Mia Yinxing Liu is Assistant Professor in the Visual Studies department at California College of the Arts. She received her Ph. D. in Art History from the University of Chicago in 2013, and previously was Postdoctorate Fellow at Yale University in 2014 and Assistant Professor in Asian Studies at Bates College. She is the author of The Literati Lens: Wenren CHINESE PAINTING HERE, THEN & NOW: Landscape in Chinese Cinema (1950-1979) (2019: University of Hawai’i CREATING COMMUNITY Press), and multiple essays about Chinese photography including “The Allegorical Landscape: Lang Jingshan’s Photography in Context” (Archives of Asian Arts, 2015). Stephen Little received his BA from Cornell University (1975), MA from UCLA (1977), and PhD from Yale University (1987). He served as Curator of Chinese Art at the Asian Art Museum of San Francisco (1977–1982) and the Cleveland Museum of Art (1987–1989); Curator of Asian Art at the Honolulu Academy of Arts (1989–1994); Pritzker Curator of Asian Art at the Art Institute of Chicago (1995–2002); and Director of the Honolulu Academy of Arts (2003–2010) before joining the Los Angeles County Museum of Art’s curatorial staff in 2011. He is the author of many books including 17th-Century Chinese Paintings from the Tsao Family Collection (2016: LACMA). Bruce MacLaren joined Bonhams in 2010 as a Chinese Art Specialist. He spent ten years as a curator of Chinese art at the Peabody Essex Museum in Salem, Massachusetts where he curated exhibitions such as "Perfect Imbalance: Exploring Chinese Aesthetics" and "The Secret World of the Forbidden City". He was central to the relocation and Chang Dai-chien, Giant Lotus, 1961, Private Collection interpretation of an 18th century, sixteen-bedroom merchant's house from Anhui, China to Salem, Massachusetts. Earlier, he worked with Jung Ying Tsao at Far East Fine Art. MacLaren holds a BA from Connecticut College, with a double major in Chinese and Asian Studies, and a MA March 6, 2020 in Art History from the University of Kansas, with a concentration in Seven Hills Conference Center Chinese painting and calligraphy. San Francisco State University Richard Vinograd is the Christensen Fund Professor in Asian Art in the Department of Art & Art History at Stanford University, where he has taught since 1989. Dr. Vinograd’s research interests include Chinese portraiture, landscape painting and cultural geography, urban cultural spaces, painting aesthetics and theory, art historiography, and inter- media studies. He is the author of Boundaries of the Self: Chinese Portraits, 1600-1900 (1992: Cambridge: Cambridge University Press); co- editor of New Understandings of Ming and Qing Painting (1994: Shanghai: Shanghai Calligraphy Painting Publishing House); and co- author of Chinese Art & Culture (2001: New York: Prentice Hall and Harry N. Abrams, 2001). SCHEDULE BIOGRAPHIES Terese Tse Bartholomew was hired as the first Curator of Indian and 9:30 Registration Southeast Asian Art at the Asian Art Museum in 1969, a position she held 10:00 Welcome until 1988. From 1988 through 1996 she was Curator of Indian Art and Himalayan Art and from 1997 through 2008 she was Curator of Himalayan Art and Chinese Decorative Art. She is the author of Hidden Panel 1: Gold Mountain Golden Age Meanings in Chinese Art (2012: Asian Art Museum) and The Charming Cicada Studio: Masterworks by Chao Shao-an (1997: University of Terese Tse Bartholomew: Meeting Chinese Artists in the 1960s & 70s Washington Press). Roland Hsu: Kai-Yu Hsu and SF Bay Area Asian Arts in Transition: 1960- Arnold Chang holds a master’s degree from the University of California, 1979 Berkeley where he worked with James Cahill, and a bachelor’s degree from the University of Colorado. He also studied painting and Mia Liu: Seeing Doubles: Lang Jingshan’s “Portraits” of Zhang Daqian connoisseurship with C.C. Wang for twenty-five years. Chang has [Chang Dai-chien] in California organized several exhibitions, and is the author of a book and numerous exhibition catalogues and articles on Chinese painting. Chang served Richard Vinograd: Triangulations: Zhang Daqian, C.C. Wang, and for many years as Vice President and Director of Chinese Paintings at James Cahill Sotheby’s. Chang’s own landscape paintings have been exhibited internationally and are in the permanent collections of many museums, including the Metropolitan Museum of Art, British Museum, Asian Art 12:00-1:00 Lunch Museum SF, and LACMA. Roland Hsu, PhD, is Director of Research of the Chinese Railroad Workers Panel 2: Contemporary Approaches to Connoisseurship in North America Project at Stanford University. Hsu earned his doctorate in history at the University of Chicago, and is the author and Stephen Little, Notes on Zhang Daqian [Chang Dai-chien] editor of multiple books, articles, and blogs on ethnicity, migration, and integration in the trans-Atlantic and trans-Pacific regions. He is also a Bruce MacLaren, Copies and Forgeries in Chinese Painting therapist working in clinical settings at Stanford and in private practice. Arnold Chang, Rediscovering a Masterpiece: Wu Bin’s ‘Ten Views of a Hui-shu Lee received her doctorate degree from Yale University in 1994 Lingbi Rock’ after first studying at National Taiwan University and working in the National Palace Museum. Her field of specialization is Chinese painting Hui-Shu Lee, Elegant Gathering: A Personal Account on the Living and visual culture in the pre-modern era, with a particular focus on Tradition of Chinese Art and Community gender issues. She also works extensively on representations of place, cultural mapping, and garden culture. Among her publications 3:00 – 4:00 Workshops are Exquisite Moments: West Lake & Southern Song Art (2001: China Join us for an opportunity to look closely at works of art, including Institute) and Empresses, Art, and Agency in Song Dynasty China (2010: works by Chang Dai-chien and 17th century paintings, and to exercise University of Washington Press). your connoisseurship skills. This conference is generously supported by The Mozhai Foundation. .