Kent Academic Repository Full text document (pdf) Citation for published version Wilson, Colette E. (2007) Paris and the Commune 1871-78: the politics of forgetting. Cultural HIstory of Modern War . Manchester University Press and Palgrave in the USA, Manchester and New York, 236 pp. ISBN 978-0-7190-7476-9. DOI Link to record in KAR https://kar.kent.ac.uk/2787/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Copyright Colette E. Wilson The right of Colette E. Wilson to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for the quotations of short passages for the purposes of criticism and review, for which due accreditation must be given, no part of this online publication may be reproduced, stored in a retrieval system, or transmitted in any form without the prior permission of the publisher. Paris and the Commune 1871–78 i 9780719074769_1_pre 1 12/9/07, 5:00 PM Cultural History of Modern War Series editors Peter Gatrell, Max Jones, Penny Summerfield and Bertrand Taithe Already published Jeffrey S. Reznick Healing the nation: soldiers and the culture of caregiving in Britain during the great war Penny Summerfield and Corinna Peniston-Bird Contesting home defence: men, women and the Home Guard in the Second World War 9780719074769_1_pre 2 12/9/07, 5:00 PM Paris and the Commune 1871–78 The politics of forgetting COLETTE E. WILSON Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave 9780719074769_1_pre 3 12/9/07, 5:00 PM Copyright © Colette E. Wilson 2007 The right of Colette E. Wilson to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk Distributed exclusively in the USA by Palgrave, 175 Fifth Avenue, New York, NY 10010, USA Distributed exclusively in Canada by UBC Press, University of British Columbia, 2029 West Mall, Vancouver, BC, Canada V6T 1Z2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 978 0 7190 7476 9 hardback First published 2007 16151413121110090807 10987654321 Typeset in 10/12pt Minion by Graphicraft Limited, Hong Kong Printed in Great Britain by Anthony Rowe Ltd, Chippenham, Wiltshire iv 9780719074769_1_pre 4 12/9/07, 5:00 PM Contents List of illustrations page vi List of tables viii Acknowledgements ix Chronology of key events 1870–80 xii 1 Introduction 1 2 Le Monde illustré: images between the lines 33 3 Du Camp’s Paris: between history, memory and reportage 92 4 Zola’s ‘art of memory’ 131 5 Paris and the Commune in the photographic imagination 174 6 Conclusion 207 Bibliography 212 Index 231 v 9780719074769_1_pre 5 12/9/07, 5:00 PM List of illustrations 1 ‘paris-commune – Aux Tuileries – Rapprochements et contrastes – (Dessin de M. Jules Noël)’ Le Monde illustré, 27 May 1871 page 42 2 ‘les œuvres de la commune – La colonne aussitôt après sa chute – Fédérés et faux marins plantant le drapeau rouge sur son socle – (D’après nature, par M. Lançon)’ Le Monde illustré, 27 May 1871 45 3 ‘paris-commune – La colonne avant sa chute – Moyen employé pour la détruire. (D’après nature, par M. Chifflard [sic])’ Le Monde illustré, 27 May 1871 47 4 ‘l’agonie de la commune – Marins, infanterie de marine et 74º de ligne purgeant le Père-Lachaise des derniers insurgés, le samedi 27 mai à 8 heures du soir. (D’après le croquis de M. Robida)’ Le Monde illustré, 24 June 1871 55 5 ‘histoire de paris – les nuits de mai. (Dessin de M. Chifflard [sic])’ Le Monde illustré, 7 October 1871 60 6 ‘histoire de paris – les nuits de mai. (Dessin de M. Chifflard [sic])’ Le Monde illustré, 7 October 1871. Detail 60 7 ‘l’an mil huit cent soixante et onze!... (Composition de M. Ed. Morin. Texte de M. F. Coppée)’ Le Monde illustré, 30 December 1871 64 8 ‘l’an mil huit cent soixante et onze!... (Composition de M. Ed. Morin. Texte de M. F. Coppée)’ Le Monde illustré, 30 December 1871. Detail 65 vi 9780719074769_1_pre 6 12/9/07, 5:00 PM List of illustrations 9 ‘1878! – notre objectif (Composition de M. Ed. Morin)’ Le Monde illustré, 5 January 1878 66 10 ‘l’exposition universelle – Intérieur du pavillon de la Ville de Paris, situé au centre du Palais du Champ-de-Mars – (Dessin de M. Clérget, d’après le projet en cours de M. Bouvard, architecte)’ Le Monde illustré, 20 April 1878 68 11 ‘revue comique, par cham’ Le Monde illustré, 1 June 1878 70 12 ‘revue comique, par cham’ Le Monde illustré, 9 November 1878 73 13 ‘les grands travaux de l’exposition. – Le Pont d’Iéna surlévé et élargi – (Dessiné le 12 avril par M. Férat)’ Le Monde illustré, 27 April 1878 75 14 ‘les grands travaux de l’exposition – Le Pont d’Iéna surlévé et élargi – (Dessiné le 12 avril par M. Férat)’ Le Monde illustré, 27 April 1878. Detail 75 15 ‘les grands travaux de l’exposition – Installation sur son piédestal de la statue colossale du CHARLEMAGNE de feu Rochet (Dessiné par M. Scott le 13 avril)’ Le Monde illustré, 27 April 1878 76 16 ‘paris le 30 juin 1878 – La Fête de nuit – L’entrée du Bois de Boulogne par la porte Dauphine (Dessin de M. Scott)’ Le Monde illustré, 6 July 1878 84 17 ‘revue comique, par cham’. Le Monde illustré, 5 May 1877 149 18 Charles Soulier. The ruined Tuileries Palace, interior view, the peristyle, south side, looking out towards the Arc de Triomphe du Carrousel, Paris incendié, mai 1871. Photograph 180 19 Charles Soulier. The ruined Tuileries Palace, interior view, Paris incendié, mai 1871. Photograph 181 20 Charles Soulier. Salle des Maréchaux, Paris incendié, mai 1871. Photograph 182 21 Edouard-Denis Baldus. ‘Palais des Tuileries. (Avant l’incendie de 1871)’, Les Principaux monuments de France, 1875. Heliogravure 195 22 Edouard-Denis Baldus. ‘L’Arc de Triomphe du Carrousel’, 1875, Les Principaux monuments de France. Heliogravure 197 vii 9780719074769_1_pre 7 12/9/07, 5:00 PM List of tables 1 Estimated average annual sales figures for the quality illustrated press page 39 2 Paris: ses organes: number of editions and/or reprints of individual volumes 98 3 Les Convulsions de Paris: number of editions and/or reprints 124 viii 9780719074769_1_pre 8 12/9/07, 5:00 PM Acknowledgements This book is based on the research I carried out while a doctoral student at Royal Holloway College and I would like to take the opportunity to express my gratitude both to the College and to the AHRC for their financial support, to Robert Lethbridge for supervising the original thesis, and especially to Ana Carden-Coyne, Alison Welsby, Emma Brennan and the anonymous readers at Manchester University Press for all their hard work on my behalf to bring this book to publication. Very special thanks are due in addition to my colleagues at the Institute of Germanic and Romance Studies, particularly Naomi Segal and Martin Liebscher for their advice on aspects of the book, and Gill Rye for giving me the opportunity to test out my ideas by teaching a unit on the Commune on the MA in Cultural Memory, and I shall always be grateful to my students for their enthusiastic participation in my seminars. I would also like to thank the editors and reviewers of Les Cahiers naturalistes, French Studies, Romance Studies, the Journal of European Studies and The 2001 Group, who published early versions of some of the chapter sections. Romance Studies and the Institute of Germanic and Romance Studies also kindly contributed to the cost of acquir- ing copies of some of the illustrations. I have presented aspects of my research at various conferences and seminars and I am very grateful to the scholars I met at these events for their questions and comments as well as to the many colleagues and friends who in their vari- ous ways helped me or facilitated my research, including: Aimée Boutin, Andrew Bowie, Alison Finch, Michael Freeman, Anne Green, Tom Gretton, Catherine Guy-Murrell, Alec Hargreaves, Susan Harrow, Alec Honey, Susan Hopkins, John House, Edward Hughes, Debra Kelly, Bill Kidd, Rachael Langford, John O’Brien, Alain Pagès, Pamela Pilbeam, Keith Reader, Adrian Rifkin, Helen Roberts, Hugh Roberts, Michael Sheringham, Penny Sewell, Rebecca Spang, Nick White and Geoff Woollen, as well as the staff at the Bibliothèque historique de la Ville de Paris, the Bibliothèque nationale de France, the British Library, the Institut ix 9780719074769_1_pre 9 12/9/07, 5:00 PM Acknowledgements de France, the Institut français in London, the Musée Carnavalet (Catherine Tambrun and Christiane Dole), the Musée d’Art et d’histoire at Saint-Denis (Sylvie Gonzales and Laurence Goux), the Musée d’Orsay (Quentin Bajac), the National Museum of Photography, and the Victoria and Albert Museum (Martin Barnes, Mark Haworth-Booth, Ulrich Lehmann and Rosie Miles).