
October 21,2012 ‘There’s Famous, And There’s Infamous. And I’m Smart Enough To Know The Difference’ If you have any doubt Kathie Lee Gifford might Kathie Lee Gifford on next month. ‘‘My leading man is naked the entire be different from the person you see on TV — an Hoda, Frank, Broadway, religion, second act,’’ Gifford said. ‘‘Don’t leave at what attractive, middle-aged woman with a propen- Frank calls half time.’’ Tony sent over a round of sity to share a lot, perhaps too much, of herself nudity, promiscuity, her pinot grigios and thanked Gifford for giving his and to mow down accepted social mores — have bunions, drinking on television and wife such a thrill. He’d never be able to live up to lunch with her. The first lunch she ever had with why people love to hate her. it. ‘‘Oh, you know what, Tony,’’ she purred, all Hoda Kotb, her co-host of the fourth hour of Roxie Hart throaty. ‘‘ I think you’ll find a way.’’ ‘‘Today,’’ was at the Rainbow Room; it lasted five By ANDREW GOLDMAN Then, turning to his wife,‘‘ Tony doesn’t have a hours, involved several glasses of wine and problem in that direction, I hear.’’ ended only when management asked them to ton Place for Greenwich, Conn. The restaurant After finishing lunch — at her suggestion we leave. At some point, Gifford sang, in full voice, was empty except for a priest and Tony and Bon- both had lamb chops — she asked to inspect my a song she wrote called ‘‘I Want to Matter,’’ and nie, an affectionate pair of seniors from Philly, teeth, which for all I knew might be a postmeal Kotb began to cry. ‘‘And I went, ‘Oh, I love you,’ ’’ who go to Neary’s every time they’re in New York tradition in her family. ‘‘Let me just check you,’’ Gifford recalled. ‘‘Anybody that loves my music because Gifford sings its praises on TV. Bonnie she said, drawing back her lips to reveal her own I love automatically.’’ came to our table to fuss over Gifford, who fussed perfectly gristle-free choppers. ‘‘No, you’re Gifford and I were having lunch at Neary’s, an right back and told Bonnie she should bring a good, except right there. Right there on that Irish place on East 57th Street that she and her busload of her friends to see ‘‘Scandalous,’’ a side . Dig! Dig! Go for it.’’ husband, the former N.F.L. Giants Hall of Famer musical that Gifford wrote about the pioneering It’s easy to reach a certain level of intimacy and ‘‘Monday Night Football’’ announcer Frank Christian radio evangelist Aimee Semple with Gifford. Within the first hour of our meeting Gifford, frequented before they abandoned Sut- McPherson and that is opening on Broadway the week before, she shared the following things: PHOTOGRAPH BY Ryan PfluGeR 22 the new york times m AGAZ i n e 23 That a doctor from Zimbabwe performed sur- even less posh; it’s in the basement, which she gery on her bunions, and she now has ‘‘the most insists on referring to as the ‘‘anals’’ of NBC. beautiful feet in the world, except for Hoda.’’ At various points, Savannah Guthrie sat down That her relationship with her mother, Joanie, for a midshow touch-up; Matt Lauer popped in and ‘If you look back on my has been, at times, challenging since Gifford cracked up the women with a PG-13 joke he made divorced her first husband in 1983. ‘‘Basically me promise I wouldn’t print; Kotb wandered in career, the only thing after my first marriage ended, my mom thought and out, newspapers tucked under her arm. But if it was time to be my mom again,’’ she said. ‘‘So it the ‘‘Today’’ makeup room were a Broadway I’ve never done is porn.’ was control issues.’’ Most surprising, Gifford show, Lauer, Guthrie and Kotb would be the equiv- shared the advice that her former psychiatrist, alent of the chorus members who, as the curtain Dr. Byram Karasu, offered her after a flight atten- rises, can be seen scurrying around a town square dant lured her husband to a hotel room wired for with a baguette or a baby carriage, setting the stage 2010, Gifford had become, in the estimation of sound and video by The Globe, a supermarket for the imminent arrival of the leading lady. Entertainment Weekly, ‘‘cool.’’ And whereas on tabloid, in 1997, a subject that friends say is typi- It’s impossible to wrench the spotlight from ‘‘Live,’’ Gifford was a junior partner in the enter- cally off-limits. ‘‘He said, ‘Kathie, if you can’t Gifford. Immediately after swallowing her prise (the show ran for years before Gifford forgive your husband, forgive your children’s breakfast — a spoonful of peanut butter dipped in joined), the format of ‘‘Today’’ is in large part her father,’ which was so genius because I was mad oatmeal — the fusillade began. To Kotb, who doing. It was Gifford who suggested that Kotb, at the other one, but I love that guy.’’ mentioned she found Benjamin Bratt attractive, cast as her hard-news foil, ‘‘set it free’’ and stop At Neary’s, though, the conversation focused Gifford said: ‘‘Hoda, you love anything with two relying on notecards; soon Kotb would even stop on ‘‘Scandalous,’’ whose improbable 12-year legs and somethin’ else. Are you noticing a pat- wearing her IFB, the earpiece that allowed her to journey to Broadway began in a White Plains tern here?’’ She slapped me on the thigh, in an hear the control room. (Gifford never wore one.) shopping mall. ‘‘What I do on television,’’ she uncanny re-creation of the impression Kristen The show’s senior producer, Tammy Filler, must said, ‘‘you know, it’s silly stuff that I do profes- Wiig used to do of her on ‘‘Saturday Night Live,’’ yell or scribble notes with a Sharpie. Which sionally. This work that I’ve done in theater is scanning the room for reactions, shoulders con- means the show might career into the wall, as much more like what I am as a human being. I am vulsed with silent laughter. ‘‘Kathie Lee would when Gifford quizzed Martin Short about how he 10 percent silly and 90 percent dead serious.’’ always say, ‘Oh, it’s nothing like our show,’ ’’ kept the love alive with his wife, Nancy, who, ‘‘Scandalous,’’ for which Gifford wrote all the Kotb said of the ‘‘S.N.L.’’ skit. ‘‘And I’d go: ‘Kath- unknown to Gifford, died of cancer two years lyrics, is, she hopes, proof of just how serious she ie, it’s exactly like watching our show. They don’t before. It was riveting television, cringed can be. ‘‘People think that because I’m happy, even change the dialogue.’ ’’ through by tens of thousands on I’m therefore shallow,’’ she once told Barbara Gifford was never crazy about YouTube and proof that on the Walters on her show, ‘‘Live: With Regis and Wiig’s portrayal of her — as a fourth hour of ‘‘Today,’’ anything Kathie Lee.’’ Her very name on the marquee, she wine-swilling, Hoda-undermin- can happen. fears, might poison audiences. That is, after all, ing machine — but the executive what happened when her foray into pop music in producer of ‘‘Today,’’ Jim Bell, f you look back on my career, I’ve 2000 produced a song called ‘‘Love Never dates the show’s success to done everything except porn,’’ Fails.’’ ‘‘Until they found out it was me, people when the parody first appeared Gifford said. Gifford is prone to loved the song,’’ Gifford says. ‘‘Story of my life.’’ in 2009. ‘‘Even though there exaggeration — or perhaps confu- There may well be something therapeutic in might be a couple stings along sion. When I asked her former staging the story of McPherson, possibly the the way,’’ Bell says, ‘‘if they’re agent Sam Haskell about her most famous woman alive in the 1920s and talking about the show in the claim that she owned a 24 percent 1930s and now largely forgotten. McPherson lead skit on ‘S.N.L.,’ it indicates a certain cultural stake in ‘‘Live,’’ Philbin owned 25 percent and was a media star, a church founder, a radio pio- awareness of the duo.’’ As of last year, the real Disney the remaining 50, he seemed genuinely neer with a driven, religious mother, whose rise Kotb and Gifford migrated into late night; NBC ipuzzled. ‘‘Ah, no,’’ he said. ‘‘I look at Disney as was tainted by a trial for faking her own kidnap- rebroadcasts the hour at 2 a.m., following‘ ‘‘Last the owner of that show. I look at them’’ — Philbin ping. Then came several nervous breakdowns, Call With Carson Daly.’’ and Gifford — ‘‘as profit participants.’’ and finally a fatal drug overdose in 1944. ‘‘Aimee Given that the ‘‘Today’’ hosts drink on air — a But it is true that her show-business career has almost destroyed herself because of her person- tradition that began when Chelsea Handler been long and weird. For those who know her life al doubts,’’ says David Friedman, one of two appeared to promote her book, ‘‘Are You There, story, that she ended up writing a Broadway show composers on ‘‘Scandalous’’ and a close friend Vodka? It’s Me, Chelsea’’— late night makes about a Pentecostal broadcaster might as well of Gifford’s. ‘‘She had a big talent. She was loved. sense. Days of the week have been redubbed have been genetically predetermined. Her par- She was vilified.
Details
-
File Typepdf
-
Upload Time-
-
Content LanguagesEnglish
-
Upload UserAnonymous/Not logged-in
-
File Pages5 Page
-
File Size-