Eng 2850 Fall 2013 Smith

Eng 2850 Fall 2013 Smith

<p> Eng 2850 fall 2013 Smith A Model of Thesis Development: How Asking the “So What?” Questions Makes a Thesis a (More Interesting) Thesis</p><p>In “A Carcass,” Baudelaire links female sexuality and death.</p><p>Okay. Yeah. Pretty obvious. So what? What’s the impact, message, meaning behind this linkage?</p><p>Hmmm… How about, In “A Carcass,” Baudelaire links female sexuality and death, thereby challenging Petrarchan notions of female purity as the ideal.</p><p>Ummm, yeah, and…? I’m still thinking, so what? </p><p>In “A Carcass,” Baudelaire links female sexuality and death, thereby challenging Petrarchan notions of female purity as the ideal. In doing so, Baudelaire provocatively suggests that the baseness, ugliness, and messiness of sex and female sexuality should be elevated instead of the classical female ideal, which is unreachable and forces women to face an impracticable challenge: be something you can’t possibly (or sustainably) be. By undoing the classical ideal, Baudelaire frees women to take on other sorts of more manageable challenges.</p><p>Okay, yeah, getting interesting. Now you’re on to something!</p><p>And say this were the thesis of an essay you were writing on “The Carcass.” Where could you go with the above statement by your conclusion? You’ve got to take it somewhere—because the best essays start off with a sharp thesis but still have somewhere to GO, they still evolve through the presentation of strong evidence and insightful analysis.</p><p>Well…</p><p>So, even though the portrayal of the carcass is so in-your-face and aggressive as to cause a reader’s discomfort—even though the portrayal reads, in places, like an attack on women and seems to border on misogyny—in fact, Baudelaire’s imagery releases women from the real misogyny of unrealistic ideals for feminine behavior. Baudelaire poetically elevates the potential ugliness of female sexuality, acknowledges its connection to death, and still links it to classical Petrarchan images: “Oh sun…and star…my angel in one!” (39-40). In this way, he represents— even honors—a fuller female identity and potential. At all stages of life (and death); in all postures and moments of weakness; even freed from the clothing, makeup, hairstyle of the moment, and other costumes created to sanitize unruly femininity: even in all these states of undoing, women are worthy muses.</p>

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    1 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us