<p> Bishops Music Department</p><p>June 2015 Grade 11 Harmony and Theory Exam 70 Marks</p><p>Name: ______</p><p>Instructions: Answer all questions in pencil. Answer all questions on this paper. Write neatly and accurately, illegible answers will be marked incorrect.</p><p>Question one</p><p>Study the extract below from (German Dance by Haydn) and answer the questions that follow. </p><p>10 marks</p><p>1.1 What compositional device is used in the first and second sections of this piece?</p><p>Answer: ______1 mark</p><p>1.2 Name the non-chordal note C in bar 2 beat 1.</p><p>Answer: ______1 mark 1.3 Find an example of an accented passing note in the left hand. Mark on the score. 1 mark</p><p>1.4 Analyse the chords in bar 15. Mark on the score. 2 marks</p><p>1.5 Name the key in bars 11 – 12.</p><p>Answer: ______1 mark</p><p>1.6 What form of scale is used in 1.5?</p><p>Answer: ______1 mark</p><p>1.7 Name the intervals found in the score:</p><p>1.7.1 Bar 1</p><p>Answer: ______1 mark</p><p>1.7.2 Bar 3</p><p>Answer: ______1 mark</p><p>1.8 Write the third inversion of the chord in bar 7 beat 3 in the treble clef. 1 mark Use semi-breves. Question two</p><p>Complete the following motif to form a 12 bar melody in ternary form.</p><p>Indicate your choice of voice/instrument and add appropriate dynamics, phrasing and articulation.</p><p>Voice/Instrument ______15 marks</p><p>The melody will be marked according to the following guidelines:</p><p>DESCRIPTION MARK ALLOCATION CANDIDATE’S MARK Form and cadential points 3 Musicality: melodic shape and climax 7 Dynamics and articulation 2 Correctness of notation: no. of bars, note stems, beats per bar, accidentals, spacing 3 TOTAL 15 Question three</p><p>Write the following scales and mark all semitones. 20 marks</p><p>3.1 In the bass clef, the blues scale on Bb ascending without key signature. Write in a compound triple time of two bars. 4 marks</p><p>3.2 In the treble clef, c melodic minor ascending and descending with key signature. Write in simple triple time of four bars. Begin with an upbeat. 6 marks</p><p>3.3 Identify the scale on which each melody below is based. 10 marks</p><p>6 marks</p><p>Scale: ______</p><p>Scale: ______</p><p>Scale: ______</p><p>Scale: ______Scale: ______</p><p>Question four 25 marks</p><p>Complete the four-part harmonization by adding suitable chords. Show all your figuring. Include:</p><p>6 4.1 a passing 4 progression</p><p>4.2 the dominant quartad in 3rd inversion</p><p>6 4.3 a cadential 4 progression</p><p>4.4 the supertonic and submediant chords</p><p>4.5 two chords in 1st inversion</p><p>Non-chordal notes. </p>