PAGE 12 PAGE 1 Jan gerard palm (1831-1906) 1 Valse El 18 de febrero 1:12 2 Valse ¿Porqué Sufres? 1:31 DANZAS 3 Danza La Trigueña 1:59 Jules blasini (1847-1887) 4 Danza ¿Para Cuál de las Tres? 3:12 5 Danza ¿Porqué no? 2:17 6 Valse El Ramo de Milflores 1:54 CARIBEÑAS rudolf palm (1880-1950) 7 Valse Anne Marie 2:20 8 Pasillo Como tú lo quieres 3:27 9 Valse Los Hermanos Hellburg 2:27 Classical 10 Danzón Winy 2:28 Jacobo palm (1887-1982) 11 Valse Primero de Octubre 1:54 Salon Music 12 Valse Tierna Sonrisa 1:36 13 Danza Rufo 1:46 14 Pasillo Ecos del Alma 1:36 from Curaçao, 15 Pasillo La Inocencia 2:35 16 Tango El Regreso de Jolley 1:12 Classical 17 Andante Atardi 1:49 Cuba and maria teresa carreño (1853-1917) 18 Mazurka Mazurka de Salon Op. 30 2:45 ignacio cervantes (1847-1905) 19 Danza Almendares 1:21 Venezuela 20 Danza Ilusiones Perdidas 1:13 Salon Music 21 Danza La Encantadora 1:16 22 Danza Adiós a Cuba 1:41 colophon Joseph sickman corsen (1853-1911) 23 Valse ¡Deja! 3:05 from Curaçao, Recorded at: 24 Polka El Neverí 1:24 Zeeuwse Concertzaal, 25 Danza Amorosa 1:10 11 & 12 November 2014 26 Valse Simpatía 1:27 Mixed, Edited and Mastered by: Albert palm (1903-1958) 27 Valse Para Que Amar 1:06 Cuba and Concertstudio (NL) Musical director: Jakko van der Heijden 28 Valse Anna 1:56 Piano: Steinway D 29 Valse Otrobanda 1:48 Pianotechnician: Joost van Hartevelt, edgar palm (1905-1998) 30 Valse Padú 1:41 De Hamernoot, Middelburg Venezuela Text: Johannes I.M. Halman 31 Valse Cas Coral 2:28 Photo: Eddy Westveer robert rojer (1939) 32 Danza Something Else 2:50 Design: WeCre8 (www.wecreate.nu) 33 Danza Kaleidoskoop 2:23 Accommodation: Special thanks to Wim statius muller (1930) 34 Valse Shon Coco 1:52 Hotel aan de Dam, Middelburg CD code: ZEF 9639 / LC 8414 35 Valse Nostalgia 1:43 Websites: 36 Calypso El Curaçao 1:18 Marcel WorMs - Piano www.marcelworms.com 37 Valse Despedida 2:43 www.zefirrecords.nl www.palmmusicfoundation.com bonus track: Frédéric chopin (1810-1849) 38 Valse Valse en la mineur 2:20 PAGE 2 PAGE 11 AboutmArcel this Worms music collection succession of chords that are not only a pleasure to the ear but also provide wings to the thisMarcel cD Wormscontains (1951) a selection studied ofat the Sweelincknumerous Conservatoriumelegant danzas, in waltzes,Amsterdam pasillos, under feet of dancing couples. The waltzes on this music album were written to sublimate a danzóns,Hans Dercksen. mazurkas He andalso polkashad lessons from withthe c thearibbean. Russian pianist Youri Egorov and with Alicia moment of sorrow, to honour loved ones or to express elation. de Larrocha. After graduating in 1987, he continued his studies in chamber music with TheAlexandre danza is Hrisanide generally andconsidered 20th century the most piano exquisite music with and Hans poetic Broekman. form of 19 Marcelth century Worms The pasillo is a typical Latin American adaptation of the European waltz. It originated Caribbeanis active bothart, withas a solothe pianofirst performerdanza being and published as a member in Havana of several in 1803. music Traditionally, ensembles. Ina in the first half of the 19th century in Colombia where it received the name pasillo danza1990 consistshe premiered of two early or three works sections. of Schoenberg The first in Amsterdamsection can beand traced in 1991 back he furthestperformed in de paso: a dance of small steps. Beyond Colombia, the pasillo became popular in history,the complete with its piano origins works in the of EnglishJanácek.˘ country-dance Since 1992 he of has the often 16th century. performed In 18 theth century program Ecuador, Peru, Venezuela, Central America, and also in Curaçao. The style, tone and France,Jazz Influences country-dance in 20th became Century contredanse, Piano Music fromon Dutch which stages the. cotillonIn 1994, and this the program quadrille was tempo of the pasillos differ from country to country. In the Curaçaoan pasillo, the developed.recorded and The released contredanse on the was BVHAAST very much label. en In vogue 1996, inMarcel the French Worms colony initiated of Saint a unique right hand plays a tuneful melody in a lyrical flowing style while the left hand can Domingue,Blues project: as Haiti to date, was more then thancalled. 200 After Dutch a andslave foreign rebellion composers, in 1791, fromnumerous over 50 French be characterized more as a whirlwind: strict rhythms such as the dactylus pattern colonistscountries fled on allto continents,the Cuban provincehave contributed of Oriente, a worktaking for with solo them piano. their This contredanse ongoing project and consisting of one long beat and two short beats, combine with freely moving sowingaccounts its seedsfor seven in the CD’s fertile already, Cuban with soil. noThe end enrichment in sight. ofSince Hispano-Cuban 1998, Marcel culture Worms with has passages functioning as countermelodies while being at the same time highlighting Frenchperformed colonial countless music concertsat the end comprising of the 18 selectionsth century was from a hiscritical library factor of works and sparked dedicated pianistic virtuosity. theto himbirth and of histhe project. Caribbean His danza.Blues project Henceforth, was heard the inFrench most contredanceEuropean countries, with its the more USA, northernRussia, South-Americaand restrained characterincluding becameCuba, Africa, the introduction the Middle- partand theof the Far danza, East. Since while 2002, the The danzón originates from Cuba. It developed in the second half of the 19 th century followingWorms hasparts been evocating active withthe emotional the piano exuberanceworks of Federico of passionate Mompou. Latin-Iberian In 2007 he chantsreleased as a successor to the contradanza and the habanera. The danzón reached its heights andthree of AfricanCD’s with rhythms. this composer’s music and organized a three-day Mompou Festival in of popularity in Central America and the Caribbean during the first two decades of Amsterdam. In 2009 he debuted on CD some 40 unpublished works of Mompou that the 20th century. The rhythm of the danzón has a stronger African character than Thehad Curaçaon been rediscovered waltz can be the characterised year before byin Barcelona.its rich use Inof 2012syncopations Marcel Worms in the melodyrecorded as on the contradanza and the habanera. This is created by the repetitive use of the Cuban wellone as CD the both rhythmical Bach’s Goldbergaccompaniment. Variations The and basic Metamorphosis rhythm is determined by Philip Glass.by the Worms hemiola is, cinquilloAckno, Wa 5le partDgements: rhythm in one measure and four hits on the beat in a second measure. a alsometrical well-known pattern forin which his Latin two Americanbars in simple and Caribbeantriple time repertoire. (3/4) are articulated A tango programme, as if they AsThis with CD several is an initiative other dances of the emanatingPalm Music fromFoundation the Caribbean and Latin America, the werewhich three was bars performed in simple in China,duple Argentinatime (2/2 andor 2/4). elsewhere, A typical resulted Curaçaon in the waltz release has oftwo his or CD danzónWe acknowledge was initially the regarded financial as contributionsscandalous. The that rhythm made thisof the CD danzónpossible led by: to couples threeTangos parts, for eachPiano of in 16 2002. bars. In For 2013, a composer, he released the a challenge CD Brazilian is to Dances create, for within Piano this featuring tight sinuouslyOtto B. Linker moving and their Maria hips. Linker-Nagel/ Winy, composed ARS ANTILLIANI by Rudolf Palm, is the best-known miniaturemusic by regimethe Brazilian of a limited composer prescribed Francisco number Mignone. of bars, a passionate and imaginative danzónThe Maduro from Curaçao.Music Foundation PAGE 10 PAGE 3 mAAboutrcel Worms this music collection succession of chords that are not only a pleasure to the ear but also provide wings to the Marcelthis c WormsD contains (1951) a studiedselection at ofthe the Sweelinck numerous Conservatorium elegant danzas, in Amsterdam waltzes, pasillos, under feet of dancing couples. The waltzes on this music album were written to sublimate a Hansdanzóns, Dercksen. mazurkas He also and had polkas lessons from with the the caribbean. Russian pianist Youri Egorov and with Alicia moment of sorrow, to honour loved ones or to express elation. de Larrocha. After graduating in 1987, he continued his studies in chamber music with AlexandreThe danza Hrisanide is generally and considered 20th century the piano most music exquisite with and Hans poetic Broekman. form of Marcel 19 th Worms century The pasillo is a typical Latin American adaptation of the European waltz. It originated isCaribbean active both art, as witha solo the piano first performer danza being and aspublished a member in ofHavana several in music 1803. ensembles. Traditionally, In a in the first half of the 19th century in Colombia where it received the name pasillo 1990danza he consists premiered of twoearly or works three ofsections. Schoenberg The first in Amsterdam section can and be intraced 1991 heback performed furthest in de paso: a dance of small steps. Beyond Colombia, the pasillo became popular in thehistory, complete with pianoits origins works in ofthe Janá Englishcek.˘ Since country-dance 1992 he has of oftenthe 16 thperformed century. In the 18 thprogram century Ecuador, Peru, Venezuela, Central America, and also in Curaçao. The style, tone and JazzFrance, Influences country-dance in 20th Centurybecame Pianocontredanse, Music on from Dutch which stages the. In cotillon1994, this and program the quadrille was tempo of the pasillos differ from country to country. In the Curaçaoan pasillo, the recordeddeveloped. and The released contredanse on the BVHAAST was very label.much In en 1996, vogue Marcel in the Worms French initiatedcolony of a Saint unique right hand plays a tuneful melody in a lyrical flowing style while the left hand can BluesDomingue, project: as to Haiti date, was more then than called.