<p> YALE UNIVERSITY DEPARTMENT OF THE HISTORY OF ART Dissertations in Progress As of December 31, 2015</p><p>ARCHITECTURAL HISTORY/HISTORIC PRESERVATION Lauritano, Steven, "Embedded Remnants in Modern Architecture: Karl Friedrich Schinkel and the Historiography of Remains" (Yale University, C. Wood, S. Zeidler)</p><p>Zirnheld, Bernard. “Fin de Siècle, Fin du Régime: Republican Architecture and Planning in the Rue Réaumur” (Yale University, C. Armstrong) </p><p>ART OF THE MIDDLE EAST/NORTH AFRICA Rahimi-Golkhandan, Shabnam, “The Photograph’s Shabih-Kashi (Verisimilitude) – The Liminal Visualities of Late Qajar Art (1853-1911) (Yale University, K. Rizvi)</p><p>ART OF THE UNITED STATES Abrams, Matthew, "Alternate Modernity: From Aby Warburg to Agnes Martin" (Yale University, D. Joselit)</p><p>Bass, Nicole, “’The Shade of Private Life’: The Right to Privacy and the Press in Turn-of-the- Century American Art” (Yale University, E. Cooke, Jr)</p><p>Corcoran, Eloise, “Chalk-Talking”: Blackboards, Slates, and the Technology of Erasure in 19th Century American Visual Culture” (Yale University, E. Cooke, Jr)</p><p>Dibble, Rebecca, “Making the War: Materiality and Memory in the American Civil War” (Yale University, E. Cooke, Jr)</p><p>Korobkin, Rachel, “Sculptural Bodies of the Great Depression” (Yale University, E. Cooke)</p><p>Lee, KeyJo, “Melancholic Materiality: History and the Unhealable Wound in African American Photographic Portraits, 1850-1877” (Yale University, K. Mercer)</p><p>Lynford, Sophie, “Painting Dissent: The Pre-Raphaelite Experiment in America” (Yale University, T. Barringer, J. Raab)</p><p>Miller, Sequoia, “Come Together: Conceptual and Studio Craft in the 1960’s and 1970’s” (Yale University, E. Cooke, Jr.)</p><p>Meyer, Don, “Firgues of Refinement: Art and Steel in Pittsburgh’s Gilded Age”, (Yale University, A. Nemerov)</p><p>Roland, S. Zelda, “Hollywood Stockyards: People and Places in the Background of Classical Hollywood” (Yale University, J.D. Connor)</p><p>Sackeroff, Samuel, “The Liberal Image” (Yale University, S. Zeidler)</p><p>Situ, Xiao, "Emily Dickinson's Window Culture, 1830-1886" (Yale University, A. Nemerov, E. Cooke, Jr.)</p><p>1 CHINESE ART Cho, Yong, “Approaches to Materiality and Flatness: Mongol Imperial Patronage of Buddhist Art in Yuan China (1279-1368)” (Yale University, Y. Kim)</p><p>Yeung, Ingrid, "On Plainness: Plain Bronze Vessels from Yinxu Burials (ca. 1250-1046 BCE)" (Yale University, A. Underhill, Y. Kim)</p><p>DECORATIVE ARTS/TEXTILES/DESIGN HISTORY Carr, Dennis, “Early Furniture Making in the Narragansett Basin, 1636-1740” (Yale University, E. Cooke, Jr.)</p><p>Dibble, Rebecca, “Making the War: Materiality and Memory in the American Civil War” (Yale University, E. Cooke, Jr)</p><p>Peterson, Laurel O., "The Decorated Interior: Artistic Production in the British Country House, 1688–1745" (Yale University, T. Barringer)</p><p>DRAWINGS/PRINTS/PHOTOGRAPHY/WORKS ON PAPER Adams, Harrison, "Photography in the First Person: Peter Hujar, Robert Mapplethorpe, Nan Goldin and Sally Mann." (Yale University, C. Armstrong)</p><p>Frier, Sara, “Unbearable Witness: Body Deformity in Artistic Theory and Practice in the Northern Renaissance” (Yale University, N. Suthor)</p><p>Koguciuk, Jakub, “Pastoral as Genre and Method: Nature and the Environment in Northern Italian Painting, ca. 1490 – 1530” (Yale University, R. Nelson)</p><p>Sands, Audrey, “Zones of Contention: Lisette Model and Creative Photography in Mid Twentieth-Century America” (Yale University, C. Armstrong)</p><p>EARLY CHRISTIAN/BYZANTINE ART Breidenthal, Magdalene, “Leaving 'Heaven on Earth': The Visual Coding of Byzantine Church Exits, 900-1200” (Yale University, R. Nelson) </p><p>Coyle, Alexander, “Frame and Format between Byzantium and Central Italy, 1200-1300” (Yale University, R. Nelson)</p><p>Freeman, Evan, “Ritual Object, Ritual Space: Art, Agency, and Performance in Middle Byzantine Liturgy,” (Yale University, R. Nelson)</p><p>Rodriguez, James A., "An Image and Its Contexts: Bilateral Icons in Byzantium and Early Modern Orthodoxy" (Yale University, R. Nelson)</p><p>Sullo, Nicole Paxton, “The Art of Memory in Byzantium during the Later Middle Ages” (Yale University, R. Nelson)</p><p>EARLY MEDIEVAL/ROMANESQUE/GOTHIC ART Cornett, Maren, “Or dient les images (Now the Images Speak): Visual Narrative in BN fr. 95” (Yale University, R. Nelson, R.H. Bloch)</p><p>2 Dechant, D. Lyle. " 'daz wir ein ander vinden fro': Readers and Performers of the Codex Manesse" (Yale University, J. Jung)</p><p>Oing, Michelle, “The Reliquary and the Puppet: Visual and Kinetic Mimesis in Medieval and Early Modern Sculpture,” (Yale University, J. Jung)</p><p>Platts, Christopher, "Lingua lagunare: Paolo Veneziano (active 1310-1358) and the Development of Venetian Gothic Painting" (Yale University, R. Nelson, L. Kanter) [the words "Lingua lagunare" in the title of my dissertation should be in italics]</p><p>Sullo, Nicole Paxton, “The Art of Memory in Byzantium during the Later Middle Ages” (Yale University, R. Nelson)</p><p>Verrot, Trevor, “Sculpted Lamentation Groups in the Late Medieval Veneto” (Yale University, J. Jung)</p><p>EIGHTEENTH-CENTURY ART Morrison, Alexandra, “Copying at the Louvre,” (Yale University, C. Armstrong)</p><p>Brandner, Christine, “The Enlightenment Hall of Mirrors: Jean-Etienne Liofard's Portraits between Truth and Grace” (Yale University, N. Suthor)</p><p>Peterson, Laurel O., "The Decorated Interior: Artistic Production in the British Country House, 1688–1745" (Yale University, T. Barringer)</p><p>FILM/VIDEO Ahern, Mallory, “Flickers, Loops, Dots, Stacks, and Tracings: Cinematic Devices and the Technical Image, 1960-1975,” (Yale University, F. Casetti, C. Buckley)</p><p>Dootson, Kirsty, “Industrial Color: Chromatic Technologies in Britain (1856-1971),” (Yale University, T. Barringer, K. Trumpener)</p><p>Roland, S. Zelda, “Hollywood Stockyards: People and Places in the Background of Classical Hollywood” (Yale University, J.D. Connor)</p><p>Vielkind, Andrew, “In Media Res: Experimental Cinema and Tenoscience During the Cold War Period: Experimental Cinema and Tenoscience During the Cold War Period” (Yale University, JD Connor)</p><p>GREEK/ROMAN ART Laferrière, Carolyn, "The Complex Sensations of Divine Music in Archaic and Classical Greek Art" (Yale University, M. Gaifman)</p><p>JAPANESE/KOREAN ART Luterbacher, Sam, “Adrift: Portable Objects Between Iberia and Japan” (Yale University, M. Yiengpruksawan) </p><p>LATIN AMERICAN/CARIBBEAN ART Cordero, Karen, "The Invention of Popular Art: A Paradigm for the Construction of Mexican Visual Culture, 1915-1940” (Yale University, M. Miller)</p><p>3 Sessions, Emily, “Representations of Caribbean Nature in the Mid-Nineteenth Century”, (Yale University, T. Barringer)</p><p>NINETEENTH-CENTURY ART Gass, Izabel, “Painted Thanatologies: Théodore Géricault Against the Aesthetics of Life” (Yale University, C. Armstrong)</p><p>Lauritano, Steven, "Embedded Remnants in Modern Architecture: Karl Friedrich Schinkel and the Historiography of Remains" (Yale University, C. Wood, S. Zeidler)</p><p>Lee, Key Jo, “Melancholic Materiality: History and the Unhealable Wound in African American Photographic Portraits, 1850-1877” (Yale University, K. Mercer)</p><p>Lum, Julia, “A Traveling Art: Intersecting Visual and Material Histories of the Pacific, 1788-1848” (Yale University, T. Barringer)</p><p>Lynford, Sophie, “Painting Dissent: The Pre-Raphaelite Experiment in America” (Yale University, T. Barringer, J. Raab)</p><p>Morrison, Alexandra, “Copying at the Louvre,” (Yale University, C. Armstrong)</p><p>Phillips, Laura, “Adolph Menzel's Language Games,” (Yale University, T. Barringer, N. Suthor)</p><p>Rahimi-Golkhandan, Shabnam, “The Photograph’s Shabih-Kashi (Verisimilitude) – The Liminal Visualities of Late Qajar Art (1853-1911) (Yale University, K. Rizvi)</p><p>Sessions, Emily, “Representations of Caribbean Nature in the Mid-Nineteenth Century”, (Yale University, T. Barringer)</p><p>Situ, Xiao, "Emily Dickinson's Window Culture, 1830-1886" (Yale University, A. Nemerov, E. Cooke, Jr.)</p><p>Zirnheld, Bernard, “Fin de Siècle, Fin du Régime: Republican Architecture and Planning in the Rue Réaumur” (Yale University, C. Armstrong)</p><p>OCEANIC/AUSTRALIAN ART Lum, Julia, “A Traveling Art: Intersecting Visual and Material Histories of the Pacific, 1788-1848” (Yale University, T. Barringer)</p><p>PERFORMANCE/INSTALLATION STUDIES Woolsey, Caitlin, “Metabolic Archive: Henri Chopin and the Sounding of Collage in Postwar Paris,” (Yale University, C. Buckley)</p><p>PRE-COLUMBIAN ART Terry, James, “Signifying Architecture: Maya Architecture of Chicanna and the Central Yucatan” (Yale University, M. Miller)</p><p>RENAISSANCE/BAROQUE ART</p><p>4 Frier, Sara, “Unbearable Witness: Body Deformity in Artistic Theory and Practice in the Northern Renaissance” (Yale University, N. Suthor)</p><p>Koguciuk, Jakub, “Pastoral as Genre and Method: Nature and the Environment in Northern Italian Painting, ca. 1490 – 1530” (Yale University, R. Nelson)</p><p>Luterbacher, Sam, “Adrift: Portable Objects Between Iberia and Japan” (Yale University, M. Yiengpruksawan) </p><p>Oing, Michelle, “The Reliquary and the Puppet: Visual and Kinetic Mimesis in Medieval and Early Modern Sculpture,” (Yale University, J. Jung)</p><p>Platts, Christopher, "Lingua lagunare: Paolo Veneziano (active 1310-1358) and the Development of Venetian Gothic Painting" (Yale University, R. Nelson, L. Kanter) [the words "Lingua lagunare" in the title of my dissertation should be in italics]</p><p>SOUTH/SOUTHEAST ASIAN ART Stein, Emma Natalya, "All Streets Lead to Temples: Mapping Monumental Histories in Kanchiparam, ca. 690-1199 CE" (Yale University, T. Sears)</p><p>TWENTIETH-CENTURY ART Abrams, Matthew, "Alternate Modernity: From Aby Warburg to Agnes Martin" (Yale University, D. Joselit)</p><p>Adams, Harrison, "Photography in the First Person: Peter Hujar, Robert Mapplethorpe, Nan Goldin and Sally Mann" (Yale University, C. Armstrong)</p><p>Ahern, Mallory, “Flickers, Loops, Dots, Stacks, and Tracings: Cinematic Devices and the Technical Image, 1960-1975,” (Yale University, F. Casetti, C. Buckley)</p><p>Borgen, Maibritt, “Some of My Basic Assumptions: The Art of Öyvind Fahlström 1952-1976” (Yale University, D. Joselit)</p><p>Demby, Nicole, “"World on View: Images of Internationalism and The Work of Art as Global Medium, 1945-1960"” (Yale University, M. Gaifman)</p><p>Dootson, Kirsty, “Industrial Color: Chromatic Technologies in Britain (1856-1971),” (Yale University, T. Barringer, K. Trumpener)</p><p>Korobkin, Rachel, “Sculptural Bodies of the Great Depression” (Yale University, E. Cooke)</p><p>Miller, Sequoia, “Come Together: Conceptual and Studio Craft in the 1960’s and 1970’s” (Yale University, E. Cooke, Jr.)</p><p>Riordan, Lindsay, “Art and Objectlessness: The Precarity of the Russian Avant-Garde, 1913- 1928” (Yale University, S. Zeidler)</p><p>Sackeroff, Samuel, “The Liberal Image” (Yale University, S. Zeidler)</p><p>Sands, Audrey, “Zones of Contention: Lisette Model and Creative Photography in Mid Twentieth-Century America” (Yale University, C. Armstrong)</p><p>5 Spaulding, Daniel, "No Experiments: Art in the Federal Republic of Germany, 1968-1989" (Yale University, D. Joselit)</p><p>Woolsey, Caitlin, “Metabolic Archive: Henri Chopin and the Sounding of Collage in Postwar Paris,” (Yale University, C. Buckley)</p><p>VISUAL STUDIES/CRITICAL THEORY/GENDER STUDIES Borgen, Maibritt, “Some of My Basic Assumptions: The Art of Öyvind Fahlström 1952-1976” (Yale University, D. Joselit)</p><p>WORLD ART Cho, Yong, “Approaches to Materiality and Flatness: Mongol Imperial Patronage of Buddhist Art in Yuan China (1279-1368)” (Yale University, Y. Kim)</p><p>Demby, Nicole, “"World on View: Images of Internationalism and The Work of Art as Global Medium, 1945-1960"” (Yale University, M. Gaifman)</p><p>Stein, Emma Natalya, "All Streets Lead to Temples: Mapping Monumental Histories in Kanchiparam, ca. 690-1199 CE" (Yale University, T. Sears)</p><p>6</p>