<p> Curriculum Vitae Bernadine Barnes</p><p>Art Department, Wake Forest University Box 7232 Reynolda Station Winston-Salem, NC 27109 [email protected]</p><p>Employment 1989-present Wake Forest University, full professor since 2008</p><p>Education 1981.1986 University of Virginia, Ph.D. with distinction, 1986 1979-1981 University of Pittsburgh, M.A., 1981 1970-1973 University of Illinois, Urbana-Champaign, B.A. with high honors</p><p>Research Grants 2003 NEH Summer Stipend 2003, 2004 Mellon Foundation Grants for course development 1988-1989 ACLS Fellowship for Recent Recipients of the Ph.D. 1988 Andrew W. Mellon Fellowship for research travel 1983-1984 Fulbright Fellowship for dissertation research</p><p>Publications</p><p>Books and Catalogues</p><p> Michelangelo in Print: Reproductions as Response in the Sixteenth Century (Farnham, England; Burlington, VT: Ashgate Publishing, 2010).</p><p> Michelangelo's Last Judgment: The Renaissance Response (Berkeley: University of California Press, 1998). </p><p> EVA / AVE: Women in Renaissance and Baroque Prints (Washington and New York, 1990). Co-author with H. Diane Russell.</p><p>Articles: </p><p> “The Understanding of a Woman: Vittoria Colonna and Michelangelo’s Christ and the Samaritan Woman,” submitted to Renaissance Studies.</p><p> “Skin, Bones, and Dust: On the Self-Portraits in Michelangelo’s Last Judgment,” Sixteenth Century Journal, 35 (2004), 969-986.</p><p> "Aretino, the Public, and the Censorship of the Last Judgment," in Suspended Licenses: Studies in Censorship and the Visual Arts, ed. Elizabeth Childs (Seattle: University of Washington Press, 1997), 59-84.</p><p> "Metaphorical Painting: Michelangelo, Dante, and the Last Judgment," Art Bulletin 77 (1995), 64-81. http://www.jstor.org/stable/3046080  "A Lost Modello for Michelangelo's Last Judgment," Master Drawings 26 (1988), 239-248. Reprinted in Michelangelo: Selected Scholarship in English, ed. William E. Wallace (Hamden CT: Garland Publishing). http://www.jstor.org/stable/1553898</p><p>Reviews (selected)</p><p> Review of Sister Giustina Niccolini, The Chronicle of Le Murate, edited and translated by Saundra Weddle, in The European Legacy scheduled to appear June, 2013</p><p> Review of Leonard Barkan, Michelangelo: A Life on Paper, in The European Legacy scheduled to appear June, 2012.</p><p> Review of James A. Connor, The Last Judgment: Michelangelo and the Death of the Renaissance, in The European Legacy, 16:3 (2011), 404.</p><p> Review of Heinrich W. Pfeiffer, S.J., The Sistine Chapel: A New Vision, in Renaissance Quarterly, 62 (2009), 525–526. </p><p> Review of Jonathan K. Nelson and Richard J. Zeckhauser, The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art on EH.net, Economics History Association, 2009. http://eh.net/bookreviews/library/1396. </p><p> Review of Raymond B. Waddington, Aretino’s Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art, in Modern Philology, 106 (2008), 153-156.</p><p> Review of Patricia Emison, The Simple Art: Printed Images in an Age of Magnificence, and Michael Cole (ed.), The Early Modern Painter-Etcher, in Sixteenth Century Journal, 39 (2008), 580-581.</p><p> Review of Fredrika H. Jacobs, The Living Image in Renaissance Art, in Renaissance Quarterly, 59 (2006), 499-500. </p><p> Review of Francis Ames-Lewis and Paul Joannides, eds., Reactions to the Master: Michelangelo’s Effect on Art and Artists in the Sixteenth Century, in Renaissance Quarterly, 57(2004), 993-995.</p><p> Review of Evelyn Lincoln, The Invention of the Renaissance Printmaker, in Isis: The Journal of the History of Science, 92 (2001), 601-602.</p><p> Review of William Wallace, Michelangelo: The Complete Painting, Sculpture, and Architecture, in CAA Reviews (2000), http://www.caareviews.org/reviews/wallace.html</p><p> Review of James Beck, et al., Michelangelo: The Medici Chapel; Paul Barolsky, The Faun in the Garden; William Wallace, Michelangelo at San Lorenzo; and Creighton Gilbert, On and Off the Sistine Ceiling, in Art Bulletin, 77 (1995), 683-685. </p><p> Review of John Shearman, Only Connect: Art and the Spectator in the Italian Renaissance, in Sixteenth Century Journal 23 (1992), 802-803.</p><p> Review of James M. Saslow, The Poetry of Michelangelo: An Annotated Translation, in Renaissance Quarterly, 45 (1992), 562-564. Scholarly Presentations and Lecture Series (selected)</p><p> “The Understanding of a Woman: Vittoria Colonna and Michelangelo’s Christ and the Samaritan Woman,” Sixteenth Century Studies Conference, Montreal, October 10, 2010.</p><p> “Michelangelo’s Women,” invited lecture at Rollins College, Winter Park, Florida, April 17, 2009. </p><p> “‘Reproductions’ of Michelangelo’s Architecture: Audience and Purpose,” Renaissance Society of America Annual Meeting, Los Angeles, March 19, 2009.</p><p> “From Sculpture to Print: The Reproductions (or Lack Thereof) of Michelangelo’s Sculpture,” Symposium at Syracuse University in conjunction with the exhibit, “Michelangelo: The Man, the Myth,” October 3, 2008. </p><p>Curated Exhibitions (selected)</p><p> “Seeing Italy through Prints,” Charlotte and Philip Hanes Art Gallery at Wake Forest (in collaboration with Davidson College, University of North Carolina at Chapel Hill, and University of Georgia), February 6-March 23, 2003.</p><p> EVA/AVE: Women in Renaissance and Baroque Prints, National Gallery of Art, Washington, DC, November 25, 1990-April 28, 1991; National Gallery of Canada, Ottawa, October 10, 1992-January 10, 1993. </p><p>Interdisciplinary Faculty Seminars</p><p> Convener (with Monique O’Connell), Humanities Institute faculty seminar, “Cultural Encounters in the Medieval and Early Modern Mediterranean.”</p><p> Participant in Mellon Foundation-funded faculty seminar, “East Asia in the Modern World,” 2003-2004.</p><p>Administrative and Editorial Positions (selected)</p><p> Chair of Committee on Academic Planning, Wake Forest, 2010-2012  Phi Beta Kappa, Wake Forest Chapter, Secretary-Treasurer, 2010-present; president, 1998- 1999.  Editorial Review Board, Sixteenth Century Journal, 2005-2008.  Coordinator for Art History, Art Department, 2004-8  Director of the Teaching and Learning Center, 2003-2005; Fall 2006.  President of the Italian Art Society, 1999-2001  SACS Evaluation subcommittees for Art and the Women's Studies Program (1996-1997)</p><p>Professional Memberships</p><p> College Art Association  Italian Art Society  Renaissance Society of America  Sixteenth-Century Studies Association</p>