Scholes boxes: Numerical list Upright boxes: 1. Abel - African tour (1939) 2. Agazzari - Angles 3. Anglican Chant - Apthomas 4. Araktchieff - Ayrton 5. Baake – Bach .8 6. Bach .9 - .16 7. Bach .17 – Ballad Opera 8. Ballade – Barkhoudarian 9. Barkworth – Bax .2 10. Bax .3 – Beethoven .5 11. Beethoven .6 - .13 12. Beethoven .14 - .23 13. Beethoven .24 – Belocca 14. Bemberg – Berlioz .3 15. Berlioz .4- Bittner 16. Bizet – Bliss 17. Blitheman – Borodin 18. Borowski – Braham 19. Brahms .1 - .8 20. Brahms .9 – British Museum 21. Britten – Bruch 22. Bruckner – Busoni 23. Busschop – Calypso 24. Camaano – Casas 25. Casella – Chamber music 26. Chamberlain – Chopin .2 27. Chopin .3 – Cimarosa 28. Cinema – Coleridge-Taylor 29. Collaboration – Concert .3 30. Concert .4 – Consort 31. Contemporary Music – Copyright/Performing Right 32. Corbett – Criticism .2 33. Criticism .3 – Curiosities .2 34. Curiosities .3 – Daquin 35. Darcieux – Debussy .5 36. Debussy .6 – Delibes 37. Delius – Dibdin 38. Dicken – Dotzauer 39. Double organ – Duvivier 40. Dvorak – Education .2 41. Education .3 – Electrophonics .1 42. Electrophonics .2 – Elgar .7 43. Elgar .8 – Engelsbert 44. England - Esposito 45. Esser – Father O’Flynn 46. Fauré – Fitzwilliam Virginal Book 47. Flackton – Fould 48. Foundling Hospital – Frere 49. Frescobaldi – Georges 50. Gerbert – Giordano 51. Giovanelli – Goeyvaerts 52. Goldberg – Gowings 53. Grabu – Greene, H. P. 54. Greene, M. – Gudenian 55. Guerra – Handel .2 56. Handel .3 - .10 57. Handel .11 – Harrison 58. Harriss – Haydn .5 59. Haydn .6 – Higgs 60. Highbrow - Holbrooke 61. Holcroft – Honegger .1 62. Honegger .2 – Hunter 63. Hunting music - Industry 64. d’Indy – Isouard 65. Italy – Jewish music 66. Jew’s Harp – Kennedy-Fraser 67. Kent – Korngold 68. Kosa – Landowska 69. Landowski – Leschetizky 70. Leslie – Liszt .2 71. Liszt .3 – Loeillet 72. Loewe –MacDowell .4 73. MacDowell .5 – Mahler .1 74. Mahler .2 – Marix 75. Mark – Mazzini 76. Meacham – Mendelssohn, Fanny 77. Mendelssohn, Felix .1- .7 78. Mendelssohn, Felix .8 – Milford 79. Milhaud – Monteux 80. Monteverdi – Mozart .2 81. Mozart .3 - .10 82. Mozart .11 - Muschner 83. Musica antiqua - Nesvadba 84. Netzer – Nyström 85. Oakeley – Opera .3 86. Opera .4 – Orchestra 87. Orff – Organ .5 88. Organ .6 – Oriental Music 89. Orlandini – Parker 90. Parody – Percussion 91. Pergolesi – Piano Music 92. Piano Playing – Playford 93. Plé – Programme Music 94. Prohaska – Puccini 95. Pugnani – Quinible 96. Rabaud – Raselius 97. Rasse – Reed Organ 98. Reel – Rimbault 99. Rimsky-Korsakov – Roman Catholic Church Music 100. Romantic – Roussier 101. Row the Boat – Russia 102. Saar – Saxophone 103. Scalero – Schoenberg .2 104. Schoenberg .3 – Schubert .6 105. Schubert .7 – Schumann .2 106. Schumann .3 – Scott 107. Scriabin – Shakers 108. Shakespeare 109. Shannon – Sibelius 110. Sibinga – Smith 111. Smyth – Sowerby 112. Spain – Steck 113. Stefan – Strauss, R. .3 114. Strauss, R. .4 – Stravinsky .3 115. Stravinsky .4 – Sulek 116. Sullivan – Tansman 117. Tans’ur – Tchaikovsky 118. Tcharich – Thurn 119. Tibaldi – Trumpet Voluntary 120. Trunk – Use 121. Vaet – Vaughan Williams 122. Veale – Viol Family 123. Violin Family – Vyshnegradsky 124. Wachsmann – Wagner .12 125. Wagner .13 - .23 126. Wagner, Siegfried – Walton, Herbert 127. Walton, William – Wellesz 128. Wély – Wolf, Hugo 129. Wolf, J. C. L. – Zweers 130. Pictures – A – Balfe 131. Pictures – Ballad Opera – Bellamy 132. Pictures – de Belleville – Brewer 133. Pictures – Brian – Carrillo 134. Pictures – Carrodus – Cocteau 135. Pictures – Cohen – Czerny 136. Pictures – Dabadie – Electronic 137. Pictures – Elgar – Frederick the Great 138. Pictures – Freemantle – Gounod 139. Pictures – Gow – Harp 140. Pictures – Harper – Hoole 141. Pictures – Hopkins – Jommelli 142. Pictures – Jones – Leonard 143. Pictures – Leonardo da Vinci – Malchair 144. Pictures – Malibran – Meyerbeer 145. Pictures – Merulo – De Muret 146. Pictures – Murphy – Orff 147. Pictures – Organ – Pepusch 148. Pictures – Percussion – Publishing 149. Pictures – Puccini – Rizzio 150. Pictures – Roberton – Schoenberg 151. Pictures – Scholes – Sojo 152. Pictures – Soldat-Marie – Tchaikovsky 153. Pictures – Tcherepnin – Verdelot 154. Pictures – Verdi – Wagner 155. Pictures – Waits – Zucchelli 156. Scrapbooks 1 157. Scrapbooks 2 158. Scrapbooks 3 159. Pamphlets 1 160. Pamphlets 2 161. Pamphlets 3 162. Pamphlets 4 163. Pamphlets 5 164. Pamphlets 6 165. Pamphlets 7 166. Pamphlets 8 (Ward) 167. Pamphlets 9 (Stevens) 168. Programmes 1: United Kingdom 169. Programmes 2: London (General) 170. Programmes 3: London. Covent Garden, 1802; Westminster Abbey, 1834; Crystal Palace, 1872-1886 171. Programmes 4: London. Crystal Palace, 1887-1895 172. Programmes 5: London. Crystal Palace, 1896-1901; St. James’s Hall, 1892-1894 173. Restricted items ADDENDA UNCLASSIFIED CORRESPONDENCE letters to Scholes from ESB [Mrs. R. R. Buckley?], Vera Dawe (1950), W.M. Quirke (1916), A.Wyatt Tilby (1923), Prof. P. Wagner of the Internationale Gesellschaft für Musikwissenschaft, Fribourg (1930), and part of a letter from the unidentified composer of Peribanon describing the plot AUTOGRAPHS .1--WATERSTON letters and cards to singer Jean Waterston (1907-1920): Frances Allitsen, Sir Frederic H. Cowen, Ernst Denhof, Luigi Denza, James Friskin, Ernest Groom(?), Philip E. Halstead, Theodore Holland, John Ireland, Paolo Martucci, Friedrich Niecks, Adine O’Neill about Cyril Scott, Paul Reimers, Landon Ronald (L.R. Russell), Charles Kennedy Scott, Cyril Scott, Arthur Somervell, Johanne Stockmarr, Evelyn Suart (Lady Harcourt), Yves Tinayres, Jack B.Yeats. AUTOGRAPHS .2--PAGET 19 letters from Sir George Grove to Miss/Lady Paget and one to Sir James (1866- 1894); letter from Otto Goldschmidt offering autographs (1896) AUTOGRAPHS .3--FORBES letter to Scholes from D.L. Forbes (1943) sending autographs, including one from Chopin [not found in the Scholes collection]; letters addressed to her from Margaret Izarel, Cenicoff (?), and indecipherable signature; cut-out signatures that may have been enclosed with her letter: Jenny [Lind] Goldschmidt, Adelina Patti Nicolini, and R. Corney Grain (?) AUTOGRAPHS .4--HATZFELD letters from Sigismund Stojowski (1906) and Paul van Katwijk to Mademoiselle/Miss Hatzfeld AUTOGRAPHS .5--MISCELLANEOUS (I) letter from Eugen d’Albert to London publisher or dealer, Stanley, Lucas & Weber (1986?); two from William Sterndale Bennett to Mr. F. Low (1869, 1872); from Thomas Park to François Cramer; from Clara Schumann to “Liebe, verehrte Lady” (1868); from Arthur Sullivan to Miss Williams; and from Evangeline F. ...ar to Mrs. McDonald. SCHOLES PROJECT: Notes: --91.06.06--remember Canadian stuff distributed in VF, e.g., Canadian Boat Song --92.10.28--having worked out several problems about amount of detail, form, software, etc. by consulting many friends and colleagues, completed the first letter of the alphabet. Have set up windows to which are copied bibliographical data of separately published pamphlets. Some that merit cataloguing are removed to pamphlet boxes [(*)] others are left in or returned to appropriate subject file after description [*]. Offprints and reprints are not indexed but may be fully described if time permits. [Definitions: reprint has own pagination; off-print has original pagination and may or may not have a title page.] Also toggling with picture files: italicized (P) added to entry if picture file also exists and italicized complete entry if no information file exists. * means presence of original document, photo, negative, drawing, painting. These are inserted in mylar sleeves for protection. Also indexing names of all correspondents as I go along. [This is a change after PW's visit on 12 November--decided to index also those who have an entry, might bold face the entry to indicate presence of primary documents for those who are browsing. So went back and picked up the As and early Bs] Will keep an uninverted index at the end of each letter file and copy to a separate file for inverting and sorting. In general, keeping the same headings and sub-divisions as Scholes except where he separates into individual works--in the case of little material, have grouped into categories and listed the works on the outside of the file folder. Have left space in boxes where I suspect a file is missing, e.g., APPRECIATION. Have also been verifying in catalogues and dictionaries ambiguous names, but rarely go beyond Grove5 and Baker. In some cases I leave a bold-face note in the inventory for later checking of the source. Have eliminated all flat boxes of correspondence and arranged in alphabetical order to reintegrate into vertical files as I go along. {This has taken a lot of time and there are still some unclassifiable items} Shelf measurement by letter: A=5' become 3', B=24', C=13', D=7'6", E=3'6", F=4'4". G=3'6", H=11', I=1'4", J=1'4", K=3'6", L=8', M=12'4", N=1'7", O=4'4", P=9', Q=6", R=11'6", S=17'9", T=5'8", U=11", V=4', W=9'4", XYZ=1' TOTAL: 180'00 1992.11.17 Remember to explain in the introduction that "notes" are handwritten scribbles to himself, or handwritten and typed excerpts from identified articles or books, or typescript copy for what I presume are Radio Times entries usually stuck on pale green cards and filed with clippings unless there is extensive annotation or correction in which case I leave them in notes. Am doing very little in the way of internal organization, seldom putting in date order so duplication may still exist in large files (such as BALLET) and I correct only obvious