<p> 1</p><p> from A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)</p><p>NARRATIVE PERSON</p><p>Person: General First-person narrative Second-person narrative Third-person narrative Multiple narration Omniscient narration Witness narrators</p><p>Person: General</p><p>Bal, Mieke. "First Person, Second Person, Same Person: Narrative as Epistemology." New Literary History 24.2 (Spring 1993): 293- 320. Online at Scribd http://www.scribd.com/doc/25394510/bal-mieke-first-person- second-person-same-person-narrative-as-epistemology 2009 Cohn, Dorrit. Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton: Princeton UP, 1978.* _____. Transparent Mind. In Google Books: http://books.google.es/books? id=dmIQoPdb1SgC&printsec=frontcover&dq=Transparent+Min ds&ei=Y27qS87qHoquygTIxPzuBw&cd=1#v=onepage&q&f=fa lse 2010 _____. La Transparence intérieure. Trans. Alain Bony. Paris: Seuil, 1981. Fludernik, Monika. "Erzähltexte mit unüblichem Personalpronominagebrauch: engl. one und it, frz. on, dt. man." In Erlebte Rede und impressionistischer Stil. Europäische Erzählprosa im Vergleich mit ihren deutschen Übersetzungen. Ed. Dorothea Kullmann. Göttingen: Wallstein, 1995. 283-307. _____. "Pronouns of Address and 'Odd' Third Person Forms: The Mechanics of Involvement in Narrative." In New Essays on Deixis. Ed. Keith Green. Amsterdam: Rodopi, 1995. 2</p><p>_____. "Virgin Territories: The Strategic Expansion of Deictic Options." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 222-68.* (Pronouns, person, narr. Tense). _____. "The Category of 'Person' in Fiction: You and We Narrative— Multiplicity and Indeterminacy of Reference." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.* _____, ed. Second-Person Narrative. Special issue of Style 28.3 (1994). García Landa, José Angel. "Entrando en la Trilogía: La narración en Molloy (Samuel Beckett y la narración reflexiva, 2) (Entering the Trilogy: Narration in Molloy (Samuel Beckett and Reflexive Narrative, 2)). Social Science Research Network 10 Oct. 2014.* http://papers.ssrn.com/abstract=2506925 2014 Linguistic Anthropology eJournal 10 Oct. 2014.* http://www.ssrn.com/link/Linguistic-Anthropology.html 2014 English and Commonwealth Literature eJournal 10 Oct. 2014.* http://www.ssrn.com/link/English-Commonwealth-Lit.html 2014 Continental Philosophy eJournal 10 Oct. 2014.* http://www.ssrn.com/link/Continental-Philosophy.html 2014 _____. "Entrando en la Trilogía: La narración en Molloy (Samuel Beckett y la narración reflexiva, 2)." Academia 13 March 2015.* https://www.academia.edu/11402845/ 2015 _____. "Entrando en la Trilogía: La narración en Molloy (Samuel Beckett y la narración reflexiva, 2)." ResearchGate 25 July 2015.* https://www.researchgate.net/publication/280384897 2015 _____. "Entrando en la Trilogía: La narración en Molloy." In García Landa, Vanity Fea 13 March 2015.* http://vanityfea.blogspot.com.es/2015/03/entrando-en-la-trilogia- la-narracion-en.html 2015 _____. "El narrador autorial y las otras voces narrativas (Samuel Beckett y la narración reflexiva, 5) (The Authorial Narrator and the Other Narrative Voices (Samuel Beckett and Reflexive Narrative, 5)." Social Science Research Network 21 Oct. 2014.* http://papers.ssrn.com/abstract=2511946 2014 English & Commonwealth Literature eJournal 21 Oct. 2014.* 3</p><p> http://www.ssrn.com/link/English-Commonwealth-Lit.html 2014 _____. "El narrador autorial y las demás voces narrativas." In García Landa, Vanity Fea 9 Nov. 2014.* http://vanityfea.blogspot.com.es/2014/11/el-narrador-autorial-y-las-otras-voces.html 2014 _____. "Sobre la competencia del narrador en la ficción." Atlantis 19.2 (December 1997 [issued December 1998]): 77-102.* New Online edition (2004): http://www.atlantisjournal.org/HTML%20Files/Tables%20of %20contents/19.2%20(1997).htm 2004-11-15 _____. "Sobre la competencia del narrador en la ficción." PDF in Dialnet http://dialnet.unirioja.es/servlet/oaiart?codigo=637961 2008 _____. "Sobre la competencia del narrador en la ficción." PDF in Zaguán 24 Jan. 2009. http://zaguan.unizar.es/record/1974 2009 _____. "Persona." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 309-14.* _____. "El narrador-autor." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 319-21.* _____. "El autor-narrador." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 321-22.* _____. "Nivel narrativo, status, persona y tipología de las narraciones." Miscelánea 17 (1996): 91-121.* </p><p> http://www.miscelaneajournal.net/images/stories/articulos/vol17/ GarciaLanda17.pdf _____. "Nivel narrativo, status, persona y tipología de las narraciones." Html edition (2004): http://www.unizar.es/departamentos/filologia_inglesa/garciala/pu blicaciones/nivel.html _____. "Nivel narrativo, status, persona y tipología de las narraciones." Online PDF in Zaguán 18 Nov. 2009.* http://zaguan.unizar.es/record/4326 2009 _____. "Nivel narrativo, status, persona, y tipología de las narraciones." iPaper at Academia.edu 9 Feb. 2011.* https://www.academia.edu/435296/ 4</p><p>2014 _____. "Narrative Level, Status, Person, and the Typology of Narratives / Nivel narrativo, status, persona, y tipología de las narraciones." Online PDF at Social Science Research Network 9 Feb. 2011.* http://ssrn.com/abstract=1758659 2011 _____. "Persona." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 309-15.* _____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7). ResearchGate 7 Aug. 2015.* https://www.researchgate.net/publication/280737526 2015 Gasparini, Philippe. Est-Il Je ? Roman Autobiographique et Autofiction. Paris: Seuil, 2004. _____. Autofiction, Une Aventure du Langage. Paris: Seuil, 2008. Genette, Gérard. Narrative Discourse: an Essay in Method. Translated by Jane E. Lewis. Ithaca: Cornell Univ. Press, 1980. _____. Narrative Discourse Revisited. Translated by Jane E. Lewis. Ithaca: Cornell Univ. Press, 1988. Korte, Barbara. "Spielarten der Distanzierung: Zum Personenwechsel im Erzählwerk." Literatur in Wissenschaft und Unterricht 22.2 (1989): 158-71. Margolin, Uri. "Telling Our Story: on 'We' Literary Narratives." Language and Literature 5.2 (1996).* Meindl, Dieter. "A Model of Narrative Discourse Along Pronominal Lines." In Recent Trends in Narratological Research. Ed. John Pier. (GRAAT 21). Tours: Groupes de Recherches Anglo- Américaines de l'Université François Rabelais de Tours, 1999. 11-30.* Ryan, M. L. "The Pragmatics of Personal and Impersonal Fiction". Poetics 10 (1981): 517-39. Tamir, Nomi. "Personal Narrative and Its Linguistic Foundations." PTL 1 (1976): 403-29.</p><p>Bibliography</p><p>García Landa, José Angel. "Narrative Person." From A Bibliography of Literary Theory, Criticism and Philology. Online at Docin 3 April 2012.* 5</p><p> http://www.docin.com/p-375967402.html 2016</p><p>Literature</p><p>Barthelme, Donald. "Daumier." Story. In Barthelme, Sadness. New York: Farrar, Straus and Giroux, 1972. (Narrative person). _____. "Daumier." In Barthelme, Sixty Stories. New York: Penguin, 1993. 214-30.* Shields, Carol. The Stone Diaries. Novel. London: Fourth Estate, 1993.* _____. The Stone Diaries. Novel. Harmondsworth: Penguin, 1994.</p><p>First-Person Narrative</p><p>Abbott, H. Porter. Diary Fiction: Writing as Action. Ithaca (NY) and London: Cornell UP, 1984. Adams, Timothy Dow. "The Contemporary American Mock Autobiography." Clio 8.3 (Spring 1979). Alber, Jan. "The Social Minds in Factual and Fictional We-Narratives of the Twentieth Century." Narrative 23.2 (May 2015): 213-25.* Arroyo Redondo, Susana. La autoficción: Entre la autobiografía y el ensayo biográfico. Límites del género. Ph.D. diss. U de Alcalá de Henares, 2011.* (Martín Gaite, El Cuarto de atrás; Torrente Ballester, Dafne y ensueños; Carlos Barral, Penúltimos castigos; Luis Goytisolo, Estatua con palomas; Julio Llamazares, Escenas de cine mudo; Javier Marías, Negra espalda del tiempo; Antonio Muñoz Molina, Sefarad; Javier Cercas, Soldados de Salamina; Enrique Vila-Matas, París no se acaba nunca; Rosa Montero, La loca de la casa; Paloma Díaz-Mas, Como un libro cerrado; Marcos Giralt Torrente, Tiempo de vida). https://es.scribd.com/doc/266601851/ 2015 Avni, Ora. The Resistance of Reference: Linguistics, Philosophy, and the Literary Text. Baltimore: Johns Hopkins UP, 1990.* Bal, Mieke. "First Person, Second Person, Same Person: Narrative as Epistemology." New Literary History 24.2 (Spring 1993): 293- 320. Online at Scribd http://www.scribd.com/doc/25394510/bal-mieke-first-person- second-person-same-person-narrative-as-epistemology 2009 6</p><p>Beck, Hamilton H. H. The Elusive 'I' in the Novel: Hippel, Sterne, Diderot, Kant. (American University Studies in Germanic Languages and Literature 46). New York: Peter Lant, 1987. Bennett, Alice. Afterlife and Narrative in Contemporary Fiction. London: Palgrave Macmillan, 2012. Online at Google Books https://books.google.co.uk/books?id=TvI6TzHRZogC 2015 Bernaerts, Lars, Marco Caracciolo, Luc Herman and Bart Verbaeck. "The Storied Lives of Non-Human Narrators." Narrative 22.1 (2014): 68-93.* Caporale Bizzini, Silvia. "Recollecting Memories, Reconstructing Identities: Narrators as Storytellers in Kazuo Ishiguro's When We Were Orphans and Never Let Me Go." Atlantis 35.2 (Dec. 2013): 65-80.* Carlisle, Janice. "The Face in the Mirror: Villette and the Conventions of Autobiography." In Critical Essays on Charlotte Brontë. Ed. Barbara Timm Gates. Boston: G. K. Hall, 1990. Carter, Stephen J. "The Narratable I in Mieke Bal and Jean Baudrillard." Critical Survey 7.3 (1995).* Ciplijauskaité, Biruté. La novela femenina contemporánea (1970- 1985): Hacia una tipología de la narración en primera persona. Barcelona: Anthropos, 1988.* D'hoker, Elke, and Gunther Martens, eds. Narrative Unreliability in the Twentieth-Century First-Person Novel. (Narratologia, 14). Berlin and New York: Walter de Gruyter, 2008.* (Introd., 1-6). Demoris, René. Le Roman à la première personne. Paris: Colin, 1975. Edmiston, William F. "Focalization and the First-Person Narrator: A Revision of the Theory." Poetics Today 10.4 (1989): 729-44. _____. "Introduction: Focalization and the First-Person Narrator." In Edmiston, Hindsight and Insight: Focalization in Four Eighteenth-Century French Novels. University Park (Pennsylvania): Pennsylvania State UP, 1991. 1-14.* Eikhenbaum, Boris M. "Illiuziia skaza." Skvoz' literaturu. Leningrad, 1924. _____. "The Illusion of 'Skaz'." Russian Literature Triquartelry 12 (1975): 233-36. _____. "Die Illusion des skaz." 1918. In Russischer Formalismus: Texte zur allemeinen Literaturtheorie und zur Theorie der Prosa. Ed. J. Striedter. 1969. Munich: Fink, 1971.161-67. Farrant Bevilacqua, Winifred. "'…in ecstatic cahoots': Nick's Authoring of Gatsby." Atlantis 32.1 (June 2010): 45-56.* Field, Trevor. Form and Function of the Diary Novel. London: Macmillan, 1989.* Fludernik, Monika. "The Category of 'Person' in Fiction: You and We Narrative—Multiplicity and Indeterminacy of Reference." In 7</p><p>Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.* Frank, Arthur W. "Reclaiming an Orphan Genre: The First-person Narrative of Illness." Literature and Medicine 13.1 (1994): 1-21. _____. The Wounded Storyteller: Body, Illness, and Ethics. Chicago: U of Chicago P, 1995. García Landa, José Angel. "Personne: Aventuras de 'yo' en la trilogía de Beckett." In Stvdia Patriciae Shaw oblata. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 1.230-42.* _____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Online edition (2007):</p><p> http://www.unizar.es/departamentos/filologia_inglesa/garciala/pu blicaciones/personne.html 2007-08-04 _____. "'Personne': Aventuras de 'yo' en la trilogía de Beckett." Zaguán 13 Jan. 2011.* http://zaguan.unizar.es/record/5526 2011 _____. "Entrando en la Trilogía: La narración en Molloy (Samuel Beckett y la narración reflexiva, 2) (Entering the Trilogy: Narration in Molloy (Samuel Beckett and Reflexive Narrative, 2)). Social Science Research Network 10 Oct. 2014.* http://papers.ssrn.com/abstract=2506925 2014 Linguistic Anthropology eJournal 10 Oct. 2014.* http://www.ssrn.com/link/Linguistic-Anthropology.html 2014 English and Commonwealth Literature eJournal 10 Oct. 2014.* http://www.ssrn.com/link/English-Commonwealth-Lit.html 2014 Continental Philosophy eJournal 10 Oct. 2014.* http://www.ssrn.com/link/Continental-Philosophy.html 2014 _____. "Narración autodiegética (Samuel Beckett y la narración reflexiva, 6) (Autodiegetic Narration (Samuel Beckett and Reflexive Narrative, 6)." Social Science Research Network 26 Oct. 2014.* http://papers.ssrn.com/abstract=2514510 2014 English & Commonwealth Literature eJournal 26 Oct. 2014.* http://www.ssrn.com/link/English-Commonwealth-Lit.html 2014 _____. "Narración autodiegética." In García Landa, Vanity Fea 12 Nov. 2014.* 8</p><p> http://vanityfea.blogspot.com.es/2014/11/narracion-autodiegetica.html 2014 _____. "Narración autodiegética (Samuel Beckett y la narración reflexiva, 6). Academia 14 May 2015.* https://www.academia.edu/12375042/ 2015 _____. "Narración autodiegética (Samuel Beckett y la narración reflexiva, 6). ResearchGate 31 July 2015.* https://www.researchgate.net/publication/280574690 2015 _____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7)." Social Science Research Network 5 Nov. 2014.* http://papers.ssrn.com/abstract=2518914 2014 Cognition & the Arts eJournal 5 Nov. 2014.* http://www.ssrn.com/link/Cognition-Arts.html 2014 English & Commonwealth Literature eJournal 5 Nov. 2014.* http://www.ssrn.com/link/English-Commonwealth-Lit.html 2014 _____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7)." Academia 19 July 2015.* https://www.academia.edu/14184820/ 2015 _____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7). ResearchGate 7 Aug. 2015.* https://www.researchgate.net/publication/280737526 2015 _____. "Nivel narrativo, status, persona y tipología de las narraciones." Miscelánea 17 (1996): 91-121.* </p><p> http://www.miscelaneajournal.net/images/stories/articulos/vol17/ GarciaLanda17.pdf _____. "Nivel narrativo, status, persona y tipología de las narraciones." Html edition (2004): http://www.unizar.es/departamentos/filologia_inglesa/garciala/pu blicaciones/nivel.html _____. "Nivel narrativo, status, persona y tipología de las narraciones." Online PDF in Zaguán 18 Nov. 2009.* http://zaguan.unizar.es/record/4326 2009 _____. "Nivel narrativo, status, persona, y tipología de las narraciones." iPaper at Academia.edu 9 Feb. 2011.* 9</p><p> http://unizar.academia.edu/Jos%C3%A9AngelGarc %C3%ADaLanda/Papers/417585/Nivel_narrativo_status_person a_y_tipologia_de_las_narraciones 2011 _____. "Narrative Level, Status, Person, and the Typology of Narratives / Nivel narrativo, status, persona, y tipología de las narraciones." Online PDF at Social Science Research Network 9 Feb. 2011.* http://ssrn.com/abstract=1758659 2011 _____. "Nivel narrativo, status, persona, y tipología de las narraciones." ResearchGate 23 Nov. 2011.*</p><p> http://www.researchgate.net/publication/39711150_Nivel_narrati vo_status_persona_y_tipologa_de_las_narraciones 2011 _____. "El narrador autodiegético." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 315-18.* _____. "El narrador testigo.." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 318-19.* Genette, Gérard. "On the First-Person Novel." New Literary History 9.1 (Fall 1977). Glowinksy, Michall. "On the First-Person Novel." New Literary History 9 (1977): 103-14. Goldknopf, David. "The Confessional Increment: A New Look at the I- Narrator." Journal of Aesthetics and Art Criticism 28 (1969): 13- 21. Hamburger, Käte. "La narración en primera persona." In Hamburger, La lógica de la literatura. (2nd ed., 1977). Madrid: Visor, 1995. 208-13.* Hansen, Per Krogh. "First Person, Present Tense, Authorial Presence and Unreliable Narration in Simultaneous Narration." In Narrative Unreliability in the Twentieth-Century First-Person Novel. Ed. Elke D'hoker and Gunther Martens. Berlin and New York: Walter de Gruyter, 2008. 317-37.* Heinze, Ruediger. "Violations of Mimetic Epistemology in First-Person Narrative Fiction." Narrative 16.3 (Oct. 2008): 279-97.* Jongeneel, Els. "The Deconstruction of the First-Person Narrator in the French New Novel." In Narrative Unreliability in the Twentieth- Century First-Person Novel. Ed. Elke D'hoker and Gunther Martens. Berlin and New York: Walter de Gruyter, 2008. 303- 16.* 10</p><p>Kahn, Madeleine. Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel. (Reading Women Writing). Ithaca (NY): Cornell UP, 1991.* Kauer, Ute. "Narration and Gender: The Role of the First-Person Narrator in Jeanette Winterson's Written on the Body." In 'I'm Telling You Stories': Jeanette Winterson and the Politics of Reading. Ed. Helena Grice and Tim Woods. Amsterdam: Rodopi, 1998. 41-51.* Kittel, Harald. "Revolutionäre Formen perspektivischen Erzählens in einem quasi-autobiographischen Ich-Roman: William Godwins Caleb Williams." In Frühe Formen mehrperspektivischen Erzählens von der Edda bis Flaubert: Ein Problemaufriss. Ed. Armin Paul Frank and Ulrich Mölk. Berlin: Erich Schmidt, 1991. 34-53. Lynn, David H. The Hero's Tale: Narrators in the Early Modern Novel. Hong Kong: Macmillan, 1989. Major, John C. The Role of Personal Memoirs in English Biography and Novel. Philadelphia, 1935. Margolin, Uri. "Telling Our Story: on 'We' Literary Narratives." Language and Literature 5.2 (1996).* _____. "Collective Perspective, Individual Perspective, and the Speaker In Between: On 'We' Literary Narratives." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany: SUNY Press, 2001. 241-54.* Martínez Falquina, Silvia. "Entries into the Autobiographical I, or the Ethics of Native American Storytelling." In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.* Matthews, W., and R. Rader, eds. Autobiography, Biography, and the Novel. Los Angeles: William Andrews Clark Memorial Library, UCLA, 1973. McDonald, Keith. "Days of Past Futures: Kazuo Ishiguroʻ s Never Let Me Go as ʻ Speculative Memoir. ʻ " Biography 30.1 (Winter 2007). Miller, J. Hillis. "Three Problems of Fictional Form: First-Person Narration in David Copperfield and Huckleberry Finn." In Experience in the Novel: Selected Papers from the English Institute. Ed. Roy Harvey Peace. New York: Columbia UP, 1968. Monterrey, Tomás. "El narrador homodiegético de la metaficción británica: tendencias en la transmisión de la interioridad." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 483-88.* 11</p><p>Morris, Adalaide. "First Persons Plural in Contemporary Feminist Fiction." Tulsa Studies in Women's Literature 11 (1992): 11-29. Nielsen, Henrik Skov. "The Impersonal Voice in First-Person Narrative Fiction" Narrative 12 (2004); 133-50. Nischik, Reingard M. "'Où maintenant? Quand maintenant? Qui maintenant?' Die namenlose Ich-Erzählfigur im Roman." Poetica 23.1-2 (1991): 257-75. Onega, Susana. "The Passion: Jeanette Winterson's Uncanny Mirror of Ink." Miscelánea 14 (1993): 113-30.*</p><p> http://www.miscelaneajournal.net/images/stories/articulos/vol14/ onega14.pdf 2014 Phelan, James. Living to Tell about It: A Rhetoric and Ethics of Character Narration. Ithaca: Cornell UP, 2005. Picazo González, María Dolores. "Las marcas enunciativas del yo en el texto." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 165-77.* Pier, John. "L'Instance narrative du récit à la prémière personne. Ph.D. diss. New York U, 1983. Raoul, Valerie. The French Fictional Journal: Fictional Narcissism. Toronto, 1980. Richardson, Brian. "I etcetera: On the Poetics and Ideology of Multipersoned Narratives." Style 28.3 (1994): 312-28. _____. "4. I, etcetera: Multiperson Narration and the Range of Contemporary Narrators." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 61-78.* _____. "3. Class and Consciousness: 'We' Narration from Conrad to Postcolonial Fiction." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 37-60.* Pedri, Nancy. "Graphic Memoir: Neither Fact Nor Fiction." In From Comic Strips to Graphic Novels. Ed. Daniel Stein and Jan-Noël Thon. Berlin and Boston: Walter de Gruyter, 2013. 127-53.* Richardson, Brian. "Representing Social Minds: 'We' and 'They' Narratives, Natural and Unnatural." Narrative 23.2 (May 2015): 200-12.* Riggan, William. Picaros, Madmen, Naifs, and Clowns: The Unreliable First Person Narrator. Norman: Oklahoma UP, 1981. Rimmon-Kenan, Shlomith. "The Story of ‘I’: Illness and Narrative Identity." Narrative 10.1 (2002): 9-27. 12</p><p>Romberg, Bertil. Studies in the Narrative Technique of the First- Person Novel. Stockholm: Almquist and Wiksell, 1962. Rousse, J. "La prima persona nel romanzo. Abozzo di una tipologia." Strumenti critici 6.19 (1972): 259-74. Smith, Sidonie, and Julia Watson. "The Trouble with Autobiography: Cautionary Notes for Narrative Theorists." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 356-71.* _____. "Witness or False Witness: Metrics of Authenticity, Collective I-Formations, and Ethic of Verification in First-Person Testimony." Biography 35.4 (Fall 2012). Spinner, Kaspar H. Die Struktur des lyrischen Ichs. Frankfurt a/M: Akad. Verlagsgesellschaft, 1975. Sternberg, Meir. "Self-Consciousness as a Narrative Feature and Force: Tellers vs. Informants in Generic Design." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 232-52.* Tallis, Raymond. I Am: A Philosophical Inquiry into First-Person Being. Edinburgh: Edinburgh UP, 2004. Tamir, Nomi. "Personal Narrative and Its Linguistic Foundations." PTL 1.3 (1976): 403-30. Tarancón, Juan A. "'I Am Still Here to Tell About It': The Construction of the Subject in Fictional Autobiography." Actas del XXI Congreso Internacional AEDEAN. . Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 297-301.* Toth, Josh. "'A Constantly Renewed Obligation to Remake the Self': Ernest Hemingway, A Moveable Feast, and Autonarration." . North Dakota Quarterly 73.1-2 (Winter / Spring 2006): 182-96.* Walzel, Oskar. "Schicksale des lyrischen Ichs." 1916. In Walzel, Das Wortkunstwerk: Mittel seiner Erforschung. Leipzig: Quelle & Meyer, 1926. Rpt. Darmstadt, 1973. 260-77. Werner, Lukas. "Zeit im Text—Möglichkeiten der formalen Historisierung. Zur Relation von Zeit und Ich-Erzähler in Grummelshausens Simplicissimus und Schnabels Insel Felsenburg." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 79-104.* Zimmermann, Silke Cathrin. Das Ich und sein Gegenüber: Spielarten des Anderen im monologischen Erzählen: Dargestellt an ausgewählten Beispielen der eruopäischen Erzählkunst des 20. Jahrhunderts. Trier: Wissenschaftlicher Verlag Trier, 1995.</p><p>Bibliography 13</p><p>Richardson, Brian. "Appendix: Bibliography of 'We' Narratives." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 141-42.*</p><p>Literature</p><p>Beckett, Samuel. The Unnamable. MANY EDITIONS</p><p>See also Autobiography.</p><p>Second-person narrative</p><p>Bal, Mieke. "First Person, Second Person, Same Person: Narrative as Epistemology." New Literary History 24.2 (Spring 1993): 293- 320. Online at Scribd http://www.scribd.com/doc/25394510/bal-mieke-first-person- second-person-same-person-narrative-as-epistemology 2009 Bonheim, Helmut. "Narration in the Second Person." In La Nouvelle canadienne anglophone: Recherches Anglaises et Américaines 16 (1983): 69-80.* Ensslin, Astrid, and Alice Bell. "'I Know What It Was. You Know What It Was': Second-person Narration in Hypertext Fiction." Narrative 19.3 (Oct. 2011): 311-29.* Fludernik, Monika. "Second Person Fiction: Narrative YOU as Addressee and/or Protagonist. Typological and Functional Notes on an Increasingly Popular Genre." Arbeiten aus Anglistik und Amerikanistik (AAA) 18.2 (1993): 217-47. _____. "Second-Person Narrative as a Test Case for Narratology: The Limits of Realism." Style 28.3 (1994): 445-79. _____. "The Category of 'Person' in Fiction: You and We Narrative— Multiplicity and Indeterminacy of Reference." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.* _____, ed. Second-Person Narrative. Special issue of Style 28.3 (1994). 14</p><p>Gnutzmann, Rita. "La novela hispanoamericana en segunda persona." Iberoromania n. s. 17 (1983): 100-120. Kuhn, Roman. "Zweite Person Singular Präsens. Überlegungen zu Ein Mann der schläft von Georges Perec." In Der Präsensroman. Ed. Armen Avanessian and Anke Hennig. Berlin and Boston: de Gruyter, 2013. 210-23.* Margolin, Uri. "Narrative 'You' Revisited." Language and Style 23.4 (1994 for 1990): 1-21. _____. (On 1st p. plural narratives). In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001. Morrissette, Bruce. "Narrative 'You' in Contemporary Literature." Comparative Literature Studies 2 (1965): 1-24. Rev. version in Novel and Film: Essays in Two Genres. Chicago: U of Chicago P, 1985. 108-40. Phelan, James. "Narratee, Narrative Audience, and Second-Person Narration: How I—and You?—Read Lorrie Moore's 'How'." In Phelan, Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996. 135-53.* Reitan, Rolf. "Theorizing Second-Person Narratives: A Backwater Project?" In Strange Voices in Narrative Fiction. Ed. Per Krogh Hansen et al. Berlin and New York: De Gruyter, 2011. 147-74.* Richardson, Brian. "The Poetics and Politics of Second Person Narrative." Genre 24 (1991): 309-30. _____. "2. 'At First You Feel a Bit Lost': The Varieties of Second Person Narration." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 27-36.*</p><p>Bibliography</p><p>Fludernik, Monika. "Second-Person Narrative: A Bibliography." Style 28.4 (1994): 525-48.</p><p>Third-person narrative</p><p>Behrendt, Poul, and Per Krogh Hansen. "The Fifth Mode of Representation: Ambiguous Voices in Unreliable Third-Person Narrator." In Strange Voices in Narrative Fiction. Ed. Per Krogh Hansen et al. Berlin and New York: De Gruyter, 2011. 219-51.* 15</p><p>Bronzwaer, W. "Implied Author, Extradiegetic Narrator and Public Reader. Gérard Genette’s Narratological Model and The Reading Version of Great Expectations." Neophilologus 62 (1978): 1-18. Cohn, Dorrit. "K. Enters The Castle: On the Change of Person in Kafka's Manuscript." Euphorion 62 (1968). Ferguson, Suzanne. "The Face in the Mirror: Authorial Presence in the Multiple Vision of Third-Person Impressionist Narrative." Criticism 21 (1979): 230-50. Hamburger, Käte. "Ficción épica (narración en tercera persona)." In Hamburger, La lógica de la literatura. (2nd ed., 1977). Madrid: Visor, 1995.* Lord, Albert B. The Singer of Tales. Cambridge (MA): Harvard UP, 1960. Matthews, W., and R. Rader, eds. Autobiography, Biography, and the Novel. Los Angeles: William Andrews Clark Memorial Library, UCLA, 1973. Patrick, Terence. "'Getting Rid of That Standard Third Party Narrative Voice': The Development of James Kelman's Early Authorial Style." Language and Literature 15.2 (2006): 183-99.* Richardson, Brian. "Representing Social Minds: 'We' and 'They' Narratives, Natural and Unnatural." Narrative 23.2 (May 2015): 200-12.* Rubio Montaner, Pilar. "La tercera persona desde la focalización interna: su equivalencia con la narración en primera persona." Epos 7 (1991): 235-58.</p><p>Literature</p><p>Angot, Christine. Sujet Angot. (3rd person autobiographical novel).</p><p>See also Biography; History; Fiction.</p><p>Related works</p><p>"Pasea en tercera persona." In No puedo creer ue lo hayan inventado. http://www.nopuedocreer.com/quelohayaninventado/516/pasea- en-tercera-persona/ 2008 16</p><p>Multiple narration</p><p>Aronsson, Karin, and Ann-Christin Cederborg. "Conarration and Voice in Family Therapy: Voicing, Devoicing and Orchestration." Text 14.3 (1994): 345-70. Fludernik, Monika. "The Category of 'Person' in Fiction: You and We Narrative—Multiplicity and Indeterminacy of Reference." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 101-41.* García Landa, José Angel. "Personne: Aventuras de 'yo' en la trilogía de Beckett." In Stvdia Patriciae Shaw oblata. Ed. Santiago González y Fernández-Corugedo et al. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 1.230-42.* http://books.google.es/books? id=qB52DT3dA6sC&lpg=PP1&dq=Studia%20Patriciae %20Shaw%20oblata&lr=&pg=PR4#v=onepage&q=&f=false 2010 _____. "Personne: Aventuras de 'yo' en la trilogía de Beckett." Online edition (2007):</p><p> http://www.unizar.es/departamentos/filologia_inglesa/garciala/pu blicaciones/personne.html 2007-08-04 _____. "'Personne': Aventuras de 'yo' en la trilogía de Beckett." iPaper at Academia.edu 23 May 2010.* https://www.academia.edu/238606/ 2014 _____. ""'Personne': Aventuras de 'yo' en la trilogía de Beckett." Online PDF at Social Science Research Network 23 May 2010.* http://ssrn.com/abstract=1614085 2010 _____. "'Personne': Aventuras de 'yo' en la trilogía de Beckett." Zaguán 13 Jan. 2011.* http://zaguan.unizar.es/record/5526 2011 _____. "El narrador impersonal (Samuel Beckett y la narración reflexiva, 7)." Social Science Research Network 5 Nov. 2014.* http://papers.ssrn.com/abstract=2518914 2014 Cognition & the Arts eJournal 5 Nov. 2014.* 17</p><p> http://www.ssrn.com/link/Cognition-Arts.html 2014 English & Commonwealth Literature eJournal 5 Nov. 2014.* http://www.ssrn.com/link/English-Commonwealth-Lit.html 2014 _____. "El narrador impersonal." In García Landa, Vanity Fea 16 Nov. 2014.* http://vanityfea.blogspot.com.es/2014/11/el-narrador-impersonal_16.html 2014 _____. "Saliendo de la trilogía: El final de The Unnamable." Social Science Research Network 21 Nov. 2014.* (Samuel Beckett y la narración reflexiva, 8).* http://papers.ssrn.com/abstract=2527915 2014 Cognition & the Arts eJournal 21 Nov. 2014.* http://www.ssrn.com/link/Cognition-Arts.html 2014 English & Commonwealth Literature eJournal 21 Nov. 2014.* http://www.ssrn.com/link/English-Commonwealth-Lit.html 2014 Aesthetics & Philosophy of Art eJournal 21 Nov. 2014.* http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html 2014 Continental Philosophy eJournal 21 Nov. 2014.* http://www.ssrn.com/link/Continental-Philosophy.html 2014 _____. "Saliendo de la trilogía: El final de The Unnamable." In García Landa, Vanity Fea 5 Dec. 2014.* http://vanityfea.blogspot.com.es/2014/12/saliendo-de-la-trilogia- el-final-de.html 2014 _____. "Avatares de un pronombre." In García Landa, Vanity Fea 17 Feb. 2010.* http://vanityfea.blogspot.com/2010/02/avatares-de-un- pronombre.html 2010 _____. "Je est a third person." In García Landa, Vanity Fea 4 August 2007. http://garciala.blogia.com/2007/080401-je-est-a-third-person.php 2007 Peel, Ellen. "Subject, Object, and the Alternation of First- and Third- Person Narration in Novels by Alther, Atwood, and Drabble: Toward a Theory of Feminist Aesthetics." Critique 30.2 (1989): 107-22. 18</p><p>Renner, Charlotte. "The Self-Multiplying Narrators of Molloy, Malone Dies and The Unnamable". Journal of Narrative Technique 11.1 (1981): 12-32.* Richardson, Brian. "I etcetera: On the Poetics and Ideology of Multipersoned Narratives." Style 28.3 (1994): 312-28. _____. "4. I, etcetera: Multiperson Narration and the Range of Contemporary Narrators." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 61-78.* _____. "Plural Focalization, Singular Voices: Wandering Perspectives in 'We'-Narration." In Point of View, Perspective, and Focalization: Modeling Mediation in Narrative. Ed. Peter Hühn, Wolf Schmid and Jörg Schönert. Berlin and New York: Walter de Gruyter, 2009. 143-59.* Roggenbuck, Stefanie. "Zeit und Polyphonie. Zum Verhältnis von verdoppelter Zeit und verdoppelter 'Stimmen' in Erzähltexten von Leo Perutz und Ambrose Bierce." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 407-29.* Schube-Coquereau, Phillip. "Scénographies énonciatives et 'dialogues'. Une mise à l'épreuve de l'effet monologique du roman choral chez Régis Jauffret." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011.* Young, Katharine Galloway. "Joint Storytelling: The Interplay of Discourse and Interaction." In Young, Taleworlds and Storyrealms: The Phenomenology of Narrative. Dordrecht: Martinus Nijhoff, 1987. 157-85.*</p><p>Omniscient narration</p><p>Chatman, Seymour. "Narration: Narrator and Narratee." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 90- 129.* (Telling: Internal and External Narratees; Showing: Impersonal Narration; Omniscience and Limitation; The Narratee). Culler, Jonathan. "Omniscience." Narrative 12.1 (January 2004): 22- 34. Dawson, Paul. "The Return of Omniscience in Contemporary Fiction." Narrative 17.2 (May 2009): 143-61.* 19</p><p>_____. The Return of the Omniscient Narrator: Authorship and Autonomy in Twenty-First Century Fiction. (Theory and Interpretation of Narrative). Columbus (OH): Ohio UP, c. 2014.* Ebine, Hiroshi. "The Duality of Omniscient Narration." Studies in English Literature 50 (1974): 245-57. Füger, Wilhelm. "Das Nichtwissen des Erzählers in Fieldings Joseph Andrews: Baustein zu einer Theorie negierten Wissens in der Fiction." Poetica 10 (1978): 188-216. _____. "Limits of the Narrator's Knowledge in Fielding's Joseph Andrews." Style 38.3 (Fall 2004): 278-289. García Landa, José Angel. "El narrador-autor. El autor-narrador." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 319-22.* Gevirtz, Karen Bloom. Women, the Novel, and Natural Philosophy, 1660-1727. Houndmills: Palgrave Macmillan, 2014. http://www.palgrave.com/products/title.aspx?pid=715647 2014 Harvey, W. J. "George Eliot and the Omniscient Author Convention." Nineteenth-Century Fiction 13 (1958): 81-108. Jaffe, Audrey. "Omniscience in Our Mutual Friend.: On Taking the Reader by Surprise." The Journal of Narrative Technique 17.1 (1987): 83-90.* Prince, Gerald. "The Disnarrated," in Style 22 (1988): 1–8. Wolff, Cynthia G. "Who is the Narrator of Vanity Fair and Where is he Standing?" College Literature 1 (1974): 190-203.</p><p>Witness narrators</p><p>Bayley, John "Night Train." New York Review of Books 40.12 (24 June 1993): 20-22. (Witness narratives). Kawin, Bruce F. The Mind of the Novel: Reflexive Fiction and the Ineffable. Princeton (NJ): Princeton UP, 1982.* Paris, Bernard. Conrad's Charlie Marlow. Palgrave, 2006.</p><p>See also First-person narrative; Unreliable narrative.</p>