -Paula Rabinowitz, “Medium Uncool: Women Shoot Back; Feminism, Film and 1968—A Curious Documentary,” Science and Society, Volume 65, Spring 2001 -Josh Kun, “False Document,” San Francisco Bay Guardian, Jan. 31 -Pablo de Ocampo, “Inside the Ghost: Elisabeth Subrin’s Haunting Feminism,” The Portland Mercury, Vol 1, No. 45, April 12-18 -Rachel Greene, “Elisabeth Subrin, The Fancy,” BOMB, September -Ed Halter, “Jumping Out a Window is a Way of Going Home: Incomplete Sketch of an Essay for Elisabeth Subrin,” Cinematexas, September -Holly Willis, “Filmforum: Fancy, LA Weekly, March 30 2000 -Elizabeth Freeman, “Packing History, Count(er)ing Generations,” New Literary History, 2000, 31: 727-744 -Nicole Armour, “Disappearing Acts: Elisabeth Subrin,” Film Comment, pp 55-57 -Lia Gangitano, “File Under ‘Heros’,” Thread Waxing Space, October -Amy Taubin, “Video Vanguard; Mensch Musician,” The Village Voice, July -A.O. Scott, “Video as Art in a World On Tape, The New York Times, July -Ed Halter, “New York Video Festival,” New York Press, July 19-25 -Dave Kehr, “Taking Chances with Emerging Film and Video Artists,” New York Times, March 24 -Kent Jones, “Whitney Biennial Film/Video Program,” Artforum, May -Kristin M. Jones, “Whitney Biennial,” Frieze, Summer, Issue 53 -Daniel Belasco, “The Jewish NU WAVE,” The Jewish Week, July 21 -Jennifer Baumgardner and Amy Richards, Manifesta: young woman, femism and the Future (New York: Farrar, Straus and Giroux), pp. 116, 135, 204-205, 217 1999 -Peter Goddard, “Shot-for-Shot remake remarkably unsettling,” The Toronto Star, February 26 -Paul Arthur, “The Avant-Garde in ’98,” Film Comment, Jan/Feb -Bill Horrigan, “Shulie,” for “The Shock of the View: Artists, Audiences, and Museums in the Digital Age,” Walker Art Center, Minneapolis, MN -Johnny Ray Huston, “Watching You Watching Me,” San Francisco Bay Guardian, January -Manohla Dargis, “Manohla Dargis Hit List,” LA Weekly, Jan 8 -Josh Kun, “Aura: The Remix,” San Francisco Bay Guardian, March 3 -Scott Stark, “The Top Ten Avante-Garde Films of 1998,” Film Threat 1998 -B. Ruby Rich, “Fanning the Firestone: Elisabeth Subrin’s Shulie looks back with envy,” San Francisco Bay Guardian, February 25 -Jonathan Rosenbaum, “Remaking History (review of Shulie), The Chicago Reader, Nov. 20 -Kate Haug, “Time Frame,” Afterimage, Nov/Dec -Amy Taubin, “More, More, More,” Village Voice, December 31 -Manohla Dargis, “Elisabeth Subrin in person,” LA Weekly, February 27 -Mikki Halpin, “Don’t Look Back,” Filmmaker Magazine, July -Amy Kroin, “Cases of Mistaken Identity,” The Valley Advocate,” Aug. 13 -Cara Jepson, “Holding a mirror to the ‘60s,” The Chicago Reader, Nov. 20 -B. Ruby Rich, Chick Flicks: Theories and Memories of the Feminist Film Movement, pp. 383-384 -Betsy Sherman, “Critic’s Tip: Elisabeth Subrin,” The Boston Globe, Mar. 20 -Lia Gangitano, “Transience and Sentimentality,” Institute of Contemporary Art & Stuff Magazine, Boston 1997 -Jaqueline Goss, “Reading Subrin’s Swallow,” ebr7:image & narrative 1996 -Cecilia Dougherty, “No One Said It Would Be Easy,” New Art Examiner -Fred Camper, “Critic’s Choice,” The Chicago Reader,” May 31 -Lawrence Toppman, “Best of film festival’s first week,” Charlotte Observer -Betsy Sherman, “ICA films take playful look at the everyday,” The Boston Globe -Tina Wasserman, “Leah Gilliam/Elisabeth Subrin,” New Art Examiner 1995 -Jonathan Rosenbaum, Review, The Chicago Reader, November 17 -Amy Taubin, “Edgy, Sexy, Cool: Mix 95,” The Village Voice, November 7 -Michelle Loubert, Review, The Link, Concordia, September 26 -Jonathan Rosenbaum, “Critic’s Choice: No More Sweets for You,” The Chicago Reader, May 10Education 1995 MFA, The School of the Art Institute of Chicago, Chicago, IL1990 BFA, Massachusetts College of Art, Boston, MATeaching 2007 – present Assistant Professor, Film and Media Arts Department, Temple University, Philadelphia. PA2006- 2007 Visiting Critic, Yale University School of Art, New Haven, CT 2005.6 Visiting Artist, School of Art, The Cooper Union, New York, NY2006 Visiting Assistant Professor, Bennington College, Bennington VT 2002-05 Visiting Lecturer on Visual and Environmental Studies,, Harvard University, Cambridge, MA 2005 Distinguished Visiting Graduate Professor, Department of Photography and Film, School of the Arts, Virginia Commonwealth University, Richmond, VA2001.2 Visiting Scholar, Center for Media, Culture & History, New York University, New York, NY2001.2 Visiting Assistant Professor in Film/Video, English Department, Amherst College, Amherst, MA1997-01 Visiting Assistant Professor of Film/Video, The Five Colleges, Inc., Amherst, MA. Joint appointment at Amherst & Mount Holyoke Colleges , Amherst, MA1995.97 Adjunct Faculty, Film and Video Departments, First Year Program and MFA Program, The School of the Art Institute of Chicago, Chicago, IL

Elisabeth Subrin

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