Intonation of Wh-Questions in the Aizu Dialect*

Intonation of Wh-Questions in the Aizu Dialect*

Intonation of Wh-Questions in the Aizu Dialect* International Conference on Phonetics and Phonology 2013 (ICPP 2013) Jason Ginsburg Emiko Kaneko Naomi Ogasawara Ian Wilson National Institute for Japanese Language and Linguistics, Tokyo University of Aizu *This work is supported by Fukushima Prefectural Foundation Subsidy F-24-2 and University of Aizu Competitive Research Funding P-28. 1/25/2013 Standard Japanese Aizu Japanese 4. Conclusions 1. Introduction (2) (a) Naoya-ga nani-o nomiya-de nonda no? (b) Jisama nagashi-de nani nondara-be? Naoya-NOM what-ACC bar-LOC drank Q grandpa kitchen-in what drink Q ‘What did Naoya drink?’(Ishihara 2003:52) ‘What did grandpa drink in the kitchen?’ • Past research (e.g., Ishihara 2003, Kibe 2010) has investigated the • The Aizu dialect examples shown in Figs. 1, 3, 5, and 7 all end in intonation used in wh-questions in a variety of Japanese dialects. falling intonation. • Not much phonological research has been done on the Fukushima • These examples show falling intonation can be used at the end of a dialects. See (Sakamoto et al. 2010, Ginsburg et al. 2012). wh-question, with and without a question particle. • There have been no in-depth investigations of the intonation used in • This fact suggests that the Aizu dialect differs from standard wh-questions in the Aizu-region dialects of Fukushima. Japanese, which generally utilizes rising intonation at the end of a • The Japanese dialects spoken in the Aizu region of Fukushima prefecture wh-question (Kibe 2010). are endangered (Sakamoto et al., 2010). • The Aizu dialect appears to share a similarity with other Japanese • We present data primarily from Aizu dialect speakers from the following dialects, such as those spoken in Toyama city and Miyako City, areas in the Aizu region: which utilize falling intonation at the end of wh-questions (Kibe Aizuwakamatsu, Inawashiro, Aizumisato Fig. 2: Pitch track for (2a), from Ishihara (2003:53) 2010). • In standard Japanese wh-questions, a pitch peak generally falls on • This poster presents2. Aizudata from Dialect 4 speakers. • In Fig. 2, the highest pitch falls on the wh-word nani • We have collected data from 35 speakers so far. ‘what’. the wh-word (Ishihara 2003). • We describe the intonation patterns used in certain wh-questions. • The question ends in rising intonation. Fig. 3: Pitch track for (2b): 95 year-old female from Aizuwakamatsu • In the Aizu dialect examples in Figs. 3 and 5, the pitch peak clearly does not fall on the wh-word. • Short-distance wh-questions • In Fig. 3, the highest pitch does not fall on the wh-word nani ‘what’ • Long-distance wh-questions and is not even a pitch peak. • While falling intonation appears to be common, • Multiple wh-questions • The question, which ends with the interrogative marker be, ends rising intonation can be used in the Aizu dialect. • in falling intonation. (5) Jichan-wa nani-o nagashi-de nondeta yo? S grandpa what-ACC kitchen-in drank Q 2. Intonation in standard Japanese wh- Aizu Japanese t Standard Japanese ‘What did grandpa drink in the kitchen?’ (3) (a) Naoya-wa [Mari-ga nani-o nomiya-de nonda to] imademo omotteru no? (b) Anesa-wa jicchi-ga nani mizuya-de nonda-to ima omotten da-be? questions Naoya-TOP Mari-NOM what-ACC bar-LOC drank that even.now think Q Sister-TOP grandpa-NOM what kitchen-in drink-COMP now think Q ‘What did Naoya still think that Mari drank at the bar?’ (Ishihara 2003:53-54) ‘What does my sister think that grandpa was drinking in the kitchen? • In standard Japanese (Tokyo dialect), a wh-question generally shows the following features: • Highest pitch falls on wh-phrase (Ishihara 2003) • Ends in rising intonation (Kibe 2010) • Rising intonation pattern is the default, but falling intonation is possible. 3. Data (Standard vs. Aizu) Fig. 8: Pitch track for (5), spoken by 76-year-old female from Aizumisato. Fig. 4: Pitch track for (3a), from Ishihara (2003: 54) These results suggest the following generalizations: Fig. 6: Pitch track for (6), spoken by 94-year-old male from Inawashiro Standard Japanese Aizu Japanese • In Fig. 4, the highest pitch falls on the wh-word nani ‘what’. (1) (a) Nani-ga mieru? (b) Nani-ga mi-kka? Pitch peak on Final • The question ends in rising intonation. Fig. 5: Pitch track for (3b), spoken by 58-year old female from Aizuwakamatsu. what-NOM see what-NOM see-Q wh-word intonation ‘What do you see?’ ‘What do you see?’ • In Fig. 5, the question ends in falling intonation. • The pitch does not peak on the wh-word. Standard Usually Yes Usually Japanese Rising Standard Japanese Aizu Japanese (4) (a) Dare-ga ano yoru nani-o nomiya-de nonda no? (b) Dare-ga ano ban nani-o sokora-hen de kutta? who-NOM that night what-ACC bar-LOC drank Q Who-NOM that evening what-ACC there at ate Aizu Usually No Usually ‘Who drank what at the bar last night?’ (Ishihara 2003:65) Who ate what over there that evening? Japanese Falling Table 1: Standard vs. Aizu Japanese wh-questions • Falling intonation might be the default intonation pattern in the Aizu dialect, Fig. 1: Pitch track for (1a), from Ishihara (2003: 53) and rising intonation might be a marked pattern. • Further investigation is require to determine the default pattern. • It may be that various factors such as the following influence the intonation: • Presence or absence of question particle • Choice of question particle • The pitch peak doesn’t necessarily occur on the wh-phrase. Fig. 6: Pitch track for (4a), from Ishihara (2003:67) Fig. 1: Pitch track for (1b), spoken by 94-year-old male from Inawashiro • Further investigation is required to determine the default pattern. • In Fig. 6, the highest pitches fall on the wh-words. References Fig. 7: Pitch track for (4b), spoken by 94-year-old male from Inawashiro Ginsburg, Jason, Kaneko, Emiko, Ogasawara, Naomi & Ian Wilson. 2012. Intonation used to contrast interrogative sentences in the • In Fig.1, the pitch peaks on ni and ga of nani-ga. From that point • The question ends in rising intonation. Inawashiro dialect of the Aizu region. Poster presented at the International Workshop on Endangered Dialects in Korea and Japan. Pre-conference workshop of the 22nd Japanese/Korean Linguistics Conference. until the end of the sentence, the pitch falls. • This ends in falling intonation. Ishihara, Shinichiro. 2003. Intonation and interface conditions. MIT dissertation. • In standard Japanese, the pitch in (1a) rises at the end of the • There is no sentence-final interrogative particle. Ishihara, Shinichiro. Intonation of Wh- and Yes/No-question in Tokyo Japanese. To Appear in F. Kiefer, M. Krifka, and C. Lee (eds.), Contrastiveness and scalar implicatures. question (Maekawa 1991, Ishihara To Appear). • The only indication that this is a wh-question is the presence of Kibe, Yoko. 2010. Intonation-no-chiiki-sa Shitsumonbun-no-intonation. In Hogen-no-hakken shirazaru chikisa-o shiru. Tokyo: Hituzi Shobo. 1-20. the two wh-phrases dare and nani. Maekawa, Kikuo. 1991. Perception of intonation characteristics of WH and non-WH questions in Tokyo Japanese. In Proceedings of the 12th International Congress of Phonetic Sciences, Universite de Provence, Ain-en-Provence, France, vol 4, pp 202-205. • There is a pitch peak on the first, but not the second, wh-word. Sakamoto, M., Kaneko, E., Wilson, E. & K Yamauchi. 2010. 会津地方における各方言のフォルマント分析[Formant Analysis of Aizu Area Dialects]. In Proceedings of the 90th Meeting of the Dialectological Circle of Japan, Tokyo, Japan, pp. 9-16. .

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