Uva-DARE (Digital Academic Repository)

Uva-DARE (Digital Academic Repository)

UvA-DARE (Digital Academic Repository) [Review of: W. Werkmeister (1983) Quellenuntersuchungen zum Kitab al-'Igd al- farid des Andalusiers Ibn 'Abdrabbih (246/869-328/940): ein beitrag zur Arabischen literaturgeschichte] Schippers, A. Publication date 1985 Document Version Final published version Published in Bibliotheca Orientalis Link to publication Citation for published version (APA): Schippers, A. (1985). [Review of: W. Werkmeister (1983) Quellenuntersuchungen zum Kitab al-'Igd al-farid des Andalusiers Ibn 'Abdrabbih (246/869-328/940): ein beitrag zur Arabischen literaturgeschichte]. Bibliotheca Orientalis, 42, 727-732. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:05 Oct 2021 727 BIBLIOTHECA ORIENTALIS XLII N" 5/6, September-November 1985 728 Walter WERKMEISTER, Quellenuntersuchungen zirni the Prophet's Companions and their direct successors. Lost Kitab al-'Iqd al-farid des Andalusiers Ibn 'Abdrabbih isndds can be reconstructed from later works. At first his (246/860-328/940), Ein Beitrag zur arabischen Litera- thesis was limited to the domain of traditions of the turgeschichte, Berlin, Klaus Schwarz, 1983, (21 cm., Prophet. Later on he also applied his theory to the fields 551 pp.) = Islamkundliche Untersuchungen, Band 70. of history and poetry (thus furnishing counter-arguments ISBN 3-922968-24-4. against possible theories of exclusive oral composition of Arabic poetry). This book, originally a dissertation at the Johann Wolf­ Sellheim does not agree with the position of Sezgin, gang Goethe University in Frankfurt am Main (1977), and and is of the opinion that the learned men at the end of the enlarged in the present edition with additional sections, eighth and the beginning of the ninth century AD did not deals with the sources of the Kitab al-'Iqd al-farid of the base their material on existing writings, and their works Andalusian author Ibn 'Abd Rabbih, who lived in the are only partially extant in writing in the form of lecture second half of the ninth and the beginning of the tenth notes and dictation cahiers by their students and pupils. century AD. The book belongs to the so-called adab- works, defined by Hilary Kilpatrick as follows: 'The adab In the present work Werkmeister wants to follow the encyclopedia is a work designed to provide a basic knowl­ starting point of Sellheim, and tries to show that also at edge in those domains with which the average cultured the end of the ninth century AD and the beginning of the man may be expected to be acquainted (UEAI, 10th Con­ tenth, oral tradition had not yet lost its significance apart gress, Edinburgh, 1980, Proceedings, ed. by R. Hillenbrand, from written sources'. The written sources may not have 1982 pp. 34-42: H. Kilpatrick, 'The Adab Encyclopedia: played such an important role in compiling the 'Iqd. He A genre in classical Arabic literature'.). wants to compare the versions of the different traditions and sections of the '/^^ with the versions in previous works, Giving examples of this kind of works, she says: 'The also looking at the persons to whom traditions in certain best-known example of an adab encyclopedia is Ibn 'Abd fields are usually ascribed and examining loose traditions Rabbih's Al-'Iqd al-farid, but it is not unique. It is indebted and groups of traditions according to their chains of to Ibn Qutayba's 'UyQn al-akhbdr, probably the first in the deliverers (isndds). genre, and a number of later writers imitated its author's intention, though not in its exact form'. In this last sentence Also he wants to consider the relations of Ibn 'Abd she already states a certain dependence of the 'Iqd on Ibn Rabbih with the educational traditions, i.e. what he heard Qutayba's 'UyUn which she considers as one of its sources. from his teachers and informants. The difficulty is, how­ In Werkmeister's words adab literature not only serves as ever, that Ibn "Abd Rabbih has a great dislike for men­ edifying and entertaining literature, but also as a systematic tioning the isndd of a tradition. This attitude of his is very recapitulation of common general and special knowledge different from that of the compiler of the Kitab al-Aghdni, expected from a cultivated Muslim secretary. who seems to have had a special predilection for mentioning isndds (sometimes as a kind of literary device perhaps: The authors of adab works were compilators who col­ Dr. Khayrallah declares for instance on Isbahani's section lected traditions and texts from religious and profane about Majnun that the isndd should be considered on sciences. In choosing texts and traditions, every individual occasion as a literary, not as an historiographical device)'). compilator followed his own preferences, according to Whereas the sources of the Aghdni are clearly given in individual, political, religious or other factors in his time. exhaustive isndds and consequently examined by scholars In this study the author wants to investigate, to what like Blachere, Zolondek and Fleischhammer, isndds are extent Ibn 'Abd Rabbih made use of in manuscript existing often missing in Ibn 'Abd Rabbih's work. This fact was works and to what extent he bases himself on the living already recognized by Hilary Kilpatrick, who observes educational tradition (the 'seances' or majdlis) in compiling (ibid., p. 36): 'Less of a scholar than his model [Ibn his 'Iqd. Qutayba's 'Uyun, rev.], Ibn 'Abd Rabbih leaves out isndds Werkmeister chose the 'Iqd for his research of the way for fear of boring his audience and provides much sketchier in which Arabic learning and scientific traditions were introduction for his information'. passed on to following generations, in view of the fact that the problem of the dependence of the 'Iqd on earlier So Werkmeister has a more difficult job to do in deter­ works like Ibn Qutayba's 'Uyun and Jahiz's Al-Baydn mining the sources of this work, and thus he gives a wa-t-Tabyin, was posed earlier, although these works could contribution to the study of tradition and education, as not be considered as direct sources of the 'Iqd. This was to what extent the material was handed down orally and also the case with another work from the same time as to what extent by means of written sources. the 'Iqd, namely Mubarrad's Kdmil. As far as the question of oral or written transmission is So a well-known problem posed itself: to what extent concerned, especially with regard to the early Islamic was there an effective oral tradition of learning, and to period, the last word has not been said yet. The problem what extent was that tradition based on written sources. will from now on have the attention of the scholars, as The question about oral tradition was dealt with i.a. by has been shown again recendy by Schoeler's paper at the Blachere in the fifties and by Sezgin in the seventies. 12th Congress of the U.E.A.I. about 'Die Frage der schrift- According to Blachere oral traditions were fixed in writing lichen oder miindlichen Uberlieferung der Wissenschaften only in the beginning of the ninth century AD and also im friihen Islam' (Malaga, 1984). in this century traditions of learned men were often com­ pleted by the oral traditions of their students. ') Cf. Asad E. Khairallah. Love, Madness, and Poetry, An Interpre­ According to Sezgin however, fixation of oral traditions tation of the Maunun Legend, Beiruter Texte und Studien, Bd. 25, began much earlier, namely as early as at the time of Beirut/Wiesbaden, 1980, p. 54. 729 BOEKBESPREKINGEN — ARABICA - ISLAM 730 The present work gives a good insight in the later tradi­ mitters of traditions are divided into groups. The author tion of science and literature, especially in Muslim Spain. comes thereupon i.a. to the following conclusions: In In his introduction Werkmeister gives an expose of the compiling his 'Iqd, Ibn 'Abd Rabbih draws largely upon object of his research and the different problems connected learned men from the ninth/tenth century, especially philo­ with the oral and written scientifical transmission within logists but also others like al-'Utbi, al-Mada'ini, and Ibn the framework of the educational system. He gives a defini­ Abi Shayba as well as authors like Ibn Qutayba, al-Jahiz, tion of an adab work, quotes briefly the point of view of and al-Mubarrad. Among the few Andalusian authorities Sezgin and Sellheim (both from Frankfurt) about how on which Ibn 'Abd Rabbih based his traditions, must be these traditions were handed down, why he chooses the mentioned al-Khushani, his teacher, and Abu-1-Yusr ash- 'Iqd of Ibn 'Abd Rabbih, and the less frequent occurrence Shaybani, presumably the author of Ar-Riidla al-'Adhrd\ of the isndd in this work as compared to Isbahani's Aghdni The author studies in this chapter furthermore the and Ibn Qutayba's 'Uyun (pp.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    4 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us