<p>Arundhati Roy</p><p>Ahmad, Aijaz. ‘Reading Arundhati Roy Politically’. Frontline (August 8-21, 1997): 103-8. Anand, Divya. ‘Inhabiting the Space of Literature: An Ecocritical Study of Arundhati Roy’s The God of Small Things and O.V. Vijayan’s The Legends of Khasak’. Interdisciplinary Studies in Literature and Environment 12.2 (2005): 95-108. Anker, Elizabeth S. ‘Arundhati Roy’s “Return to the Things Themselves”: Phenomenology and the Challenge of Justice’. Fictions of Dignity: Embodying Human Rights in World Literature (Ithaca: Cornell University Press, 2012): Azam, Naiyer. Arundhati Roy: A New Voice of Feminism (New Delhi: Sarup Book Publishers, 2015). Bahri, Deepika. ‘Geography Is Not History: The Storyteller in the Age of Globalization’. Native Intelligence: Aesthetics, Politics, and Postcolonial Literature (Minneapolis: University of Minnesota P., 2003): 200- 46. Balvannanadhan, Aida. ‘Re-Membering Personal History in The God of Small Things’. 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Dwivedi, A.N., ed. Arundhati Roy’s Fictional World: A Collection of Critical Essays (Delhi: B.R. Publishing Corporation, 2010). Fox, L. Chris. ‘A Martyrology of the Abject: Witnessing and Trauma in Arundhati Roy’s The God of Small Things’. Ariel 33.3-4 (2002): 35-60. Freed, Joanne Lipson. ‘The Ethics of Identification: The Global Circulation of Traumatic Narrative in Silko’s Ceremony and Roy’s The God of Small Things’. Comparative Literature Studies 48.2 (2011): 219-40. Ghosh, Bishnupriya. When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel (New Brunswick and London: Rutgers University Press, 2004): esp. 108-19. Ghosh, Ranjan and Antonia Navarro-Tejero, eds. Globalizing Dissent: Essays on Arundhati Roy (London and New York: Routledge, 2008). Gopal, Priyamvada. ‘Of “Small Things”’. The Indian English Novel: Nation, History, and Narration (Oxford: Oxford University Press, 2009): 155-59. Gqola, Pumla Dineo. ‘“History Was Wrong-Footed, Caught Off Guard”: Gendered Caste, Class and Manipulation in Arundhati Roy’s The God of Small Things’. Commonwealth Essays and Studies 26.2 (2004): 107-19. Harish, Ranjana. ‘Her Body Was Her Own: A Feminist Note on Ammu’s Female Estate’. Explorations: Arundhati Roy’s The God of Small Things. Eds. Indira Bhatt and Indira Nityanandam (New Delhi: Creative, 1999): 42-50. Herrick, Margaret. ‘New Ways of Thinking Recovery from Trauma in Arundhati Roy’s The God of Small Things and Two Other South Indian Narratives of Caste-Based Atrocity’. Interventions 19.4 (2017): 583-98. Jani, Pranav. ‘“Naaley. Tomorrow.” Suffering and Redemption in The God of Small Things’. Decentering Rushdie: Cosmopolitanism and the Indian Novel in English (Columbus: Ohio State University Press, 2010): 191-232. Jha, Karunesh. ‘Voice of Untouchables in Arundhati’s Roy’s The God of Small Things’. Generic Manifolds: Indian Literature since 1950. Ed. O.P. Budholia (New Delhi: Adhyayan Publishers and Distributors, 2008): 51-58. Jha, Surendra Narayan. ‘Dreams Re-Dreamed: A Study of Arundhati Roy’s The God of Small Things’. Indian Women Writers. Ed. R.K. Dhawan (New Delhi: Prestige Books, 2001): 158-71. Kanaganayakam, Chelva. ‘Religious Myth and Subversion in The God of Small Things’. Literary Canons and Religious Identity. Eds. Erik Borgman, Bart Philipsen and Lea Verstricht (Burlington, VT: Ashgate Publishing 2004): 141-49. Karttunen, Laura. ‘A Sociostylistic Perspective on Negatives and the Disnarrated: Lahiri, Roy, Rushdie’. Partial Answers 6.2 (2008): 419-41. Khair, Tabish. Babu Fictions: Alienation in Contemporary Indian English Novels (Oxford: Oxford University Press, 2001): 141-46. Kinsky-Ehritt, Andrea. ‘Arundhati Roy’s The God of Small Things’. Identities and Minorities. Eds. Peter Drexler and Andrea Kinsky-Ehritt (Berlin: Trafo, 2003): 99-122. Lane, Richard J. ‘The Optical Unconscious: Arundhati Roy’s The God of Small Things’. 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The Submerged Plot and the Mother’s Pleasure: From Jane Austen to Arundhati Roy (Columbus: Ohio State University Press, 2016). Menozzi, Filippo. Postcolonial Custodianship: Cultural and Literary Inheritance (London: Routledge, 2014). Mody, Naman. ‘Author-Activism: Philosophy of Dissent in the Writings of Arundhati Roy’. Asiatic 7.1 (2013): 56-72. Mukherjee, A.K. ‘Dark of Heartness Tiptoed into the Heart of Darkness: Arundhati Roy’s The God of Small Things’. Indian Women Writers. Ed. R.K. Dhawan (New Delhi: Prestige Books, 2001): 194-200. Mukherjee, Upamanyu Pablo. ‘The River and the Dance: Arundhati Roy’. Postcolonial Environments: Nature, Culture & the Contemporary Indian Novel in English (Basingstoke: Palgrave, 2010): 82-107. ------. ‘Arundhati Roy: Environment and Uneven Form’. Postcolonial Green. Eds. Boonie Roos and Alex Hunt (Charlottesville: University of Virginia Press, 2010): 7-31. Mullaney, Julie. 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Eaglestone, Robert and Martin McQuillan, eds. Salman Rushdie: Contemporary Critical Perspectives (London: Bloomsbury, 2013). Engblom, P. ‘A Multitude of Voices: Carnivalization and Dialogicality in the Novels of Salman Rushdie’. Reading Rushdie: Perspectives on the Fiction of Salman Rushdie. Ed. M.D. Fletcher (Amsterdam: Rodopi, 1994): 293-304. Erickson, John. Islam and the Postcolonial Narrative: Assia Djebar, Salman Rushdie, Abdelkebir Khatibi, Tahar Ben Jelloun (Cambridge: Cambridge University Press, 1998). Fletcher, M.D., ed. Reading Rushdie: Perspectives on the Fiction of Salman Rushdie (Amsterdam: Rodopi, 1994). Fugmann, N. ‘Situating Postmodern Aesthetics: Salman Rushdie’s Spatial Historiography’. REAL: Yearbook of Research in English and American Literature. Vol. 13, Literature and Philosophy. Ed. H. Grabes (Tübingen: Gunter Narr Verlag, 1997): 333-45. Glage, Liselotte and Ruediger Kunow, eds. ‘The Decolonizing Pen’: Cultural Diversity and the Transnational Imaginary in Rushdie’s Fiction (Trier: Wissenschaftlicher Verlag Trier, 2001). González, Madelena L. ‘Subversion of History and the Creation of Alternative Realities in Salman Rushdie’. Revista Canaria de Estudios Ingleses 28 (1994): 41-51. Goonetilleke, D.C.R.A. Salman Rushdie (London: Macmillan, 1998). Gopal, Priyamvada. ‘Fragmented nations, divided histories: Shame’. The Indian English Novel: Nation, History, and Narration (Oxford: Oxford University Press, 2009): 78-81. Gorra, Michael. After Empire: Scott, Naipaul, Rushdie (Chicago: University of Chicago Press, 1997). Grant, Damien. Salman Rushdie (Plymouth: Northcote House, 1999) Guathier, Timothy S. Narrative Desire and Historical Reparations: A.S. Byatt, Ian McEwan and Salman Rushdie (London and New York: Routledge, 2006). Gurnah, Abdulrazak, ed. The Cambridge Companion to Salman Rushdie (Cambridge: Cambridge University Press, 2007). Hai, Ambreen. Making Words Matter: The Agency of Colonial and Postcolonial Literature (Columbus: Ohio University Press, 2009). Harrison, James. Salman Rushdie (Twayne, 1992). Hassumani, Sabrina. Salman Rushdie: A Postmodern Reading of His Major Works (London: Associated University Presses, 2001). Herwitz, Daniel and Ashutosh Varshney, eds. Midnight’s Diaspora: Critical Encounters with Salman Rushdie (Ann Arbor: University of Michigan Press, 2009). Hume, Kathryn. ‘Taking a Stand While Lacking a Center: Rushdie’s Postmodern Politics’. Philological Quarterly 74.2 (1995): 209-30. Hussain, Nasser. Hyphenated Identity: Nationalistic Discourse, History, and the Anxiety of Criticism in Salman Rushdie’s Shame’. qui parle 3.2 (1989): 1-18. Innes, C[atherine] L[ynette]. The Cambridge Introduction to Postcolonial Literatures in English (Cambridge: Cambridge University Press, 2007). Israel, Nico. 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Kortenaar, Neil ten. ‘Salman Rushdie’s Magic Realism and the Return of Inescapable Romance’. University of Toronto Quarterly 71.3 (2002): 765-85. Král, Françoise. Critical Identities in Contemporary Anglophone Diasporic Literature (Basingstoke: Palgrave Macmillan, 2009). Kumar, Raju. The Yking Companion to Salman Rushdie: Critical Study of the Novels of Salman Rushdie (Jaipur: Yking Books, 2013). Kundu, Ashok Kumar. Eco-Consciousness in the Works of Salman Rushdie (Jaipur: Aadi Publications, 2011). Luburić-Cvijanović and Nina Muždeka. ‘Salman Rushdie from Postmodernism and Postcolonialism to Cosmopolitanism: Toward a Global(ized) Literature’. Critique: Studies in Contemporary Fiction 57.4 (2016): 433-47. Majumdar, Gaurav. Migrant Form: Anti-Colonial Aesthetics in Joyce, Rushdie and Ray (New York, Bern, Berlin: Peter Lang, 2010). Maurer, Yael. The Science Fiction Dimensions of Salman Rushdie (London: McFarland, 2013). McGee, Patrick. ‘…and the Other Modernism: From Conrad to Rushdie’. Telling the Other: The Question of Value in Modern and Postcolonial Writing (Ithaca and London: Cornell University Press, 1992): 116- 46. Morrison, Jago. Contemporary Fiction (London and New York: Routledge, 2003). Morton, Stephen. Salman Rushdie (London: Palgrave Macmillan, 2008). Nair, Bhaya Rukmini. ‘Text and Pre-Text: History as Gossip in Rushdie’s Novels’. Economic and Political Weekly 24.18 (1989): 994-1000. Needham, Anuradha Dingwaney. ‘The Politics of Post-Colonial Identity in Salman Rushdie’. Massachusetts Review 26.4 (1988-89): 609-24. Parameswaran, Uma. ‘Handcuffed to History: Salman Rushdie’s Art’. Ariel 14 (1983): 34-45. ------. The Perforated Sheet: Essays on Salman Rushdie’s Art (New Delhi: Affiliated East-West Press, 1988). Pathak, R.S. ‘History and the Individual in Salman Rushdie’s Novels’. Modern Indian Novel in English (New Delhi: Creative Books, 1999): 114-33. ------. ‘Rushdie on the Novel and Novelists’. Modern Indian Novel in English (New Delhi: Creative Books, 1999): 134-46. Petersson, Margareta. Unending Metamorphoses: Myth, Satire and Religion in Salman Rushdie’s Novels (Lund: Lund University Press, 1996). Rajeshwar Mittapalli and Joel Juortti eds. Salman Rushdie: New Critical Insights. 2 vols. (New Delhi: Atlantic Publishers, 2003). Ramachandran, C.N. ‘Critical Response to Rushdie’. Writers of the Indian Diaspora. Ed. R.K. Dhawan (New Delhi: Prestige, 2001): 27-35. Ramone, Jenni. Salman Rushdie and Translation (London: Bloomsbury, 2013). Rao, M.M. ‘Time and Timelessness in Rushdie’s Fiction’. The Commonwealth Review 1.2 (1990): 135-45. Ray, Mohit K. and Rama Kundu, eds. Salman Rushdie: Critical Essays (New Delhi: Atlantic Publishers, 2014). Rubinson, Gregory J. The Fiction of Rushdie, Barnes, Winterson and Carter: Breaking Cultural and Literary Boundaries in the Work of Four Postmodernists (McFarland, 2005). Rushdie, Salman. Imaginary Homelands: Essays and Criticism, 1981-1991 (London: Granta; New York: Viking, 1991). Sabharwal, Aditya. Critical Interpretation of Salman Rushdie (New Delhi: Wisdom Press, 2013). Sanga, Jaina C. Salman Rushdie’s Postcolonial Metaphors: Migration, Translation, Hybridity and Globalization (Westport, CT: Greenwood Press, 2001). Spearey, Susan. ‘Dislocations of Culture: Unhousing and the Unhomely in Salman Rushdie’s Shame’. Postcolonizing the Commonwealth: Studies in Literature and Culture. Ed. Rowland Smith (Waterloo: Wilfrid Laurier University Press, 2000): 167-80. Srivastava, Aruna. ‘“The Empire Writes Back”: Language and History in Shame and Midnight’s Children’. Past the Last Post: Theorising Post-Colonialism and Post-Modernism. Eds. Ian Adam and Helen Tiffin (New York: Harvester Wheatsheaf, 1991): 65-78. Stadtler, Florian. Fiction, Film, and Indian Popular Cinema: Salman Rushdie’s Novels and the Cinematic Imagination (London and New York: Routledge, 2013). Suleri, Sara. ‘Salman Rushdie: Embodiments of Blasphemy, Censorships of Shame’. The Rhetoric of English India (Chicago: University of Chicago Press, 1992): 174-206. Swain, Baijayanti. Critical Analysis of Salman Rushdie’s Novels (Nagpur: Dattsons, 2016). Taneja, T.R. ed. The Novels of Salman Rushdie (New Delhi: Prestige, 1992). Teverson, Andrew. ‘Salman Rushdie and Aijaz Ahmad: Satire, Ideology and Shame’. Journal of Commonwealth Literature 39.2 (2004): 45-60. ------. Salman Rushdie (Manchester: University of Manchester Press, 2007). Thiara, Nicole Weickgenannt. Salman Rushdie and Indian Historiography: Writing the Nation into Being (Houndmills: Palgrave Macmillan, 2009). Trousdale, Rachel. Nabokov, Rushdie, and the Transnational Imagination: Novels of Exile and Alternate Worlds (New York: Palgrave Macmillan, 2010). Upstone, Sara. Spatial Politics in the Postcolonial Novel (Abingdon: Ashgate, 2009). ------. ‘(In)fusion and the “Postcolonial”: Salman Rushdie’s Shame as Ethical-Political Fiction’. Romancing Theory, Riding Interpretation: (In)Fusion Approach, Salman Rushdie. Ed. Ranjan Ghosh (New York: Peter Lang, 2012).</p><p>Interviews:</p><p>Chauhan, Pradyumna S., ed. Salman Rushdie Interviews: A Sourcebook of His Ideas (London: Greenwood Press, 2001). Nasta, Shusheila, ed. Writing Across Worlds: Contemporary Writers Talk (London and New York: Routledge, 2004).</p>