Contributors German Studies Review, Volume 43, Number 1, February 2020, p. 231 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/gsr.2020.0039 For additional information about this article https://muse.jhu.edu/article/749926 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Contributors JASON J. DOERRE ([email protected]) is a visiting assistant professor of German studies at Trinity College in Hartford Connecticut. His research extends from the nineteenth century to the present with a focus on cultural history and film studies. He is currently completing a book about Hermann Sudermann and cultural pessimism. YVONNE ZIVKOVIC ([email protected]) is an Affiliated Lecturer at the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. She received her PhD in German and comparative literature from Columbia University. She spe- cializes in the relationship between German- speaking lands and Eastern Europe, with a particular interest in how collective forms of memory shape national identity. MARIO BIANCHINI ([email protected]) is a PhD candidate in the history of tech- nology at Georgia Tech. His research mainly investigates technological utopianism and its cultural manifestations in the GDR, ranging from sports to model hobbies. He has also been a visiting scholar at the Leibniz-Zentrum für Zeithistorische Forschung Potsdam through both a Fulbright and DAAD grant. JACOB HAUBENREICH ([email protected]) is an assistant professor of German at Southern Illinois University, Carbondale. His current book project focuses on the entanglement of materiality and meaning throughout the entirety of textual produc- tion and reception (writing, editing, publishing, reading) in the work of Rainer Maria Rilke, Peter Handke, and Thomas Bernhard. JAMIE H. TRNKA ([email protected]) is a professor of German and chair of the Depart- ment of Classics and Modern Languages at Xavier University. Her research address literatures of migration and exile, translation studies, and documentary. She is the author of Revolutionary Subjects: German Literatures, Geoculture, and the Limits of Aesthetic Solidarity with Latin America. WEIJIA LI ([email protected]) is an assistant professor at the University of Wisconsin- Madison. His research focuses on German-Chinese cultural encounters reflected in literature, media, and art history. He published a book on Anna Seghers and China and is currently working on a new book on German-Jewish Exile Press in Shanghai. BENJAMIN NIENASS ([email protected]) is an assistant professor in the Department of Political Science and Law at Montclair State University. His research has appeared in The Review of Politics, Politics & Society, and Social Research. He is the coeditor of Silence, Screen, and Spectacle: Rethinking Social Memory in the Age of Information. German Studies Review 43.1 (2020): 231 © 2020 by The German Studies Association..